
In the latest round of script sales, ABC has nabbed a high-concept light drama from No Ordinary Family co-creator/executive producer Jon Feldman. Described as Moonlighting meets Early Edition, the project centers on a charming ex-con (think George Clooney in Ocean’s Eleven) who realizes that he’s receiving video links to the news reports of the beautiful, ambitious TV crime reporter who once upon a time put him away. The only catch: He’s getting her news stories before she actually films them, giving this unlikely duo 24 hours to prevent the crimes from taking place. Feldman is writing the script and is executive producing with fellow No Ordinary Family executive producer Bob Sertner for ABC Studios
where the two are based with overall deals.
Through his deal at CBS TV Studios, Samuel L. Jackson has sold a legal show to CBS. Written by Rob Bragin (Greek), the untitled project centers on a father and a son. Jackson and Bragin are executive producing for CBS Studios and Jackson’s UppiTV.
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The Jon Harmon Feldman sounds similar to his old series Tru Calling with Eliza Dushku who used to relive days to prevent murders. Cast her as the news reporter and it’s kinda back.
Really? Really? For the life of me, I can’t figure out why broadcast television is in a creative slump……
Wow, way to rip off Early Edition.
Why does this non talent keep getting deals? He runs a terrible writers room. He antagonizes on screen talent. His ideas are ripped off from other movies or TV shows. He’s off putting and hard to deal with. His track record is lousy and yet there is always a deal for him.
Does he know where some bodies are buried?
What am I missing? Please explain.
Nearly everything is referred to as “Moonlighting-meets-” when discussing a show about opposites attracting with light banter and chemistry and a bit of action mixed in. But shut up. Not only does it almost never work out (let’s remember the short-lived “Standoff”, which was torn between being “Moonlighting” and sticking to the procedural structure that networks get hard-on’s from), it usually turns out the series who are given this “Moonlighting-meets-” label actually are nothing like “Moonlighting” and they just said this because it sounds good (“Bones”, “Castle”, everything!).
And as great as Moonlighting was, I think the TV world romanticizes it a bit too much. Because outside of seasons 1 & 2, what you have is a mess of a series that by today’s standards would have been gone faster than “Early Edition” was from all of our collective minds once it too bit the dust in 2000 (sans you diehard fans out there whom I respect).
Jon Feldman, his past four series on ABC being discarded and thrown away like a bad coffee from an intern, deserves a hit and a solid show at this point. So good luck Jon! Maybe under the new Paul Lee dynasty he’ll be given that chance. This concept does indeed sound worthy and fun if done right. But here’s food for thought – and having worked in Network tv and development (hell) and just being around town, I know this for a fact (as factual as anything can be in hollow-wood) – even when Networks say they want the next MOONLIGHTING, once they have it as a series they are just going to force it into becoming a standard, boring procedural which, if it goes off the main story (you know, into fun character land), then they’ll gripe &make the showrunner tone down the humor and fun and (again) character development. These Networks, they love a procedural, they want a procedural, they’ve convinced themselves they need a procedural, they just pretend they don’t… until they actually greenlight the series and start giving their notes.
Why does Jon Feldman “deserve” a hit. His shows have all been discarded, because his writing isn’t just light, it’s lightweight. It’s so LCD and lame. The exact type of guy who keeps getting pilots that you read and scratch your head. And sometimes they even make them. This will never be a series. In his wildest dreams if Feldman knocks it out of the park and writes his best pilot ever, maybe it gets picked up. But even in that implausible scenario, no way it’ll last a season. I just can’t figure out why the execs paying for this don’t know that.
Totally agree with you Plus V – but this is network TV and ABC’s demo is OLDER WOMEN. They want the hot detective/ex con and saucy reporter or cop to team up and have the pent up sexual tension that is part of the cookie cutter procedural studios/nets have been successful with for a long long time. What we need is to see shows created for a different demo using high concept ideas like this in ways that surprise us…
From the mind of Feldman comes……another rehash of a middlebrow series. I have worked with him, and he’s no Glenn Caron. Of course, Glenn is no picnic, but at least he *has* ideas.
I can only hope that I’m continually handed opportunities after repeated failures. Oh, wait I’m not white. Nevermind.
Racial antipathy aside, in what mind does “Moonlighting meets Early Edition” sound like a good idea? Alas I am but a lowly wannabe different only in the sense that my mediocre ideas have not blossomed into cancelled mediocre television shows. By all means let’s dig up this corpse and prop it up at the dinner table.
Did anybody elses brain hurt after reading the Feldman synopsis?
Feldman’s show isn’t kind of like Early Edition, it is EXACTLY like Early Edition. No originality needed in Hollywood anymore, thank you very much, we only accept Derivatives.
Don’t mean to interrupt all the Feldman bashing, don’t know him. But I do know Rob Bragin, and he is a great guy and a terrific writer, and I congratulate him on his awesome news.
Yikes, heavy personal bashing, and from what i know, undeserved. Jon’s a good and smart guy, very hardworking and i hope this works out for him.