One of the UK’s most powerful talent agents has blasted British TV as an institution that’s run by “clever people making clever rubbish.” Peter Bennett-Jones, founder of Endemol-owned Tiger Aspect (Mr Bean, Billy Elliot), said last night at the annual BAFTA TV Lecture in London that “shaking things up needs to be a higher priority.” He added: “Original and polemical programming is in the casualty ward … My plea to writers is to pursue your passion, agitate away. We should be out there provoking and causing offence.” Bennett-Jones said that he disagrees with the priorities that Google Executive Chairman Eric Schmidt and News Corp Deputy COO James Murdoch laid out in their recent Edinburgh TV Festival speeches. Schmidt said that programming decisions should be based on statistical analysis of viewing habits and data while Murdoch said they should be based on profitability. “I’m not saying ignore the data,” Bennett-Jones said. ”I’m just saying don’t have so much faith in it. Stop asking Picasso and Michelangelo to paint by numbers.”
Bennett-Jones’ comments are important: With a client list that includes comedians Rowan Atkinson, Eddie Izzard and Armando Iannucci, BBC news anchor Kirsty Walk calls Bennett-Jones “the man too powerful to piss off.”
But U.S. broadcasters don’t seem to agree. Bennett-Jones says that he has been battling with HBO on behalf of Iannucci, executive producer of VEEP, starring Julia Louis-Dreyfus. “Anybody who’s made programming for American broadcasters realises that as a programme supplier you’re treated with less respect than you are here. Quite often you have to just hand over the rushes, which would be an anathema here.”

I agree that the same applies to the TV and film biz in the USA. Shake things up people! Like Congress, we need to fire all these studio and network execs who are programming the creative end of the world
Really? For someone who is credited for putting forth RUBBISH such as ‘Mr. Bean’s Vacation’, ‘Kevin and Perry Go Large, and ‘Dog and Dog’ he sure hasn’t shaken up much except the garbage pile.
You clearly are forgetting he has made over 500 programme titles, including huge hits like vicar of Dibley, mr bean, murphy’s law and Omagh.
I’ve got to agree with this. I work in the TV industry here in the UK on factual-entertainment programmes such as ‘Come Dine With Me.’ Every newly commissioned programme has another popular ratings-proven programme at it’s core – emphasised during the pitching process. Because of this there’s a real lack of original programming. But moreover, there’s a lack of support from commissioners and broadcasters who aren’t willing to be more daring and take a chance. It’s limiting for everybody involved.
It doesn’t matter anymore.
If you’re under 30 all you care about is your tweets, facebook, weed, and texts. TV is soooo yesterday.
As someone who is 22, I think you should talk to more people under 30.
Just like Jerry Lewis said about the industry sucking the spirit out…It’s about time that people start to make these comments.
Good post. The fact that he publicly called out HBO for their pushback on team VEEP supports other claims in the piece. I don’t get why a network would hire Armondo Iannucci (fresh off a surprise Oscar nomination!) and ask him to be anything less than provocative/edgy/dangerous.
You believe that because he gives one purported example of one purported claim, that “supports other claims in the piece?” Huh? BTW, it’s impossible to believe that the benign and dignified gentlepeople at HBO can be taking too many thumbscrews and whips to the poor poor creatives.
Actually the HBO team should have pushed back a whole lot more. Just saw the Veep pilot; I’m shocked to say it is an absolute brick; awful and about as funny as a bag of concrete. Much more in the tired style of a bad network sitcom that what I’d expect from HBO. Quite surprised.
Heres the problem. People can now sort through hundreds of offerings and find what they want to watch. Execs thing that they are failing when people dont watch what THEY want them to watch – the agenda loaded, unfunny comedies and uninspired dramas that ‘agitate’ ‘provoke’ and ’cause offense’. In case you havent noticed the economy is in the tank and we are all working harder than ever and when we come home we want a diversion.
Maybe if England could make a show that lasts longer that 6 episodes a season?
Where is the second season of “Dem ‘Oligans”?