
EXCLUSIVE: Producers Walter Parkes and Laurie MacDonald have acquired film rights to Other Desert Cities, the Jon Robin Baitz stage play. Parkes/MacDonald used the development fund it launched with Imagenation Abu Dhabi to make the deal. Baitz will write the script and will co-produce, with Parkes and MacDonald producing. They haven’t yet involved a studio.
The play opened on Broadway at the Booth Theatre this month after a run last season at Lincoln Center’s Mitzi E. Newhouse Theatre. In the play, Stacy Keach and Stockard Channing play an old Hollywood couple who’d once counted Ronald and Nancy Reagan as close friends. Their retirement to Palm Springs is upended by continuing friction with their kids, a reality TV producer and a novelist daughter who has gotten past her writer’s block by writing a tell-all memoir that bares family secrets.
Parkes and MacDonald produced the screen adaptation of Stephen Sondheim’s musical Sweeney Todd, and they adapted Catch Me If You Can, for the stage (they produced the film). They are currently in production on the Robert Zemeckis-directed Flight starring Denzel Washington, and they are in post-production on Men In Black 3D, which Sony releases May 25, 2012.


Two of the most overrated people in the business. And his real name is Walter Fishman from Bakersfield.
This play is fantastic and will make an excellent film. Know quite a few big name directors/producers who were interested in the project. Parkes/Macdonald are lucky.
Walter’s terrible to work with. He grossly overestimates his own intellect and forces writers to follow his notes like dictation — all while hiding behind a producing credit.
He doesn’t have the courage to write something himself — instead, he steals the credit and avoids the blame. He’d be the last producer I’d work with again…
It seems to me the primary motivation to raise a development fund is to be able to afford yourself the luxury of cutting through the mountains of crap and make the movies you want to make. Can’t knock that.
This will be terrific, provided that 1) they keep the Broadway cast, and 2) they don’t try to “soften” it to make it more appealing to the great unwashed public, which wouldn’t go to it anyway…especially when they find out that the characters are thinly-disguised versions of the Reagans (Rachel Griffiths is a dead ringer for Patti).
I’m sure no talent hacks like Pakes and MacDonald are glad the clueless folks in Abu Dabi are able to replace the money from the idiot hedge fund managers that kept Hollywood producers afloat in the 2000′s. They might as well burn the money rather than give to these two.