Hayley Atwell has been piped on board The Return Of Captain Nemo, a $10 million 3D sequel to 20,000 Leagues Under The Sea that hopes to start shooting January 16. David Morrissey, star of Brit TV’s Red Riding, is also attached to this Captain Nemo adventure, to be directed by Pearry Teo. Atwell — who has just tested for Universal’s Joseph Kosinski-directed Tom Cruise science fiction film Oblivion – will play the heroine Sara, while Morrissey plays her uncle, the chief adviser to President Ulysses S Grant, who frees Nemo from prison to try and discover why mysterious “sea monsters” are sinking ships up and down the Atlantic Coast. Hugh Bonneville, star of PBS/ITV period drama Downton Abbey, has already been announced as Nemo.
Producer Amy Krell says she is closing the finance from U.S., Asian and UK investors, and will shoot in Romania. Like 300, The Return Of Captain Nemo will be shot entirely onstage using green screen and CGI. “We would have to double our production costs if we shot this in the States,” Krell says. Shoreline Entertainment is selling internationally. This steampunk version features some rather cool designs, such as a 19th century Air Force One and of course, the Nautilus.
If it does set sail, Krell’s version of the Captain Nemo story will steam ahead of Disney’s 20,000 Leagues Under The Sea, a longtime studio project that is now alive again. At $10 million, this indie version cannot hope to compete with a David Fincher project that, at one time, was going to cost $150 million before being dry-docked.
Bonneville is coming off a high from Downton Abbey: a record 10.5 million UK viewers tuned in to see the series finale on Sunday night, making it the highest-rated episode of a TV drama for the past 10 years.


I’m glad you fixed the top of the article to include Hayley Atwell’s first name, but still no mention of her role in “Captain America: The First Avenger”? That’s un-American!
Might be fun kind of has League of Extraordinary Gentlemen feel about it. By the way, A nineteenth century Seal of the President (not to be confused with the Great Seal of the United States)would have the eagle facing the arrows not the olive branches, that change, of the eagle facing the olive branches, wasn’t made until 1945 at the suggestion of new President Harry Truman and others.
10 million dollar 3D film shot entirely on stages? Wow, that’s gonna seriously suck.
No kidding…$10mil??? typo??
Hayley Atwell is voluptuous, gorgeous, sexy and beautiful. She’s amazing. That woman is incredible. Good for her to keep landing such high profile roles. She deserves it. It’ll be an equisite performance, just wonderful.
Stop posting the same comment on Deadline.com and HollywoodReporter.com!
Could $10 million be accurate? That might be acceptable for a PBS series but not a large-scale adventure theatrical release.
10 M dolar budget = crew from craigslist.
“The Return Of Captain Nemo, a $10 million 3D sequel to 20,000 Leagues Under The Sea that hopes to start shooting January 16.”
A $10 million dollar budget! Where are they shooting this thing, an Apple iPhone factory in southeast Asia?!?!
I will wait for “David Fincher’s 20,000 Leagues under the Sea”.
That ill be awesome!
they need 20-30 M to make this cool in my opinion. Big question, is what VFX houses are on board? That’s all that really matters. First thing to lock should be the VFX houses and then go to actors. There are a few badass romanian VFX houses, but a feature of all greenscreen work is a crazy amout of work. Assuming they’ll use virtual sets from real time game engines to compose the shots, but hopefully they build a bunch of props and interiors and augment, otherwise it will look super B.
Q: How do you shoot an epic sci-fi movie in 3D on a $10 million budget?
A: Sock puppets.
Wow, count me out. 10 million is not enough for this kind of film.
Pearry Teo will rock this!
if anyone can make $10m look like $50+ – it’s Pearry!
And the steampunk version is in his wheelhouse.
Rock on!
All the people I see here worrying about the budget should probably also be worrying about their careers. Indy filmmaking these days is about stretching a buck and doing the impossible. For the people ragging the film because the budget is too low – good luck with the downfall of your career. It is a young man’s world.
Amy Krell is expert at delivering to remarkable budgets. This time she has scored great deals in China where she has shot before. Far too many Hollywood films have bloated budgets. The future is what Amy is doing, making films for a rsalistic cost based on good scripts. Let’s bring profitability back into our industry. We have tried to encourage understanding of how to at the new Lindon Screenwriters Festival http://www.londonswf.com .
I’m going to assume there was a typo in this article?
Too many haters before they even see a frame of it. Dumb asses.