EXCLUSIVE: Longtime Phoenix Pictures co-president Bradley J. Fischer has formed Mythology Entertainment in partnership with screenwriter/producers Laeta Kalogridis and James Vanderbilt. With backing from private investors, Mythology will develop and package projects internally before taking them to studios and financiers. The scope is film, TV and digital, and the slate will include projects scripted by Kalogridis and Vanderbilt. Mythology starts the venture with an Antoine Fuqua-directed Showtime documentary on Death Row Records mogul Suge Knight, and a feature rights deal to late author John Bellairs’ Lewis Barnavelt series of gothic horror novels for kids. Supernatural creator Eric Kripke has been hired to write the script and produce.
First published in 1973, the book series has spanned 12 volumes, with illustrations from artist Edward Gorey. The books began with The House with a Clock in its Walls, which introduced the orphaned protagonist Lewis as he moves into his uncle’s spooky old Victorian mansion. Strange noises lead the lad to find secret passageways, hidden rooms and the unsettling discovery his peculiar uncle is a warlock. The boy finds his spell book and unwittingly resurrects an evil wizard who sets in motion a chain of supernatural events tied to an ancient secret hidden within the mansion’s walls. After Bellairs died, the series was continued by Brad Strickland.
“Jamie, Laeta and I are thrilled to launch Mythology Entertainment and to be partnering with Eric Kripke and the estate of John Bellairs for our first feature project,” Fischer said. “As a kid, Eric was inspired by Bellairs’ work and these books have stayed with him through the years…As a company, we aspire to be a haven for artists and friends who believe in the power of myth and remember that feeling we all got as kids, when the lights went down and the images came up and anything was possible.”
Fischer spent 13 years at Mike Medavoy’s Phoenix before Medavoy announced he was winding down the company. Fischer has producing credits on films ranging from David Fincher’s Zodiac to Martin Scorsese’s Shutter Island and Darren Aronofsky’s Black Swan. He continues to be attached as producer of such Phoenix-generated projects as Last Voyage of the Demeter; an adaptation of Robert Heinlein’s The Unpleasant Profession of Jonathan Hoag, which has Alex Proyas attached to direct; and Water & Power with Frank Darabont attached.
Fischer developed relationships with both Kalogridis and Vanderbilt through some of those films. He worked with Kalogridis on Shutter Island, which she adapted from the Dennis Lehane novel and also exec produced. She has separately worked with James Cameron on Avatar and scripted Ghost in the Shell for Steven Spielberg. Vanderbilt, who scripted the Marc Webb-directed The Amazing Spider-Man and is working on the sequel for Sony, worked with Fischer when he scripted Zodiac and produced it. Vanderbilt is separately adapting the British miniseries Red Riding for producer Steve Zaillian and director Ridley Scott.
Kripke’s repped by WME and Principato-Young and the Bellairs estate was repped by The Gotham Group. Mythology is being repped by WME for television.





Fischer was always an idiot and both Zodiac and Shutter Island were both terrible films. Adrianna must be on vacation.
There are three reasons I think this will fail:
1. Laeta away from her special relationship with Jim Cameron has delivered nothing but bombs (Alexander and Pathfinder). Shutter Island was saved by a page one rewrite from Eastern Promises scribe Steve Knight.
2. Vanderbilt’s Spiderman script had to be heavily rewritten by Steve Kloves, Alvin Sargent, Mark Webb and others.
Neither writer is a content creator or a closer.
3. Brad is simply not bright. However, if by some kind of scientific miracle his view of himself ever catches up with reality he will be the greatest producer in the history of motion pictures. That photo he submitted really says it all.
1. Steven Knight worked on the film when it was set up at Sony, who put it into turnaround when Phoenix optioned it and developed it with Laeta, who was the sole writer on the version that made it to the screen.
2. If Vanderbilt’s script for The Amazing Spider-man was so bad then why would Sony hire him to write the sequel? Also, the man wrote Zodiac and The Rundown and is one of the best screenwriters working today. If you are doubtful of this go read his script Against All Enemies.
3. If Brad is so stupid then why would directors like David Fincher, Martin Scorsese, Darren Aronofsky, Frank Darabont, Alex Proyas, and Antoine Fuqua want to work with him?
Brad is one of the nicest, smartest, and genuine people I know who works in the industry. He is a great person and a great producer who has impeccable taste.
I was planning to stay out of this but some facts are in order…
1. Completely inaccurate and really unfair to Steve Knight and the other nameless big writer who rewrote Shutter Island.
2. Vanderbilt is a decent first draft guy. Sony uses him on Spiderman the way Paramount once utilized Donald Stewart’s writing services on the first three Jack Ryan films. But just as Stewart was always rewritten by Zaillian, Milius, Ferguson, etc. Vanderbilt is always rewritten on Spiderman by Sargeant, Steve Kloves, Marc Webb etc. If he did such a great job, why exactly was Kloves brought in? Oh, right…And Against all Enemies is so good Sony decided to never make it, presumably because it was so good.
3. You sound like Brad or Brad’s mom. None of those directors signed up to work “with Brad” They signed onto films that Brad was a part of prior to their involvement. None of those directors HIRED him or selected him and in fact every single one of those directors brought on their own producers to be the day to day producer of those films.
Get your facts straight!
Considering that Zodiac and Shutter Island are both GREAT films, I’m going to disregard anything you say.
GREAT films to use your word and your CAPS receive Oscar nominations — at least in one category. Zodiac and Shutter Island received NONE. Not even one. Z-E-R-O. Unlike Fincher’s The Social Network or Scorsese’s The Departed or numerous other films by both of these gifted directors. Zodiac was NOT a great film and lost $80m for two studios. Shutter Island was not a great film either. People throw out GREAT to easily in this town. They were not great.
Zodiac was a fantastic film!
Brad’s a great guy, have known him since HS and have seen him working hard over the years. Couldn’t be happier for him. Congrats!
Good idea for a company. We need more young producers.
that’s great, whatever. Wait, Phoenix Pictures is done? Who knew this? That news pretty much fell to the waist side I suppose.
Now this all sounds very promising, smart and I am hopeful studios don’t screw it up.
Great get re: Bellairs books. What happened to Dieter Geissler?
Those books have been making the rounds for decades… glad to see another batter stepping up to the plate.
For good reason: They’re great. Now if someone could just figure out how to get the Great Brain books made.
why not just take over phoenix if it’s to shut down as of 2013 ?
I’ve never met Laeta, but both Jamie and Brad are great guys and extremely smart. Their love of movies is infectious, and they have a great eye for material. This is an exciting new company – congrats, guys!
Congrats Brad, great executive. Happy for you. Smart and young, what the industry needs.
Love and respect the work these writers — YES, CONTENT CREATORS — have done so far.
Hollywood needs to have more storytellers like these forming their own shingles and giving them a shot. Just the fact that they all started off as fans of this mixed genre field has got to say something to the haters here. If you truly understand that ZODIAC and SHUTTER ISLAND are really cool genre movies, yes, with big budgets and powerhouse directors, and not GONE WITH THE WIND, then give them another look. And believe me…MAC — ZODIAC has made more than enough of its money back.
Where does Ed McGurn play in all of this? I was under the impression that he was partners with Brad.
Brad is a terrific person, with wonderful taste. He is going to do just great.
Having worked with Brad on two projects, I can vouch for the fact that he is one of the brightest, most literate, and writer-friendly executives in the business! I’m thrilled for him, and his writer-partners, who are doing what all writers should: find ways to control the destiny of their material! Bravo!