
Fifteen months after it signaled a move into half-hour comedy development with its first half-hour script buy under the current regime, top-rated cable network USA has greenlighted its first two half-hour comedy pilots in more than a decade: an untitled Douglas McGrath project (formerly On We Go), executive produced by Nathan Lane who is negotiations to star, and Michael Feldman’s Paging Dr. Freed. “The pickup of these half-hour comedy pilots underscores our commitment to broadening the appeal of USA’s entertainment brand,” said the network’s co-presidents Jeff Wachtel and Chris McCumber.
The orders put USA well on track to hit its goal of having half-hour series on the air by the fall 2013 launch of the network’s high-profile off-network acquisition, ABC hit Modern Family. The network has more half-hour scripts in development. Of the 12 series projects on its development slate announced at the USA upfront in May, five were half-hour. One of them was On We Go. USA ran several half-hour comedies under the network’s old regime in the 1990s, including Weird Science, USA High and Campus Cops, before USA rebuilt its brand as a home of light, character-driven hourlong series over the past decade. Here are descriptions of USA’s newly picked up half-hour pilots:
UNTITLED DOUGLAS McGRATH PROJECT (aka ON WE GO) is a half-hour single camera comedy about an unlucky actor whose Broadway aspirations must be put on hold when he returns to his Texas hometown upon his father’s health taking a turn for the worse. Nathan Lane will star and serve as executive producer. Douglas McGrath (Bullets Over Broadway) will write and executive produce the pilot from Universal Cable Prods. Lane is currently filming Snow White opposite Julia Roberts and will segue to The English Teacher with Julianne Moore.
PAGING DR. FREED is a half-hour comedy about two brothers who take over the reins of their father’s medical practice after his untimely death. Its format — single-camera, multi-camera or hybrid — is yet to be determined. From Fox 21, Michael Feldman (That’s so Raven) will write and executive produce with Katy McCaffrey and Brad Johnson serving as producers.
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Um, how many new shows is Fox21 making? Who made them a real company?
It’s Katy’s project with Phenomenon.
Yay Katy and Phenomenon! Way to go getting a greenlight on a pilot at only a few months into the new job!
You would think their first forays into comedy in over a decade would be inspiring, interesting, or at least a bit unique. Ironically, these sound like lame sitcom setups from the 80s/90s. Were they leftover ideas from when USA was making original comedies back then? Jeez.
least you forget…..or remember the 90′s programming. okay, maybe i am prejudice BUT having been there and done that at least we did shows like duckman….that were totally left of center AND original…and acclaimed.
Think of all the unique and different ideas they WERE pitched. This is what they bought. Groundbreaking ideas are pitched all the time but in general, the suits are afraid of “different” and “original.” They want to be able to pitch it in one line “its Frasier meets Modern Family”, etc. You know how it is, sometimes, some how something unique does slither through the cracks and then it pops and then they try and COPY it instead of continuing to try different ideas. Sigh.
Nathan Lane’s great on stage and on the big screen, but he is just not a good fit for television. His “play to the back of the theater” style of acting really overwhelms the small screen.
Best of luck to Nathan, but this is probably a short-lived series.
You want content to pair with the genius of Lloyd and Levitan’s “Modern Family” so you bring in a guy who has been spending his time on shows like So Raven? More television to watch while I fold my laundry.
sure, because being lucky enough to get staffed on “Modern Family” means you can create a show like that. we know this because of how well its worked out for all those Friends, Seinfeld and Raymond writers. you must be a network executive.
COMEDY IS HARDER THAN DRAMA. They will learn this very quickly.
USA thinks that they can simply replicate their “process” from drama to comedy. Doesn’t work that way. But they’ll figure that out soon enough.
USA needs to add some diversity to their comedy slate.
Why put the greatest theatrical personality of his generation in a single-camera show? Can’t it be multi-camera?