

EXCLUSIVE: Oscar winner Akiva Goldsman has signed a two-year exclusive overall deal with HBO. The first project under the pact is an untitled Western drama about Doc Holliday, the famed gambler and gunslinger of the Old West. Feature scribes Adam Cooper and Bill Collage (Accepted) will write the script and will executive produce with Goldsman and his producing partner Kerry Foster. Ron Howard is attached to direct the potential pilot. His father, Rance Howard, will serve as co-producer along with his 
wife Judy Howard. The project is inspired by Mary Doria Russell’s critically praised novel Doc, which was published in May. Doc Holliday is often portrayed as an ailing sidekick (he died from tuberculosis at age 36), best known for his friendship with Wyatt Earp and his involvement in the Gunfight at the O.K. Corral (Val Kilmer portrayed him in the movie Tombstone). But the HBO project aims to put Holliday front and center as the series protagonist, an educated Southern gentleman and dentist by trade, thrust into the cruel and violent world of the Old West in order to salvage his ailing health. The series will feature the never-before-explored love triangle between Holliday, his prostitute wife, Kate Elder and best friend, Wyatt Earp — all set against the lawlessness and desperation of a rapidly changing society.
Goldsman describes the project as “all in the family” when it comes to auspices. His partner at Weed Road Foster came upon the source material. Goldsman mentioned the idea to frequent collaborator Ron Howard while the two were discussing their latest project, The Dark Tower. Howard is set to direct and Goldsman is writing the adaptation of the Stephen King’s book series, which is looking for a home as a feature trilogy and an accompanying limited TV series after being put in turnaround by NBCUniversal. Goldsman, who quipped that he is following the rule “work with Ron whenever possible” after his first collaboration with the director, A Beautiful Mind, earned him a writing Oscar, also penned the Howard-directed The Da Vinci Code, Angels & Demons and Cinderella Man. Howard expressed interest in the Western TV project, and it turned out that his father, veteran actor Rance Howard, has a fascination with Doc Holliday. So Rance Howard and his wife came on board as co-producers and Ron Howard became attached as director of the potential pilot. (Howard, whose company with Brian Grazer Imagine is very active in TV, has not directed a TV pilot yet.) Meanwhile, Foster’s husband, Adam Cooper, and his writing partner, Bill Collage, came on board to write the Western. Originally, the project was eyed as a mini-series and was pitched as such to HBO. The pay cable network suggested turning it into a series instead.
Goldsman is not a TV novice. He made a stealth entry into series with Fox’s sci-fi drama Fringe. Several years ago, writer-producer Goldsman was looking to branch out into directing. His friend J.J. Abrams offered him to write and direct an episode from the first season of Fringe, which Abrams co-created and is executive producing. Goldsman did it and then stuck around as an “eccentric uncle”, as he put it. He continues to serve as a consulting producer on the critically praised but low-rated drama, occasionally writing, co-writing or directing episodes. “Nobody watches us but I’m tremendously proud of the show and the work we’re done,” Goldman said of Fringe. “We managed to follow that new trend of serialized storytelling. And HBO is the best in the business for that.” Goldsman had been looking to expand into TV in a bigger way. “I think that the line between film and television is getting blurrier and blurrier, and I think that’s pretty exciting creatively,” he said. Because of HBO’s approach to storytelling, it was the place he wanted to do it. Especially because of his long history with fantasy and sci-fi and the way HBO treats genre series with 2 shows he likes, True Blood and especially Game Of Thrones (“I worship at the alter of that show,” Goldsman said.) “What I love about HBO is that storytelling seems to be king and that genre seems to be almost irrelevant,” he said. Also appealing to Goldsman in signing an overall deal with HBO was the opportunity to be a writing, non-writing producer and director. He does plan to create his first series under the pact, most likely in his favorite mold of character-driven drama within a genre framework. As for Dark Tower, “we’re still pushing the boulder uphill,” Goldsman said but is optimistic that the ambitious project will find a home “very soon.” The writing duo of Cooper and Collage, repped by WME, have worked on over two dozen scripts for major studios, including New York Minute, Wrong Turn, Ransom and Tower Heist. They most recently wrote Exodus for the Chernin Co., Marco Polo for Frances Lawrence and Moby Dick for Timor Bekmambetov at Universal. Goldsman and Howard are with CAA, which also co-repped Russell’s book with Dystel & Goderich Literary Management.
TV Editor Nellie Andreeva - tip her here.


This will blow Hell on Wheels away.
I still don’t get how you can write A Beautiful Mind, The Client & Cinderella Man yet also write Batman & Robin, Practical Magic & Lost In Space.
>>>Val Kilmer portrayed him in the movie Tombstone
Hello, and Dennis Quaid in “Wyatt Earp.” Why does Kilmer get all the mentions?
Did you see Tombstone? It wiped the floor with Wyatt Earp and Val Kilmer gave an Oscar worthy performance for which he was totally snubbed. One of the best Westerns ever and I am not a big fan of Westerns.
Look at all the white boys in this deal. If you’re white, you get to write.
It’s not TV it’s NO WOMEN ALLOWED WRITING,DIRECTING,CREATING AT HBO. Michael Lombardo, Sue Naegle, Richard Plepler, Len Amato should be ashamed. Has there been one new movie or TV show at HBO under their tenure solely made by a woman? Hung was co created with a woman and Cinema Verite co directed by a woman. I think that’s all folks. These folks are liable.
Michael Lombardo and Sue Naegle don’t hire women or produce their projects. Very few women in any kind of talks at HBO or with development. They both prefer to men. As for subject matter look at their projects. Boardwalk is sickly misogynistic, Phil Spector gets a whole movie, Hemmingway too, women have a hard time even keeping their jobs under Naegle.
It’s blatant, biased and against the law but they would defend it as a matter of taste as does the rest of Hollywood. Not sure if HBO or Hollywood will ever wake up to this.
Imagine is not better hiring women to write or direct. Can anyone name a produced Imagine film with a female writer or director attached except Bryce Howard?
HBO has Lena Dunham’s s “Girls” and Caryn Mandabach’s “Dirty” coming up.
Good. These are half hour I assume? Not one hour or movies I imagine.
Both half hour. Dunham is creator of “Girls” and Mandabach is EP of “Dirty.”
The lack of female scribes or directors being hired in movies or one hour TV at HBO is because those scripts are too long for women to be able to write unlike half hour. Too many pages, too many words and ideas. Women aren’t up to it. HBO knows women can’t handle working that hard. Why else would they go out of their way not to hire them except in half hour?
It’s not misogyny but chivalry just like it’s not TV it’s HBO.
Amato, Plepler, Neagle seem to believe women earning less and having less of a voice is a good thing for their network.
So glad I’m a white man so I can work at HBO! Whew.
Why have women working on HBO shows been marginalized to half hour? There seem to be NO women creator/director/ writers/ producers of Treme, Boardwalk, Game of Thrones, True Blood, Phil Spector, Too Big Too Fail, Mildred Pierce (about a woman), Cinema Verite (husband and wife directing team), Curb, Bored To Death, How to Make it in America, Hung (co created by a woman?), Enlightened (stars a woman).
Ultimately it’s kind of a big white boys club in terms of hiring and subject matter.
It’s so lopsided they might want to make an attempt at not being such a bunch of misogynists. Just a little attempt. Pacify the 52% of the population. Since this is the year homophobia is finally getting stale maybe misogyny might not be far behind.
if homophobia is getting stale with the White Male Hollywood Elite that took Ratner off his Oscar duty. Why is misogyny such and active part of the Hollywood Elite. and still perfectly okay?
Women actresses in comedy no long have to look like stick figures and can actually be funny. But in subject matter, most writers, directors, producers, studio execs are white males. And the stories that interest them are about men starring men.
HBO is used to make TV and films that didn’t suck up to the perceived elite the way they do now. They told stories of women, gays, people of diverse racial backgrounds but not under this new team of execs. To me HBO is operating on fumes that present back issues of Vanity Fair Magazine.
Their documentaries are through the roof and reach to another level of humanity. Sheila Nevins is a real artist, humanitarian and risk taker.
Not a lot of humanity or even water cooler entertainment in scripted under this team. This project is more of the same. Just people HBO feels scared to let go to Showtime or AMC. Not a project they will ever make.
I canceled my subscription to HBO this year. It was a big break up. I’m a gay woman in her 30′s who finds no interesting female characters on HBO. Just more doormats. Showtime and AMC have balanced writing. I’m so much happier.
I didn’t give up HBO — HBO gave up on me. I think gays and women should dump HBO. Seriously you’ll be happy you did.
HBO gave up on female and gay viewers when the last regime was ditched. This regime is all about misogynistic white men. Luck and Boardwalk treat women like dirt and it’s considered benchmark TV. Their movies are worse. Sex and the City, Six Feet Under, Angels in America, Warm Springs, Wit, The Wire, Lackawana Blues — creative programming that celebrates great story telling and diversity is what made the network so cutting edge.
I hope there’s truth behind all this sarcasm. I hope HBO (and other networks/studios) read this and understand they are clearly and undeniably discriminating, that they can’t just throw up some diversity program and call themselves an equal opportunity employer. I hope the networks and studios see that there is a wealth of original American stories told by original voices out there and all they have to do is tap into it. But then again, I truly had hope for Kim and Kris.
I think this current team of leaders at HBO has no desire to dig very deep and are as out of touch as the 1%. The lack of female employment at HBO in all areas under this group is reprehensible. I watch AMC and Showtime now. HBO is just chasing names and putting the sad tales of struggling as a white male to make it in America.
Give me a break.
HBO used to admire quality and talent not just hype. But because this team has no creative pov of their own it’s all about hype.
HBO has gone off the rails with this short sighted team and everyone knows it. Every agency and management firm has had internal talks about the mess HBO has become. What’s terrible is that they used to treat creative types well. Now they’ve become cutting and cruel and only suck up to the media elite favorites. This will bite them as other networks become cutting edge for discovering and promoting what’s good not what’s already been discovered elsewhere.
Whoever plays the lead role is going to suffer the inevitable comparisons to Val Kilmer’s exquisite take on Holliday. One of the greatest supporting performances ever.
totally agree. Val is amazing. what happened?
Remember the Alamo! This is Far and Away the worst idea for a film in recent memory.
Except that it’s not a film, it’s a TV series, nimrod.
Doc is a fascinating character — so many years of adventures before the OK Corral — this could be great.
This will be amazing.
Mary Doria Russell is an amazing novelist. When are they going to do THE SPARROW and CHILDREN OF GOD?
And long before Val were Walter Huston, Jason Robards, Victor Mature, Kirk Douglas. A great role.
Actually, Walter Huston played the Earp character (called Frame Johnson) in LAW & ORDER. It was Harry Carey, Sr. who played the Doc Holliday-type character in the film.
You also forgot Ceasar Romero (Frontier Marshal, 1939; called Doc HALLIDAY), Kent Taylor (Tombstone, The Town Too Tough To Die, 1942) and Stacey Keach (Doc, 1971).
When I read this, my brain kind of popped up with “Adam Baldwin!” He’ll be off Chuck and this would so rock. I’ve always wished he’d show up on a cable channel so he can really get his groove on. After Firefly was cancelled I was so sad, as his “Jayne” character worked so well in that weird old west/is really new space western etc. I’d love to see him in something juicy like this. A girl can hope can’t she?
Ron Howard directed 2003′s THE MISSING and produced 2004′s THE ALAMO. Both were disappointing duds. Keep him away from westerns… period.
Fair enough, this is news. But did you guys have to print the entire press release, verbatim?
This man is such a fraud and HBO are simply star ****ing as usual. What brilliant work has he done that merits such a deal? It’s not like he’s the nicest guy in the world and that gives him a free pass.
We should all be so lucky to inspire such loyalty with so little kindness or talent.
AGREED! Goldsman is a hack and when he and Ron Howard get together, they create schmaltz. Not looking forward to this.
HBO really are losing the plot – goldsman and howard? groundbreaking? old hat more like. i also don’t get the writing duo on this one. what have they done that makes them right for this?
Just read the book, it is boring, bits of good writing, very chick lit
Only one person should be casted as “Doc Holliday” in this new series and that is Val Kilmer. He brought Doc Holliday to life any other actor would pale in comparison and they will constantly be compared to Val Kilmer’s dead on portrayal of Doc Holliday. Sure, Val Kilmer is older but he is the only man who would make the viewers believe they were witnessing the return of the famous gunfighter.
Kivie f’d over Scott and Janet batchelor on batman forever. Total slime.
This is great now can we have another season or miniseries for deadwood?
@Robert.
I disagree about The Missing. I think it was a powerful, overlooked gem with a little magical realism thrown in.
Performances by C Blanchett and TL Jones were outstanding. And it’s great to see a character like Jones’s that comes full circle from D Bag to Hero.
I say check it out, especially if you like Westerns, like me.
Wild west more like so over it!
I would recommend that people read “Doc” by Mary Doria Russell. It is an historical fiction and an excellent read for those who enjoy the history of the frontier west. I can’t say enough good about it. It will also supply some background for the miniseries.