
EXCLUSIVE: Warner Bros acquired rights to the Ross Macdonald mystery series about private detective Lew Archer. The studio will launch a franchise, starting with the 1959 novel The Galton Case, which was the eighth book in the series. Paul Newman played Archer in the 1966 Warner Bros film Harper and 1975 film The Drowning Pool.
Silver Pictures’ Joel Silver will produce and Andrew Rona and Alex Heineman will be executive producers. Silver will partner with Random House Films on the movie, and RHF head Peter Gethers exec producing with series rights holder Stephen White. Archer is a private eye who cracked dangerous cases in Southern California in the 1950s and 60s. In The Galton Case, Archer is hired to track down the lost heir to the Galton fortune. His path leads him through a trail of murder, deception and a tangle of secrets. The studio will hire a writer soon to script what they see as an elevated noir franchise.


Never read the books, but have fallen asleep every time I’ve tried to watch the movies.
Not sure how the movies differed from the books – hopefully Alot, or it’s nap time again for me.
Yo Joel Silver, how’s about that Veronica Mars movie? Anytime you’re ready.
Your forgot that Brian Keith played the character in a short-lived TV series back in ’75.
The books are brilliant…hard to get across in a movie. Would work best as period pieces.
How strange. Watching the British actor Iain Glenn recently in “Game of Thrones” and then “Strike Back,” I had a flash that he’d make a great Archer — a role that requires way more expressive listening than talking. Why not, when every other movie and TV show in Hollywood has a Brit playing a Yank?
Mr. Stephen White, hold on to your hat because this producer will render your books and your character like nothing you’ve ever seen. He’ll reinvent him, make him hip, make him do things Ross MacDonald never dreamed of. In the end, he’ll ruin the books, the character and the franchise. Never has a producer been so destructive to the creative process.
I hope that this year, both “Girl with the Dragon Tattoo” and “Tinker Tailor Soldier Spy” wind up being both sincerely faithful to their source novels, and also successful at the Box Office. If there’s easy evidence that audiences will reward quality film adaptations of crime novels, hopefully producers will resist the urge to severely re-write or re-imagine the material in projects like this. (This goes for the “Thin Man” project, too.)
Ross MacDonald’s novels are truely unique and exceptional, and I don’t see any reason why they can’t be successfully transferred to the screen as well as le Carre’s work. But I’m probably not as cynical as I should be.
Time to go to the library I guess !
The problem with bringing Ross MacDonald to the screen is that the great strength of the books is in the language. All of the beauty is in the narrative. Yes, the plots are wonderfully intricate and the dialog is superb, but that’s all you’ll get on the screen. It would take extensive narration to showcase hundreds of beautiful phrases and metaphors, and I’m afraid that would be awkward.
I’d advise anyone to just read the books, and you can pick them in any order. For the record, my favorites are The Underground Man and The Chill. The Galton Case, of course, is excellent as well, but read it first, so that IF the screen version falls short, you’ll know exactly why.