
Showtime has greenlighted three pilots: Andrew Gurland’s docu-comedy Gurland on Gurland, Michelle Ashford’s drama Masters Of Sex and Ann Biderman’s dramedy Ray Donovan. This marks the second round of pilot orders for Showtime’s new entertainment president David Nevins. The first one included drama Homeland and comedy House of Lies, both of which went to series.
Gurland on Gurland is a first-person documentary comedy written, directed and starring filmmaker Andrew Gurland (The Last Exorcism, The Virginity Hit), which reflects his real family life and the challenges he faces pursuing the next phase of his career. The pilot hails from CBS TV Studios, with Gurland, managed by Principato-Young, and studio-based Glenn Gordon Caron executive producing. This marks the first Showtime pilot from the cable division of sibling studio CBS TV Studios. It was developed by the division’s former head Bela Bajaria, who recently departed to run Universal Media Studios. On the broadcast side, Medium creator Caron just sold a drama project to CBS executive produced by James Mangold and Cathy Konrad.
Masters of Sex, from Sony Pictures TV, is an adaptation of Thomas Maier’s book Masters of Sex: The Life and Times of William Masters and Virginia Johnson, the Couple Who Taught America How to Love and chronicles the lives and the intriguing, unusual relationship between Masters and Johnson, the pioneers into the science of human sexuality whose research touched off the sexual revolution. Ashford wrote the script and is executive producing with Timberman/Beverly Prods’ Sarah Timberman and Carl Beverly, who set up the project while at Sony TV. (The company, which has three series on the air — FX’s Justified and CBS’ upcoming Unforgettable and A Gifted Man — moved to CBS Studios last summer.)
Ray Donovan, which will be produced by Showtime, was created by Southland creator Biderman. It is a dark family drama with comedic undertones about Ray, who functions as a fixer for the rich and famous in Los Angeles but himself is broken, with a troubled Irish family he can’t quite escape. Biderman is executive producing with Mark Gordon. Biderman, originally an executive producer on Southland, recently scaled back her responsibilities on the TNT series to a consultant tole. John Wells and Chris Chulack are running it. ABC Studios, where Gordon is under an overall deal, accommodated him for Ray Donovan, and he is expected to take passive interest in the project.
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Gurland On Gurland?
Seriously? I mean hey. I really liked The Last Exorcism…I liked it a lot. I think it was a smart use of the found footage format, the performances were good and I even liked the ending.
Good for him for making a good movie. We all know that is an accomplishment, and I await his next story.
But this sounds SO freaking self serving. Who cares what challenges he faces in Hollywood? Also, who does he think he is?
Not great imo. Does anyone know when we’ll know if HBO has picked up the Aaron Sorkin pilot? It finished shooting a couple of weeks ago.
Good lord, that description makes Gurland on Gurland sound absolutely insufferable.
Uh, he’s only 40. And if he can get a network to buy something that sounds as awful as this, then he must be doing something right.
Can Showtime survive without Bob Greenblatt? Will the shows be good without him?
Good question. David Nevins is an intelligent, but extremely cautious guy. He also seems to be giving a lot of work to a lot of his buddies (Sarah Timberman) or a lot of folks he knows from Imagine shows (Howard Gordon). On the other hand, she shouldn’t be faulted for going with people he trusts.
House of Lies looks more intriguing than Homeland. But give him time. It sounds like he’s been more eager to get away from the Greenblatt, female-driven half-hour model, but I’m not quite sure what Nevins is setting up in its place.
Gurland seems mismanaged to me. He’s old and missed his shot.
Sorry.
I expected something more from David Nevins.
Pilots usually undergo a period known as editing before networks decide to pick them up.
Thank god they have Homeland. This group looks weak and boring.
Kudos for Ms. Biderman’s success, but a knot hit my stomach with her now “consulting” on the Southland show. PLEASE whatever Messrs. Wells & Chulack do, do NOT make it a regular procedural type of cop show. It clearly is NOT, and that’s what makes it such a great show and another reason why it has become successful – even with Regina King not getting an Emmy nomination at the very least.
Let’s be honest here, the entire creative team that reinvented Showtime has left the network. None of the Nevins crop sounds exciting–and anyway, there’s nobody left there worth a nickel to promote it. Sad.
THE LAST EXORCISM was that “found footage” movie that actually had a film score and tried to wring horror out of its central image (featured on the theatrical poster) of a girl bending over backwards (gasp!).
And THE VIRGINITY HIT… wasn’t.
Yeah, this guy has “challenges,” all right.
a new project from Southland creator Ann Biderman? Yessssss!
What about the far more interesting Chew and 100 Bullets?
Personally I’m sad Biderman left SOUTHLAND, though it’s still a great show. But on a completely shallow comment, is that really her, and is she really 60? Because if so, wow. Woman does make 60 look good.
Now I’ve done my part for lowering the comment standards for the day.
Anyone who knows anything about the inner workings of Showtime will tell you that Nevins doesn’t have a clue. He will be fired soon. Bring back Greenblatt!
Ask anyone who’s worked with him: Andrew Gurland is cocky, arrogant and talentless. THIS WILL FAIL.