
EXCLUSIVE: Showtime has teamed with director-producer Ken Kwapis for two comedy projects. The comedies are being developed through Kwapis and his producing partner Alexandra Beattie’s company In Cahoots, with Kwapis serving as executive producer and Beattie as co-executive producer. The first project is an untitled dark comedy set in the world of modern advertising, which will be written/executive produced by author and This American Life contributor Shalom Auslander. Auslander’s second novel, Foreskin’s Lament, was optioned by Killer Films; his upcoming third one, Hope: A Tragedy, will be released in January. The second untitled comedy is a provocative look at the relationship of young married couple who decide to explore an open marriage. It is written and executive produced by Sara Goodman (Gossip Girl).
Kwapis directed the pilot for NBC’s long-running comedy The Office and has helmed dozens of episodes of primetime comedy series, including The Office, Malcolm In The Middle and The Bernie Mac Show. He most recently spearheaded NBC’s comedy adaptation of the feature Outsourced. Kwapis segued into features in 2005 with The Sisterhood Of The Traveling Pants. His latest feature, Working Title/Universal Pictures’ Big Miracle starring Drew Barrymore and John Krasinski, opens Feb. 3. Kwapis and Beattie are repped by UTA and Code Entertainment. Auslander is with Jody Hotchkiss & Assoc.; Goodman with CAA.
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Kwapis segued into features in 2005 with The Sisterhood Of The Traveling Pants.
Oh, so we’re expected to believe “Dunston Checks In” never happened then. I see how it is.
Don’t forget the Sesame Street movie, “Follow That Bird.”
Alex is a brilliant Producer. People love working with her, she is insightful and her notes are spot on. Showtime is lucky!
The nicest man in Hollywood! He deserves this!
His recent features sank faster than the Titanic and his recent tv ventures (Outsourced) where pure feces….this guy, as nice as he is, has lost whatever magic he once had and nobody at Showtime sees it, wow.
His “He’s Just Not That Into You” grossed $180 million worldwide. His “License to Wed” made money at the box office, albeit not a lot. But it still brought in double its budget. And his “Big Miracle” also looks really interesting which will undoubtedly make money.
So exactly what magic has he lost when his projects make money?
Ken’s unproduced written work for “Do Black Patent Leather Shoes Really Reflect Up?” shows his director’s/writer’s talent for finding real human drama via uncomfortable revealations using comedy. Bravo to Ken on more TV comedy from a guy who is now a postive force in media and a proven producer in his prime!
Alex and Ken are the nicest of the nice and deserve every good thing thing that happens to them. Also in their corner: fresh, shiny, watchable talent.
Ken and Alex are both extremely talented and a class act!