
Maverick British director Ken Russell died in his sleep Sunday at age 84. Russell’s controversial films included the Oliver Reed-Vanessa Redgrave starrer The Devils; Women In Love; and Tommy, the screen version of The Who’s rock opera. In the U.S., he directed the psychedelic Altered States, but his collaboration with equally strong-willed screenwriter Paddy Chayefsky haunted that film, and the failure of his next film, Crimes Of Passion, sent him back to the UK. There, he continued making films, the last of which was The Fall Of The Louse Of Usher.
Russell was a polarizing filmmaker, with critics often split on his films. His movies rarely achieved commercial success thanks to his unique takes on provocative themes that often included sex, drugs and violence. His 1971 film Women In Love, an adaptation of the D.H. Lawrence novel, was his only work to receive Academy Award consideration: it was nominated for four Oscars in 1971, including for best director, and won Best Actress for Glenda Jackson.
Russell was born in Southampton, England in 1927 and tried the Merchant Navy, ballet and acting before eventually becoming a fashion photographer. He was hired to work on artist profiles for the BBC, and conventional documentaries began turning into something else. ”At first we were only allowed to use still photographs and newsreel footage of these subjects, but eventually we sneaked in the odd hand playing the piano (in Prokofiev) and the odd back walking through a door,” Russell said, according to the Associated Press. “By the time a couple of years had gone by, those boring little factual accounts of the artists had evolved into evocative films of an hour or more which used real actors to impersonate the historical figures.” His films often focused on artists: His 1967 movie Dante’s Inferno was about poet Dante Rossetti; the 1970 film The Music Lovers centered on Tchaikovsky; 1975′s Lisztomania, about Franz Liszt, starred The Who’s Roger Daltrey as Liszt and Ringo Starr as the pope; and 1971′s The Boy Friend was a homage to 1930s Hollywood musicals.
Russell, married four times, is survived by his wife Elize Tribble and his children. His widow said Russell was working on a musical feature film of Alice in Wonderland when he died.


What a great filmmaker and storyteller. He’ll be missed.
A true original. Barking mad, of course, but I wouldn’t have had him any other way.
Nothing sums him up better than this: he made the X-rated, still scandalous THE DEVILS back-to-back with THE BOY FRIEND, a G-rated love letter to Hollywood musicals.
Another giant has fallen. Some of his work was always questionable. But there was nothing like seeing a Ken Russell film in the 70′s.
Had the to chance to see Ken Russell at a screening of “The Devils” at the AERO in Santa Monica last year. His one-word answers to questions from the audience during the the Q&A were hilarious! Will always appreciate his daring quality as a filmmaker…and how wonderful, just days before his death, that they finally liberated “The Devils” from decades of concealment; according to amazon.com it will be available on DVD tomorrow!
Ooops…was misinformed about “The Devils” being released tomorrow thru amazon. I guess it will be released sometime soon, but WITHOUT the famous ‘naked nuns’ sequence. Amazing. Sad and pathetic, I mean.
This is the director who once dismissed Alfred Hitchcock as “overrated.” Sympathy to the family, but I can’t believe this is someone who will be missed as a director. Inconsistent at best.
Of course he will be missed. He was an original and made films his way, uncompromised, intelligent, and provocative. There are few out there now that do this. To criticize Ken Russell for his opinion o Hitchcock is petty and inappropriate at this time.
Hitchcock was inconsistent, too. The difference is: lesser Hitchcock efforts like TOPAZ and TORN CURTAIN are just boring, wheras films like LISZTOMANIA and GOTHIC are fascinatingly askew.
Love his films or hate ‘em, you had to admire the way he always went full force forward.
RIP Mr Russell.
Just saw ALTERED STATES at the University theater a couple of weeks ago. Still amazing (even if Paddy Chayefsky hated it).
Maybe WB could own up and finally release THE DEVILS uncut on home video now??? (The UK gets the cut version in March).
It would be great to see “Altered States” totally restored, including the stereo audio tracks, which seemed absent from past video releases. When it premiered in Los Angeles, it had the added benefit of Megasound, which had the widest dynamic audio range and immersion I had ever heard up to that point. The film was, of course, amazing at the time – but it was also a film that had a number of technical components to make it work, so hope Warners acts on it accordingly.
I loved how he had Hurt munching on a sandwich when he was saying all the technical gibberish. It must have driven PC crazy!
Saw him twice last year — at the Academy and at the Aero for screenings of his films. Cantankerous as ever.
Wish there was anyone around with his style and his balls.
So many deadly dull biopics (I’m talking to you, David Cronenberg) would benefit from the Russell touch — more like a sledgehammer than a touch, but you get what I mean.
I’ll miss the crazy bastard.
Thank you for everything you’ve left us. Your’s was a truly singular and damn enjoyable vision.
Don’t forget, Ann-Margaret got a Best Actress nomination for “Tommy”… so that counts as Academy consideration too, right?
Very sad to lose one of the last of the London old school. Bring on the new meat.
Worked with him briefly in the 90s. He was a hoot. Didn’t take himself or this business seriously. Made no apologies and just did his thing. Heaven just got a lot more fun – dude knew how to drink, party, and deliver a quip. RIP you mad bastard.
Is “Savage Messiah” available anywhere?
I had the priviledge of working as the casting associate on “Crimes of Passion” with Ken. He was absolutely one of the most colorful, creative artists I have ever known. He savored every challenge of the production and referenced so many elements of the arts in his work, all of which he imbued with his singular passion.
I also attended his wedding while we were in production and it too was a Ken Russell spectacular. I always think of him dancing down the aisle, so full of joy. I will truly miss him.
I was 23 year old grad student when I first saw Womem In Love in 1969.
It opened my eyes to the possibilites of film and taught me to seek out films that had a higher common denominator than most of what I was seeing from Hollywood.I will always be grateful for that. My life has been made immeasurably richer thanks to Mr Russell and others who – instead of working ‘out of the box’- were never in the box to begin with. Thank you Mr Russell. May you rest in Peace.
Also saw Women in Love in a revival in ’75. Took me to a place I’d never known existed in cinema before. Truly powerful experience.