
EXCLUSIVE: I have learned that after lengthy negotiations, Netflix is finalizing a deal with Lionsgate TV for a 13-episode straight-to-series order to Orange Is The New Black, a comedy from Weeds creator Jenji Kohan. This marks the second original series for Netflix, which earlier this year gave a 26-episode straight-to-series pickup to MRC’s David Fincher/Kevin Spacey drama House Of Cards. Kohan’s project falls under her rich overall deal with Lionsgate TV. Co-created and executive produced by Kohan and House co-executive producer Liz Friedman, it is based on Piper Kerman’s memoir Orange Is The New Black: My Year In a Women’s Prison and revolves around women in prison. The book chronicles nonprofit communications executive
Kerman’s year-long stint at the minimum security correctional facility in Danbury, Conn., stemming from a conviction for her part in a drug smuggling and money-laundering scheme she got tangled up in 10 years earlier as a fresh college graduate. Netflix is already in business with Lionsgate TV.
In April, the streaming/DVD-by-mail giant signed an exclusive syndication deal with Lionsgate to stream up to seven seasons of the studio’s acclaimed AMC drama Mad Men. The pact paved the way for other syndication-type deals with Netflix, including the CW’s recent agreement that could fetch the network up to $1 billion. Netflix’s stock has taken a beating lately after some missteps, including the company’s controversial decision to raise the price of its combined streaming and DV- rental service by 60%, and a disappointing 3Q earnings report.
TV Editor Nellie Andreeva - tip her here.


I’m super pumped about this. At first I wasn’t sure about the idea of Netflix launching these expensive original series but I think this is an amazing combo. Weeds is one of my favorite shows… and it’s one that TONS of people wind up watching on Netflix or other streaming vehicles from season 1. Jenji knows the formula for long running serialized comedies and also how to set up a writers room that can create characters that the audience wants to to spend seasons at a time with up close and personal on their computer screen if they have to.
I have to tell you, just as someone not working in the business who reads a comment like this … we think you work for someone involved in the deal. Pretty sure of it, actually. And it seems foolish to us that the person involved in the deal actually has a “minion” whose job it is to hype each announcement as it’s reported online.
I could be totally wrong. Don’t think so though.
AGREED! Why is it that the first comment on this kind of news is someone overpraising the actor/writer/director the news is about? I read it and instantly think it’s their publicist, agent or a studio/network mouthpiece, and all it does is greatly diminish my interest in any project.
^agreed
I sincerely hope that Lionsgate makes a difference serving as studio because HOC is an unmitigated disaster.
Another good point re: the combo here – Lionsgate’s TV track record for picking shows that excel in the home entertainment arena is phenomenal. They are a great choice for Netflix as a partner on a risky venture like this one.
Hey, Doubts – you’re a hack. Reveal yourself so we all can see who you are and what facts you have that would lead you to say that HOC is an unmitigated disaster – a show that has yet to start production. You’re just a wannabe. Go back to selling shoes.
Really doubts? What do you know about it besides your hack clients being shut out for staffing?
did jenji eat the other jenji
at least she has a good publicist that called and had that picture changed!
I didn’t know Jenji is in “JACK & JILL”.
You are wrong…
I don’t even have a job… I just watch a lot of TV.
Since when does a show have to be in production to be a disaster? It’s common inside knowledge that it’s not running smoothly. But go ahead and cast my opinion aside and call me a shoe salesman…
I wouldn’t call you a shoe salesman. I think you are in the business. You just sound bitter and clearly missed out on a piece of the action. Good luck with that piece of development that will never go.
It’s a common misnomer, but she’s not Jenji Kohan, she’s Jenji Kohan’s monster.
Why are we discussing her appearance? I mean, really.
Why are we discussing her appearance? Because she’s a woman and misogyny is one of the last permissable kinds of hatred that’s not only allowed but encouraged. If someone commented on the distinctive facial features of a Black director or writer, the comment would be taken down immediately as hate speech.
And as long as someone brought up Jack and Jill, the fact that that woman-hating piece of crap opened at $20 million is more evidence. The delightfully simple premise– as a man he’s hot and Kate Holmes-worthy, but slap a vagina on him and he’s suddenly ugly and worthy of ridicule– makes my blood boil.
I am not Jenji’s agent, manager, assistant or hairdresser. I am a young woman writer who loves what Jenji does as a writer and am amazed by what she has accomplished as a showrunner. This is AWESOME news, that she got a series ordered STRAIGHT TO SERIES people. That means she will have two series on the air. How many female showrunners can say that?
No wonder women feel nervous writing or performing or having our voices heard. Because we know that more important that what we do is how we look. We know that if we deign to ask to enter the public sphere, we better be ready for someone to call us ugly if we don’t look like Giselle Bundchen. Screw alla ya’ll.
Well put. Meanwhile, Jenji is laughing all the way to the bank/Emmys, etc.