Lionsgate announced today that it has nabbed worldwide rights to Patrick Ness’ young-adult novel trilogy Chaos Walking to develop, produce and distribute films based on the series. The books, which won the Carnegie Medal, are set in a dystopian future where humans have colonized another planet and an infection makes all thought audible, destroying privacy. When an autocrat tries to take over the human settlements amid the chaos and wage war with the indigenous race, only one young man can stop the planet’s destruction. The Wall Street Journal has likened the novels to Suzanne Collins’ The Hunger Games, the wildly popular series that Lionsgate happens to be turning into movies starring Jennifer Lawrence. Candlewick Press publishes the Chaos Walking series in the U.S. and Walker Books in the UK. “A sense of urgency and momentum permeates these stories — it makes the books ones you can’t put down, and will make the movies ones you can’t miss on the big screen,” said Lionsgate co-chief operating officer and Motion Picture Group chairman Joe Drake in the release announcing the deal. “But apart from the story elements, the world in the stories is so vividly imagined. These are books, much like The Hunger Games, that we feel truly beg to be brought to life on film.”


Unsolicited advice for Lionsgate: There are far better series out there–but to get them requires execs to read manuscripts prior to publication b/c smart, courageous studios like Summit are constantly on the prowl and snap them up early. See: The Night Circus.
You snooze, you lose.
“Courageous” is the key word. Adapting these books is yet another example of Lionsgate’s perilous obsession with risk mitigation. See the following examples: Abduction. A black listed script that could result in a potentially decent movie. Rather than shoot for the best movie possible, they tried mitigating risk by hiring Taylor Lautner, and thus removed any possibility that Abduction would actually do well. The built in audience was not enough to turn a profit.
Now, they are encouraged by the buzz surrounding Hunger Games, and already assume it will be a success. Rather than search for new, exciting material, they choose to retry the Hunger Games formula. Along with remakes of Dirty Dancing and Texas Chainsaw, Lionsgate proves that they don’t believe in their own abilities to find original stories. They try and take from others, assuming that they will find success.
The Black List is voted on by reps, and since it now includes projects completed or in production, it’s not the measure of quality UNPRODUCED scripts it once was. The seven votes for Abduction’s script doubtless all came from Lautner’s team, eager to get create legitimacy for the stinking mess. I can’t imagine anyone actually read it and thought, “I’m not dying here, there’s a bomb in the oven” was a quality script.
This is gonna be hard to sell.
I think this series is a thousand times more interesting than The Hunger Games, which–let’s be honest–are shockingly derivative. I don’t think Lionsgate is the right home for this series, at all, but if they bring on a committed, interesting writer/director and truly embrace the dystopia on offer, they might be able to do these books something like justice.
Poo, Todd? Poo?