

EXCLUSIVE: With the network buying season winding down, heavyweights Greg Malins and Greg Berlanti scored a put pilot commitment at CBS for a half-hour project the two will co-write and executive produce. The multi-camera comedy hails from Warner Bros TV, where Malins and Berlanti are based. It centers on notorious womanizer Nick who, after surviving a health scare, realizes that “The One” he has never found is actually his best friend of 15 years, Wendy. Problem is Wendy is engaged to a guy Nick likes, she and Nick own a business together and their attempt at dating back in college was a disaster.
It marks the second sale to CBS this season for both Malins and Berlanti. Former Friends and How I Met Your Mother executive producer Malins is co-writing/executive producing with Bill Lawrence a multi-camera workplace comedy that recently landed a pilot production commitment from the Eye network. And Everwood creator Berlanti is executive producing a Nick Wootton-penned cop drama, which has a put pilot commitment at CBS.
Malins has strong ties to CBS. In addition to his stint as an executive producer on the CBS/20th TV How I Met Your Mother, he also serves as a consulting producer on the network’s hot new comedy series Two Broke Girls, from WBTV.
This is the first half-hour comedy effort by Berlanti, who has made his mark on the hourlong side as showrunner on Brothers & Sisters and Dawson’s Creek and co-creator of Eli Stone and No Ordinary Family, among other series. The sale takes Berlanti’s 2011 batting average to 4-for-4 in pilot commitments this development season — Berlanti’s first at WBTV — out of 4 pitches taken out. The other 3 are on the drama side, all penned by close Berlanti collaborators: a high-concept crime drama project at NBC with writer Maggie Friedman, a legal drama at Fox penned by Marc Guggenheim and Wootton’s cop drama at CBS. Malins and Berlanti are with WME.
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love it
interesting collab.
Fantastic! Clearly going to be a big year for Malins and Berlanti.
I’m a fan of both.
HOOOOOOOOOTTTTT pitch! Everyone wanted this. Can’t wait to check it out, gonna be a great show!!!
So they ripped off “When Harry Met Sally’?…expected more from them than taking credit for other people’s projects.
It would help to actually see When Harry Met Sally before you cry “ripoff.” Yes the show’s concept is derivative, but not of that movie. It also doesn’t mean it won’t be brilliant. This idea has more in common with Casablanca’s relationships than those in WHMS. It’s not about originality so much as execution, and there’s every sign it will be well done. I hope it is. These are talented guys, and every time a well-made show finds an audience, everybody wins. No need to wallow in bitterness about the success of other people.
Loves it.
I can’t imagine how saccharine a Berlanti comedy will be. His dramas redefine the word ‘mawkish’. Doesn’t seem to have affected his ability to get a job, however.
The comedic super strength of Malins, the balls to the wall work ethic of Berlanti, the chemistry between these two dudes — Oh, AND on the kick ass multi cam comedy superstar CBS?!!! Come on.. it’s almost unfair. This is gonna be good.
This had to be written by an agent.
“Balls to the wall work ethic?” What is that?
Haha, I wish. I’d be rich and retired. I’ve worked with both and think that of the majority of the put pilots this season, this one feels like the perfect formula. I’m just a TV girl.
I like how Berlanti’s people are trying to oh-so-quickly sweep “Green Lantern” under the rug (no mention here whatsoever)…fine, actually because I never quite understood how he got that gig anyway… Clearly Warner Bros. is avoiding the subject, too!
pretty sure there’s a sequel coming, so… not so under the rug.
Is there? Call me when there’s a trailer…
(I smell “Superman Returns” syndrome…and even that did *twice* what “Green Lantern” did domestically!)
If there’s another Lantern film in the near future from Warners, it will have nothing to do with the first entry (a la how they’re going about ‘Man of Steel’).
I’m being adamant about this argument because I really believe that the script was ‘Lantern”s worst problem!
Actually the first draft of Green Lantern that Berlanti wrote was pretty good…it went rapidly downhill with each subsequent one.
The person who deserves the put pilot commitment is Berlanti’s publicist. Fake Empire and Wonderland have sold much more, and yet each Berlanti pilot gets its own big press. Enough already. Let’s see how many of these actually go forward. Especially once Greg focuses on movies the way he did with his ABC deal.
Seriously, why all the negativity? I’m hopeful that this will bring more jobs back to LA. Wouldn’t it be nice to actually work again?! I hope that everyone involved has a great run and it creates jobs for years to come.
Another high concept premise better suited to a movie than a TV series. But thanks to all the writers’ agents/managers/lawyers for weighing in here.