EXCLUSIVE: Sony Pictures has hired Dante Harper to adapt Foundation, the groundbreaking Isaac Asimov science fiction trilogy which Roland Emmerich is developing to direct. Emmerich has been attached since the studio acquired the property in early 2009 when he and former Centropolis partner Michael Wimer won a multi-studio auction as the rights became available. Originally published as a short story series in Astounding Magazine in 1942, Asimov’s Foundation is the complex saga of humans scattered on planets throughout the galaxy, all living under the rule of the Galactic Empire. The protagonist is a psycho-historian who has an ability to read the future and sees that the empire will collapse imminently. He sets out to save the knowledge of mankind from being wiped out. Robert Rodat was first writer on the project.
Harper broke onto the scene with a Timothy McVeigh biopic called Dreamland that Plan B is producing. He wrote Black Hole for David Fincher at Paramount and did the production rewrite worl in Hansel & Gretel: Witch Hunters, which stars Jeremy Renner and Gemma Arterton. Harper’s big sale came when his script All You Need is Kill was acquired by Warner Bros. The film is on a fast track, with Doug Liman directing. The studio is out to cast and the film is a priority. Harper is repped by CAA and Management 360.
This becomes the second major development on a work by the late Asimov. 20th Century Fox, which previously adapted Asimov’s I, Robot into the Will Smith hit, just hired director Henry Hobson, screenwriter John Scott 3 and producer Simon Kinberg to team on The Caves Of Steel, a futuristic murder mystery.







And good luck to him!
Turning another Asimov snorefest in which “characters” endlessly spout exposition masquerading as dialogue will, I’m sure, go very smoothly!
There’s a reason this book has taken so long to get to the screen. It’s completely unsuited to it.
Don’t get me wrong: The man had brilliant ideas and also wrote some great works of non-fiction, but his grasp of drama was a little shaky.
Harper has his work cut out for him.
I read the books years ago but recall thoroughly enjoying them.
most people like this guy/chick did not understand or comprehend these writings. i find them profound
Will Smith had better not be allowed within a thousand feet of this production.
Ha!
Roland tackling Foundation is like Michael Bay filming a remake of Perfume.
Is it just the original three Foundation books they have rights for? or do they have options on the later books as well?
If it’s just the original trilogy, it will be interesting to see what Dante Harper can do with a series where Isaac Asimov himself said “All three volumes, all the nearly quarter of a million words, consisted of thoughts and conversations. No action. No physical suspense.”. Not to mention Hari Seldon, the character Mr. Fleming describes as the protagonist, is a wheelchair bound, 90 year old mathematician who’s dead after the first few dozen pages.
Then again, it seemed like the only part of Asimov’s “I, Robot” story collection that made it into the movie was the title.
On the bright side, this article reminded me of some classics that are due for a reread.
Actually, if the film intends to cover the entire trilogy, there will be no time for endless exposition. Is the intent to make a single film out of the trilogy, or more?
Finally! The greatest and most influential sci-fi stories of all time finally get their silver screen due! I can’t wait!
You’ll have to. I remember hearing reports about this dating back to 1995
Foundation is much more suited to a miniseries format, but if they focused on The Mule, they may be able to do something. However, Matthew C. Is right, this material isn’t exactly RE suited.
Another classic gets the ‘Atlas Shrugged Part 1′ treatment? Skip the movie; go read the books.
I shudder to think what Roland Emmerich will do to Asimov’s classic work of science fiction. In able hands it could be another 2001: A Space Odyssey rather than “Independence Day.”
Instead of trying to cover one entire book (or worse still the entire original trilogy) in one film, they should concentrate on the short stories of which each book is comprised. I would make four or five films. The first would be a action thriller based on “Prelude to the foundation” where Seldon is being hunted troughout Trantor and eventually discovers psycho-history. That movie would end with the opening prologue in the first (original) Foundation book (only the part which is on Trantor.
The second movie would have a short prologue on the creation of the Foundation on Terminus, and the eventual Imperial loss of the outer systems. Then the movie would concentrate on the short story of the Anacreon crisis. In fact this would be the entitled: “Asimov’s Foundation – The Anacreon Crisis”. I know the story only has a little action at the end, but it could easily be transformed adding more action.
The third movie would concentrate on the next transferable short story in the books…and so on.
The only character which will be in all the movies would be Seldon (and perhaps the Guardian robot), all other characters should not be in more than one movie.
The movies themes can shift depending on the story. The Bel Riose story could be a war movie. The mutant story could be a psychological thriller. If only the art direction, music and cinematography is consistent, the different styles would keep the movie series fresh.
Spaceboy, your ideas for Asimov’s Foundation Trilogy are brilliant. The powers that be at Sony should be hiring you as a consultant.
“political” sci-fi is zzzzzzzz. It’ll be like watching the Jedi council meetings ….
It will be interesting to see what comes about. The Rule about Writing a Script Based on a Book, is very Open, its just Based on the initial Premise, and the Author, fairly much has Carte Blanc to as he/she fits, though they will obviously come under public scrutiny. Its been since high school that I read it and I don’t remember it that well. I thought the Mini Series of DUNE was exceptionally done, though. Hope something Unique comes about with it. Its time Film Advanced with all the next capabilities, people want good Drama, Acting, Dialogue and Action.
Terrible idea. Foundation is a story best suited for books. A literal adaption wouldn’t make sense on the big screen, and anything else would miss the point entirely.
Just leave Foundation alone!
“Psycho-historian”? Truncating the phrase makes Seldon seem crazy.