
EXCLUSIVE: I’m hearing that Warner Bros Theatrical Ventures is in for a major shakeup, one that will put former studio chief Alan Horn atop the studio’s theatricals division. I’ve heard that Gregg Maday, who has long headed the studio’s stage ventures, is being let go, and that Raymond Wu will be elevated to the top slot. Word is that he might share the top job with another executive, and that a top candidate is Mark Kaufman. He’s the former New Line executive who moved with Bob Shaye and Michael Lynne when they started the production company Unique Features. But Kaufman was also the hands-on exec in the movie transfer of the hit stage musical Hairspray and the stage transfer of Elf, hatched from the hit New Line movie. I hear all this is imminent. Both execs will report to Horn, who retired as studio chairman last spring. Overhauling this division becomes one of Horn’s major priorities.
While Warner Bros has a Sam Mendes-directed adaptation of Charlie and the Chocolate Factory in the offing (it goes into rehearsals in late 2012, after Mendes finishes James Bond, and will open Easter 2013 in the UK), the move follows last weekend’s costly closure of Baby It’s You, the Floyd Mutrux-penned musical based on the songs of the Shirelles. There was also Lestat, an unsuccessful transfer of Anne Rice’s Interview With the Vampire. Elf has been a bright spot and is expected to be trotted out as a holiday perennial. Maday came from CBS Television with big plans to do a musical version of Batman that never really got off the ground. Warner Theatricals makes millions in annual revenues licensing studio library titles for the stage. That includes The Wizard of Oz, which Andrew Lloyd Webber licensed for the musical he’s working on, and which has been exploited for the past decade by the Royal Shakespeare Company. The feeling is that the right executives could really turn this theatricals division into something. Disney has been turning its product into musicals for years. Spider-Man: Turn Off The Dark shows how complex these transfers can be, but the ones that work pour off cash. Maday had a long time to get it done and just never did. Developing…


If all else fails WB Theatrical should get Alan Horn to do a one man Broadway show in which he spends 2 hours just telling showbiz anecdotes to the audience.
Call it ‘Blowing My Own Horn!”.
Money. In. The. Bank.
It’s the least WB could do for Alan after a killer 11 year run minting them money. And then getting betrayed (yes, betrayed) for his troubles. Use the jet often AH!
Mark Kaufman is the perfect choice for that gig
That’s really a shame–Maday is a class act who made a ton of money for WB and for CBS before that (handling Murphy Brown, etc.). He’s got great instincts for material and a real feel for the creative process.
I hope that’s true about Mark – he’s a great guy, with a terrific eye for material.
Being mean-spirited takes more energy that being positive and/or neutral. Smart – aleckey is so passe.
Gregg is a gracious man who treated me fairly on a project we worked on. You can’t ask for more. I wish him well, as I do the new crew.
I hope it’s true about Mark Kaufman. He’s a true creative producer and one of the most passionate theater fans I’ve ever met. He understands that business, has a love and understanding for the material, and will really jumpstart that division, which has long been moribund. Alan Horn is a true gentleman, and I’m sure he, Mark and Ray will make an awesome team. Mazel Tov to all.
Thanks to the Deadline team for following that story. But why place another movie exec into live theatrical? Disney Theatricals had a team with its roots in theater (Schneider and Schumacher) along with well known musical titles to adapt for the stage. WB’s got titles galore and should have a strong, visionary theater producer steering the ship. It should also be based in NYC not LA -it makes a huge difference. Oh well, new leadership is new leadership. Good luck to Wu and Kaufman!
I guess when your 12-year resume running a theatre division has you only responsible for producing a $14 million Broadway flop (Lestat) followed by a likely $8 million or so flop (Baby It’s You), Warner Bros can’t help but notice that this might not be the right man for he job.
Regarding Elton John’s LESTAT. When it was done in San Francisco. I regret to say, I was one of those that paid money to see it,
If I recall correctly, the Warners Bros man-on-the-scene didn’t seem to be there. The show was a mess, and Elton never went to San Francisco to see it, Where was Warners on that one? Oh, makin’ movies!
They put an individual, inexperienced in the ways of producing a Broadway show – it sure showed – and now they’re crying the blues.
And, they obviously didn’t learn their lesson.
When will Hollywood get it through their head that movies and Broadway shows are different art forms, and require different techniques in their management style.
Having seen “Lestat” on Broadway and watching the San Francisco version on video I can say that the Broadway version had it’s own issues thanks to alot of changes that were made after the San Francisco run. Elton John’s original version of the music was amazing, and is something I still listen to often. If it was handled right by Warner Bros. it could have been a great show on Broadway and would still be running today. Hopefully this new leadership with allow Warner to finally make some great theatrical shows.
And don’t forget that Elf can only run two months out of the year, so it can probably only be profitable if it runs a few years around the holidays and sells out. Doesn’t seem like it’s happening this year which is weird because it sold very well last year according to the grosses. Seems like Maday dropped the ball again.
Hey i’m thinking about my Thanksgiving Turkey from Alan- Will he still be sending those out?
My assist loved it