Alcon Entertainment has acquired a controlling stake in boutique managment firm Madhouse Entertainment. Alcon announced today that it hopes the deal will be the first in a series of moves into the talent management biz. Among Madhouse’s top clients are Dave Andron, co-exec producer on FX’s Justified, Liz Garcia and Josh Harto, who created TNT’s Memphis Beat, and screenwriter David Guggenheim, whose horror film Safe House debuts for Universal this month. Alcon’s chief executives Broderick Johnson and Andrew Kosove will oversee the new divison, Alcon Management Enterprises. Alcon, which is backed by FedEx founder Fred Smith, was behind last year’s The Blind Side. It is currently developing a remake of Blade Runner with Ridley Scott and will next release “A Dolphin Tale.”


Is Robyn still at madhouse she is a rock star. Great developer and negotiator. Kolberenner and her are the best 1-2 punch in the lit management business. Look up Robyn and Adam’s clients the list on here is like calling the Celtics Danny Ainge’s team.
A shout out to Madhouse’s Ryan Cunningham.
Professional and a pleasure to deal with.
Somebody needs to start developing in-house for these two… That flipper movie ain’t gonna cut it.
Enough already. I can’t think of any other industry where investing in middlemen would be a sane idea, but you know, in Hollywood apparently it is.
Oh the bygone days when creatives like writers and directors just needed a great agent — fine, here’s you 10% for a job well done. Nope, now “in this climate” we witness the advent of the manager, now a required accessory for any creative, including unsold writers, sucking out another 10% (or even 15%), oh and don’t forget the lawyer, but the lawyer is also taking a percentage of your earnings, instead of an hourly rate like they do for handling contracts IN VIRTUALLY EVERY OTHER INDUSTRY.
And what are creatives getting in return for turning over more and more and more of their paychecks to middlemen supposedly looking out for their interest? Producer’s passes and pitch sweepstakes and free rewrites and working on spec. Thanks, reps.
Yeah, yeah, bitter writer go home! Do something else if you don’t like the state of the industry. Well, OK, lots of talented and gifted writers are doing just that, and the industry is left with trust fund babies who don’t need to work to eat and 20 year olds happy to do it for free. What kind of scripts come out the other end? People paying attention in the industry have seen this process at work, and now the ripples are reaching the paying audience. And they don’t like what they see.
Rock stars, indeed. These are two talented folks. I’m surprised the rest of the lit. managers have any clients at all.
Although I’m not a client (long story, short – not their fault), I’ve actually dealt with all four managers at Madhouse. Each of them are amazing. Collectively, they’ve got to be one of the best (if not the best) management companies in town. Good for them. They deserve it.
Although I’m not a client (long story, short – not their fault), I’ve actually dealt with all four managers at Madhouse. Each of them are amazing. Collectively, they’ve got to be one of the best (if not the best) management companies in town. Good for them. They de