
EXCLUSIVE: Four years after Tony Krantz left his TV producing career to focus on feature directing, he is mounting a big push in television with 8 projects set up at various broadcast networks, including a Scruples adaptation at ABC, which he is executive producing with Natalie Portman; a drama set in the New York restaurant world executive produced by chef/restaurateur Mario Batali; and an action drama about a foreign correspondent executive produced by former CNN president Jonathan Klein. The ramped-up small-screen development does not mean a return to TV full-time for Krantz, who helmed 3 features in the past 4 years, including most recently The Big Bang, and has 3 other potential film directing vehicles in the works.
Krantz, who was head of primetime packaging at CAA and CEO of Imagine Television before he embarked on a feature directing career, started building his Flame Ventures into an independent TV production company last year when it sold 5 broadcast projects. With the hire of Reece Pearson as head of development, the company has stepped up its TV efforts, selling 8 projects in the past few weeks. Flame is using an indie model similar to that employed by DreamWorks TV where projects are sold directly to the networks and then laid off at the nets’ affiliated studios.
At ABC, the company has Scruples 2. It is based on the 1978 novel by Krantz’s mother, Beverly Hills novelist Judith Krantz, who also penned a sequel in 1992. Bob Brush and Mel Harris will write the adaptation and exec produce with Portman, her producing partner Annette Savitch and Krantz. Warner Bros. TV is producing as it has the rights to the property via the 1980 Scruples miniseries starring Lindsay Wagner, which it produced. Also at ABC, Krantz is exec producing The Bakken, a show in the vein of Fargo, which is set in the North Dakota town where a huge oil reserve has been discovered, turning poor farmers into multimillionaires overnight. Josh Pate and Rodes Fishburne are the writers/exec producers. The project will be produced by ABC Studios, but that deal is still being negotiated. Chops, sold to the CW, is described as Felicity in the world of the restaurant business in New York. Feature writer Captain Mauzner (Factory Girl) will write the script and executive produce with Batali and Krantz. At Fox, Krantz has Live Shot Action, an action drama with a journalistic franchise at the center, which centers on an action junkie journalist. James Solomon and Michael Lucas are writing the script and exec producing with Klein. The project is in the process of being laid off at 20th TV. The Fixer at NBC, is based on the life of top New York attorney Edward Hayes. The Universal TV-produced project, which is being redeveloped after being originally set up at NBC last year, is written/exec produced by Wayne Kramer (The Cooler), with Krantz and frequent collaborator, former HBO exec Colin Callender, also exec producing.
On the cable side, Flame has mafia drama Emperor in the works at TNT, developed as a potential starring vehicle for Ray Liotta. Feature scribe Jonathan Hensleigh (Armageddon) is writing. At TV Land, the company has Live Talking Girls, a multi-camera comedy set behind the scenes of a View-type daytime talk show, from Designing Women creator Linda Bloodworth. And at Comedy Central, it has single-camera comedy The Bright Side, about an unscrupulous life coach, from writer Chris Bishop, with Dave Koechner producing and potentially starring.
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This an amazing accomplishment. He’s a stud and to have reinvented himself as a really interesting on the rise director while doing this is incredible. Good for him.
In 1993 I had a conversation with Tony Krantz about a spec comedy script I’d sent him. Get this – he actually read it. Then we had a real, live telephone conversation about it, what he like about it, and what he didn’t. It was the only time I’ve ever spoken to an agent where they sounded like a human being. Since then of course, the agency business has changed, considerably. Agents today are Borg-like: part human, part machine,can’t think or act for themselves without their assistant. Incapable of answering their own phones, much less returning a call. Striving tirelessly to impeded the wheels of the business like so many grains of sand in a dried piston, grinding away any chance for collaboration or dialogue, leechlike and parasitical and wholly responsible for so much of what’s bad in this business. Tony saw the writing on the I.M. Pei walls of CAA’s old building, got out and did something productive with his life. Good on him.
Why do they always do these restaurant TV shows in NY City? Is the whole country that insterested in the people working in these places? There is always the actress and the play writer. Yawn. And cooking is always an art. Yep, middle America can sure relate to that. Yawn again.
You’re so boring. How about a TV show about fast-food chefs that takes place at a McDonalds in Roanoke, VA. Middle America enough for you? Hmmm not as romantic or exciting as the three words “New York City,” huh?
Say what you want about Reagan-era cheeseball ’80s TV like the “Love Boat” or “Dynasty” but that stuff made you want to grow up and go places and do things, as opposed to sitting around, sniping on message boards, bitterly clinging to your guns and religion.
BitterJ, how your handle fits. Good luck to you.
Artful eating is a bunch of dog meat. Shove a burger and fries in the hole and be quiet.
Sure it’s boring, to me and you. But not to the millions of people who watch that crap and the $$$ in ad revenue they generate for the networks.
stick to producing….THE BIG BANG was lame.
huge yr! great job guys- takes a LOT of hard work to pull that off.
This is the real J. Artful eating. The other J is an imposter and should be treated as such.
Thank you.
Krantz always attaches stars to nominal ideas as a means to get them going and this push is to somehow keep him from sliding off the map as his directorial chops basically are straight to DVD flicks. That being said, most of these projects will never see the light of day.
Great smart guy!
Damn he’s busy…..I hope he leaves some time slots for Bruckheimer..LOL
J
Tony Krantz, simply, is one of the good guys who deserves this success. Nothing but hard work, focus and a genuine appreciation of people and creative. Proud to call him a friend.
Agents assistant”…couldn’t have said it better.
“Big Bang” was embarassing.Read the reviews…he can’t direct nor does he know how to produce anything where he doesn’t ride someone else’s name value…like Mario Bertolli understands a tv series??? and Portman is going to hang out on set everyday??? And how many times can you do “Scrupples”???…and ride his mother’s notoriety. she already pays his bills.
aka Stephanie Peterson:
I’ve been a network colleague of Tony’s since high school. Tony has been producing quality out of nothing since sophomore year. Never once have I seen him ride his mothers notoriety. She has never paid one of his bills. Tony has created substantial wealth for many in this town from his efforts, including clients, talent agencies, and himself. Big Bang was a first movie for Tony and for the writer involved — they both should be cheered for getting a film financed and made in the middle of a recession. He has the courage and tenacity to keep trying new things, at the same time he continues to build on a long and successful television career.
You likely wouldn’t be spending your Sunday afternoon writing snarky ill informed comments if you were as wealthy and credited as he is.