UPDATE, 6:40 AM: CEO Alan Stock made his comment in a conference call with analysts who asked what he’d do if Sony continues with its plan to stop paying for 3D glasses — leaving it to exhibitors to manage the expense. ”We think the way the glasses model works in the U.S. is a great way to work it,” he said. He added that there’s still a lot of time to negotiate before next summer, when Sony wants the change to take place. “I’m pretty confident we can work out a solution,” Stock says. “If we can’t, we’ll have to head in a different direction.” Regarding Universal’s plan, which it canceled, to show Tower Heist on cable VOD just three weeks after opening in theaters, Stock says the studio “thought they had something the exhibitors would comply with.” After Cinemark threatened to boycott the film, “there hasn’t been any further discussion of that particular test, or anything else they’re working on.”
PREVIOUS, 4:12 AM: The Texas-based exhibition chain smashed through the Street’s revenue expectations in what it says was its best-ever quarterly report. The company had net income attributable to shareholders of $46.9M, up 40.8% vs the same period last year, on revenues of $640M, up 14.2%. Analysts predicted revenues of $617.2M. Earnings, at 41 cents a share, matched forecasts. Cinemark says that admission revenue rose 13.5% to $417.1M — that’s based on a 5.6% pick up in attendance (to 44.4M in the U.S. and 25M abroad) and 7.3% increase in ticket prices (to $6.47 domestically and $5.20 internationally). Meanwhile, concession stands generated $194.8M, a 14.5% increase. Spending per patron domestically grew 5.7% to an average of $3.13, and elsewhere was up 16.1% to $2.23. The chain, which has 5,096 screens — including 3,861 domestic — declared a 21 cent per share dividend. “The 2011 third quarter was was the highest-grossing North American box office period in history, which marks the second quarter in a row that the industry has set a record for box office performance,” CEO Alan Stock said.

It’s already 3.75 at the dollar show. Give the kids a break they love 3d. Stock split it 50/50 with the distributors
We actually seek out movies that are not in 3D. If a theatre only offers the movie in 3D, we will drive elsewhere. 3D physically makes us sick to watch.
Ok… where does that three additional dollars I pay locally for a 3-D film go? I always assumed it was to compensate for charges of the glasses and was told that at least a few times.
It goes to film companies to pay for the cost of producting and distributing the film. Theatres keep very little of the ticket prices. That’s why the concession are so high. Theatres have a huge overhead for the comfy seats, large screens, digital projectors, etc etc.