
EXCLUSIVE: Let Me In and Cloverfield director Matt Reeves has been chosen by Warner Bros to direct The Twilight Zone, the Jason Rothenberg-scripted thriller based on the classic Rod Serling TV series. Negotiations will get underway early next week, but this is an assignment that was coveted by a number of top directors.
The Twilight Zone is being produced by Appian Way partners Leonardo DiCaprio and Jennifer Davisson Killoran, and Michael Ireland. Warner Bros’ Matt Cherniss is the exec. Though the last Twilight Zone film was an anthology with different directors, this one is a big science fiction action movie with a single freestanding story that is linked to the original series mainly in that it shares that familiarly eerie feel. The hope is to sign to sign Reeves quickly, continue to work on the script and get the picture into production by next summer.
Reeves is aligned with several major projects that will keep him busy for some time. He recently signed on to develop to direct This Dark Endeavor, a revisionist take on the Frankenstein tale based on Kenneth Oppel’s novel, with Jacob Aaron Estes writing the script for Summit Entertainment. Reeves is also attached to direct the Justin Cronin vampire novel The Passage for Fox 2000, and he’s got a deal at Universal to write and direct a film based on the Ray Nelson short story 8 O’Clock in the Morning, about a man who awakens with the realization that aliens are all over the place and control society. Reeves is repped by CAA and 3 Arts.


You can’t “reboot” the vision and sensibility of a dead writer.
It never works.
Hollywood pecking at Rod Serling’s bones…AGAIN. Good God, leave it alone. And shame on Leo DiCaprio.
Hey this is awesome. Big fan of the Twilight Zone series. Not a big fan of the film from the 80s so hopefully they do something right with this new adaptation!!
Why all this hatred for the use of a brand name? The concept of The Twilight Zone created by Rod Serling has value as a method of suspenseful storytelling. Why not apply it to something current/modern? And as for the haters who don’t think a feature-length version is do-able – well what do you think PLANET OF THE APES is? A feature-length Rod Serling script that’s a surreal adventure with a twist ending. Of course it’ll be difficult to hit Serling’s highs, but why not try? These big-budget movies are micro-economies unto themselves, they employs hundreds; you cannot fault a studio for trying to attach a bit of name recognition to a project that will cost tens of millions to make and market. I really don’t understand all this hatred of attempts to make entertaining films at higher-than-indie budgets. Not everyone wants to go see a Mike Leigh movie on a Friday night.