
UPDATE: Paramount has responded to the Melrose II lawsuit. “Paramount has complied with its obligations to Melrose 2 and has been forthcoming in the audit process. We are disappointed that these sophisticated investors would choose to file a lawsuit filled with hyperbole that ignores the true facts rather than seeing that process through to completion. The Melrose 2 investors have already received almost 90% of their investment back under the financing agreement, and a number of the films in which they participate (such as the successful Transformers 3) remain in the earliest stages of their earning potential.
“While we intend to vigorously defend this lawsuit, the differences between the parties’ positions are relatively modest in amount and we are confident they can be resolved in the ordinary course.” –Virginia Lam, spokesperson for Paramount Pictures.
EARLIER, 3:47 PM:
See the full complaint here.
LOS ANGELES, November 29, 2011 – Kirkland & Ellis LLP is representing Melrose Investors 2 LP (Melrose 2) in a breach of contract case in which Melrose 2 seeks to recover profits related to its nearly $375 million investment in 29 films produced by Paramount Pictures Corporation and DW Studios L.L.C., formerly known as Dreamworks Studios (Defendants).
The 29 films, which include such hits as Mission Impossible 3, Charlotte’s Web, Dreamgirls, Flags of Our Fathers, Blades of Glory, Jackass 2 and all three Transformers films, among others, have grossed close to $7 billion to date.
“The investor group was hoping to avoid being the third co-financing vehicle to have filed suit against Paramount and DW Studios LLC, but despite our ongoing efforts to settle our differences, Paramount has refused to cooperate,” a spokesperson for the investor group stated.
The complaint alleges:
· In 2006, Defendants entered into an agreement with Melrose 2 through which Melrose 2 would own up to a 25% copyright interest in up to 30 films that Defendants produced. To acquire this ownership interest, Melrose 2 agreed to fund a pro rata amount of the production costs.
· Melrose 2 met its obligations and has to date, provided nearly $375 million to Defendants to produce 29 films.
· In the five years since the agreement was signed, Melrose 2 has not received any profits from their nearly $375 million investment.
· Defendants have repeatedly hindered Melrose 2’s audits, engaged in obstructionist tactics, overstated losses and understated the revenues received in connection with the exploitation of the Melrose 2-funded films.
“Paramount has deliberately inflated losses and underreported gross receipts and we plan to aggressively pursue our client’s claims and recover its share of the profits in these films,” said Kirkland & Ellis attorney Mark Holscher, who leads the Kirkland team, together with partner Diana Torres.
Mr. Holscher is recognized as one of California’s Top 100 attorneys and is a nationally recognized bet-the-company trial attorney. In 2010, he won a $52 million verdict on behalf of actor Don Johnson in a breach of contract and copyright infringement case involving unpaid profits against Rysher Entertainment, Qualia Capital LLC and 2929 Entertainment, Inc.




Seems like Brad Grey has a history of not paying people.
didn’t “Melrose 2″ know? there are NO profits in Hollywood.
PS. if you want to be taken seriously, don’t call your film fund “Melrose II”. Sounds like the sequel to a great porno.
I know right. Don’t they know about “Studio Accounting”?
of course, everyone knows. doesn’t mean paramount shouldn’t be held accountable. this kind of b.s. is going to mean less and less people will be willing to invest, even if they like and believe in the material.
You figure this sort of thing would just happen to “small” types like actors, writers & producers forced to sue for their rightful money. Seems like the studios want to fuck the financiers too. That might have the worst implications in the long run. Who’d want to toss $100Ms to Paramount when they refuse to pay the investors back?
The implications already are making it harder and harder to raise funds from independent financiers. They know all to well about hollywood’s creative accounting. The bottom line is these schmucks making the decisions don’t give a shit about movies or the industry’s long term viability. They care about making money now, and they’ll screw the audience, the creatives, and even their financiers to make as much as they can in the short term.
Wow, Don Johnson is one rich mother…..r!
There could be a change in the dynamic of financing if funds like these would have participation in first dollar gross deals on each of the films they back as part of their packages to mitigate return for risk.
If I were David Ellison’s team, I’d be paying close attention to this case.
if you spend billions in marketing to make these movies hits ????????
are they really hits ?????? did they really make a profit ??? or broke even ?
now avatar, that was a hit, it made 8 times it’s budget, these films made 2-4 times their budget not counting marketing,
just sayin
Dunno all the facts so not gonna comment on this particular incident, but if I had the funds to float a studio’s production slate I would make sure that I get first dollar grosses regardless of whether the studio takes a loss and I would demand that P&A be kept in check, sourced via a third party who could give me proper accounting…might be dreaming here but if they need your money, you make the rules..unless they didn’t need your money and saw you as a chump who could soften their losses.
We don’t know that for sure, sonny. The hardest part is actually COLLECTING on a judgment.
Damn, I responded to the wrong comment. Alas, you’re 100 percent correct.
Problem is that the studios haven’t come to the realization that they need the money.
Isn’t Amanda Woodward in charge anymore?
Lesson here for those who want to invest in film–don’t work with the studios, work with independent producers who know how to make great movies at a disciplined price point with transparent and third party verified accounting. This is the future of filmmaking, fucking studios are stumbling around like drunken dinosaurs.
and how do the indie producers get paid ?
dvd ? netflix ? or the studio who will not pay them anyway ?
You seem to forget
lets just say you made the next avatar for 20MM,
if you have to put it out yourself, do you have another 20MM a month for 2-3 months to market it ?
or are you going to run around town trying to find investors ?
The only surefire way I’ve seen of getting paid, is when studios want something from you as part of an ongoing relationship.
I have been wondering what the annual overhead per film Paramount and other studios have. Of course, this can be fudged by building new infrastructure when cash flow is good.
I’m not giving any of my moNEY BACK !!!!!!!
….and now we know why EPIX was created. So they can boost their paytv situation for the ultimates, since they had a significant shortfall.
-RnsW
If Paramount goes to trial (they won’t) then they’ll have to open up their books as part of the discovery phase. Could be the best, most talent-friendly thing to happen to Hollywood in a long time. Let’s hope that Par digs its heels in.
What didn’t they know about Hollywood’s creative accounting before the forked over the money?
There are more drafts than in screenplays before the numbers face the page that prove that making money in movies is impossible.
Except when you are a movie studio.
I love how the studio says that the investors have “nearly” gotten their $375mill. investment back. 5 years after financing wildly successful films I’m pretty sure they expected to get more then just their initial investment back!
Exactly. People typically invest to see a return/profit, and they haven’t even gotten initial money back! That’s ridiculous.
“sophisticated investors?!” That’s an insult! LOL!
Accounting dept findings
Project A $375 million invested
minus Paramount 1 billion invested, ie; marketing 29 films,
= $625 million dollar loss,
“)
it would be refreshing if the the studios would just respond with refreshing honesty: “sorry but we’re in the business to fuck people out of what we owe. therefore, we will lie through our teeth with bogus accounting statements. sucks to be you. cheerio!”