
EXCLUSIVE: After renegotiating Simon Baker’s deal late last year to give the Mentalist star a major salary bump, series producer Warner Bros. TV has now done the same for the rest of the cast of the CBS crime procedural, which returns for a fourth season this fall. Like Baker, co-stars Robin Tunney, Amanda Righetti, Tim Kang and Owain Yeoman have all added an extra year to their existing six-year contracts. In exchange, I hear Tunney, who was most recently at about $75,000 an episode, will now go up to over $100,000 an episode next season with built-in yearly salary increases that will bring her up to almost $200,000 per episode at the end of her contract. Word is that Righetti, Kang and Yeoman, who were in the $40,000-$50,000 per episode range, are going up to $70,000-$80,000 an episode with escalators that will take them to over $100,000 in Season 6 and all the way to $150,000 per episode in Season 7. Under Baker’s renegotiated deal, valued at more than $30 million, he is now making $350,000 an episode, a fee that is slated to go up every season, in addition to a significant piece of the series’ back end. The Mentalist was sold in off-network syndication in November 2009 in a rich deal with TNT that is fetching Warner Bros. $2.2 million-$2.3 million an episode.
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As long as the show is still on I really don’t care what they get paid, unless keeping them happy keeps it going then this is wonderful news.
This is a flagship show for CBS.
It is good in every way. I especially enjoy the great production values. For the connoisseurs; watch the show uncompressed, on an over-the-air signal, with an antenna believe it or not, on good plasma TV, not a low end LCD… The picture is impeccable.
The TV shows, like “The Mentalist” that are still shot on motion picture film, just have that, little something extra, that pleases the eye. Another good one shot on motion picture film, is ABC’s “Castle”. I wish CBS would get smart and shoot “Hawaii Five-0″ on film.
LCD’s are “low end?” Wow… tech knowledge fail right here. Plasma TV’s are outdated energy hogging tech that are easily out-performed by even midline LCD tech.
Don’t get mad.
Didn’t say LCDs are low end (I said ‘a’ low end LCD).
The high end Sony’s are really good.
A friend just bought a bargain LCD though and compared to my plasma, it is unwatchable. Cheap LCD crush black too much for my taste. Zero shadow detail.
I wish CBS would shoot 50 in the head. I agree on the mentalist though.
LOL. I agree. I tried 50 ,but dumped it after a few episodes . I was shocked to see such a lame unrealistic show coming from CBS , that usually makes great quality cop procedurals as The Mentalist,CM , CSI or NCSI.
Sorry to get all nerdy, but OTA is hardly uncompressed.
Yes you are correct. I find CBS’s OTA HD signal better than my Cable providers HD signal. Perhaps I should have said less compressed instead of uncompressed. All OTA is compress into MPEG-2.
I don’t mind nerds.
An uncompressed digital signal of course would take over 40 Mbps of data. OTA ATSC signals are limited to 19.39 Mbps. CBS is the only network whose affiliates even approach that, transmitting at up to 18.5 Mbps. That’s why I like watching CBS OTA. CBS doesn’t do sub-channels for that reason.
If Baker wins 350,000 per episode, do not understand what is said to have signed a contract for 30 million. The accounts do not match. Assuming that the figure is true, Baker episode earns half that Hugh Laury (700,000).
The article also discussed “back end” money and higher percentages of residuals (from re-runs). If he’s also listed as a producer, perhaps there’s an accompanying salary for that.
In England “mentalist” means lunatic or crazy person. Hence I can never take this show seriously
That’s an outstanding profit margin.
So true. The title is wrong, wrong in the UK. It makes me laugh every time I read it in the schedules. Ask Alan Partridge he will confirm. (and if that name means nothing then you have a huge comedy gap to fill)