
Warner Bros and director Christopher Nolan revealed the six-minute prologue of their summer blockbuster-in-waiting The Dark Knight Rises, plus a couple of minutes of random teaser trailer-type stuff, at a special press screening Thursday night at the Universal CityWalk IMAX theater. With this being the most anticipated fanboy flick of 2012 — and the last Batman film from Nolan and star Christian Bale, the director told me later in the evening — there was a good turnout of that group to check it all out. Although brief, it seemed to play well. One geek fanboy told me he was “overwhelmed” with anticipation, and the footage lived up to it.
No, Batman wasn’t in the prologue, which revolved around some sort of heist on a small plane and attempted getaway by the franchise’s new “masked” villain Bane (played by Tom Hardy) and some cronies. Warners, trying to maintain some secrecy around the project, asked the press not to give away too much minute detail, but the public will get to see this starting December 21 when it will play in select IMAX theaters in front of Mission: Impossible — Ghost Protocol. Nolan also showed the same footage to a VIP group of filmmakers earlier in the evening in an effort to show off his experience in IMAX. The Dark Knight Rises opens July 20.
At the reception following the presentation, which was introduced by Nolan as basically an endorsement of the whole IMAX experience, I reminded him of a similar IMAX outing he and Warners did four years ago when they had a super-early event like this to reveal the first six minutes of The Dark Knight — the first chance anyone had to see Heath Ledger’s Joker. Of course, Ledger went on to win a posthumous Academy Award. Will Hardy’s introduction as the evil terrorist leader Bane spark similar talk? Probably not. For
some reason, looking at him with that mask I kept thinking of Dennis Hopper in Blue Velvet, and it wasn’t always easy to understand him. But from the pulse-pounding in-flight footage shown, it is hard to tell where the character goes from here, and Nolan admits he barely is into editing the film right now for its July release. There were also some intriguing, if fleeting, shots shown of Anne Hathaway as Catwoman, but nothing substantial. Nolan said he is very happy with the results of the shoot mainly because it gives him a great opportunity to work with such remarkable colleagues in front of and behind the scenes.
Nolan told me he basically wanted to do this kind of promo event again to show off the magic of IMAX and what it can look like when you shoot in that format, as he did with several sequences in The Dark Knight. The idea of seeing an optimum experience on a big theater screen is key for the director, and this promotional kickoff is one way to emphasize the glory of it all. In other words, try not to watch this movie on your iPads, kids.
I asked Nolan about Bale’s recent remarks that this film will be his last as the Caped Crusader. Nolan echoed that and said it would definitely be his last, as well. “Christian and I sat down and agreed there was still an exciting place to take this story and then move on to different things,” he told me about the reason he took this one on and why it is the absolute last one for him and Bale. I recall Nolan saying similar things after previewing footage from The Dark Knight, but this time he clearly means it.
Even though it received a couple of Oscars in 2008 and won Nolan a DGA nomination, The Dark Knight (2008′s top grosser) failed to crack the Best Picture race, and that omission was widely regarded as the catalyst for the move to 10 nominees in the category the next year. Nolan’s Inception won four 2010 Oscars and did get him his first Best Pic nomination, but again, despite another DGA nom, he was overlooked by the Academy’s directors branch. Still, that hasn’t soured him on this awards season. He said he loves this time of year and wanted to talk Oscar contenders with me. His favorite? Tinker Tailor Soldier Spy, which stars Gary Oldman, who has played Jim Gordon in all three of Nolan’s Batman movies. When I mentioned Oldman had never been nominated for an Oscar, Nolan was shocked and said, “hopefully that will change this year. It should. The movie is great and so is Gary.”
Awards Columnist Pete Hammond - tip him here.


That picture of Catwoman looks like Kristin Stewart with implants.
I know all the attractive, young and smart people are saying this movie looks great. But I don’t get it at all. I have no desire to see it. To my eyes it looks idiotic. And Anne Hathaway as Catwoman? This all reminds me of the Gilligan’s Island Harold Hecuba version of Hamlet. wtf
Be prepared to go live in a (bat cave) for most of next year, then, because it’s all anyone will be talking about for a long time.
Ummmm, it’s a Christopher Nolan movie. Period.
Yeah, that’s the problem.
Agreed. The first two ‘Batman’ movies were interesting and well-made but didn’t exactly break new ground. I much prefer when he takes risks (like with ‘Memento’ and ‘Inception’) and can’t wait for him to be done with this franchise and leave superhero flicks to the hacks.
Geez, it’s a superhero flick for crying out loud. Dig the stick out of your backside and appreciate for what it is. Besides, lots of people balked at the idea of Heath Ledger playing The Joker, look how that turned out.
Nolan’s biggest problem is that he does have Memento and Inception on his resume, because now he will only get props from some people if he keeps making those movies over and over again. He can’t simply make a movie with a good story and compelling performances; no- the movies have to be groundbreaking!
Spare me.
Is that the first time that picture of Hathaway has been posted anywhere?
Catwoman can’t be cool… I don’t care what anyone says, or how much boob and thong she shows. She’s a dumb character. Just a bad, bad idea.
So let me just go on the record now for the court of public opinion… Catwoman isn’t cool.
Thanks,
Catman
You naysayers crack me up, but I bet you a million bucks you will all be standing in line on opening night and giggling like a schoolgirl by the end, amazed by how awesome this flick is. Everything Nolan touches turns to gold. This movie will be fantastic.
I’m not rooting against it. I’m sure it will be better than BATTLESHIP. But, beyond that, it looks to me like it sucks.
And all you Nolan fans remind me of the week just before VAN HELSING opened. A lot of people were going, “Ummm, I don’t know…” and they were getting shouted down by fans yelling “STEPHEN SOMMERS IS THE GREATEST DIRECTOR ON EARTH!”
[laughs]
Um….. Who was making those claims? Because, I never EVER heard or read anyone saying anything like that before the release of Van Helsing….
No one has ever said they were excited about a Stephen Sommers movie. And Sommers is no Nolan.
“[laughs]“
That’s really the only thing the messed up on. Going with Hathaway was a poor choice. I can think of a million other ladies that can perform better than her. Not to mention they screwed up her costume which looks nothing like Catwoman. Other than those, the movie is looking pretty solid
I predict a gigantic opening followed by a sharp drop off. Bane just doesn’t seem to be an interesting enough villain to warrant multiple viewings. He’s just a small muscly guy wearing a bib and is apparently barely comprehensible. It was a big mistake on Nolan’s part not to go with The Riddler.
You seem to know a lot for seeing next-to-nothing.
I assume you know nothing about Bane to make such an assumption.
Besides, the villains don’t matter now. After TDK, enough people will be interested in batman’s story to come back for more.
Apparently you don’t read the comic books. Bane is incredibly intelligent as well as super strong. I’m glad Nolan went this route. As much as I liked Joked and loved Dark Knight, I want to see Batman physically challenged as well as he is intellectually.
Man, it’s too bad ole’ Chris didn’t consult you before moving forward on this film. After all, he’s made a friggin’ truckload of critically celebrated films that have grossed billions… it’s obvious he knows nothing about how to make a compelling movie. Yea, it’s too bad he missed your opinion of Bane that is clearly based off the “Batman & Robin” take on the character, as well as a short synopsis written on a 6-minute section of an unedited film.
Completely agree with this. Well said.
I completely disagree. You geeks are too far thin-skinned, and it gets worse every year. No sense of humor whatsoever. Tell ‘em, Petey.
So you read entertainment news just to be repulsed by it, then? How nice to be as elevated as you are, ‘Cool’ Bob. Cool people usually calling themselves cool and all.
Gary Oldman is the the shizzzz-nit! I love him!
I’m not a “fanboy” by any means, but I did think the best picture the year it was released was “The Dark Knight,” and I do think Chris and Jonathan Nolan are brilliant.
Oh, and “Inception” was the best picture of its year, too.
How on earth does an over-the-top, logically flawed POS like Inception qualify as either brilliant or best picture. Best CGI? Maybe. But that’s about it.
It never ceases to amaze me how Nolan has managed to bamboozle the world into thinking he’s a great filmmaker. A promising start has blossomed into movies full of bombastic, over-the-top amusement rides with not an ounce of storytelling nuance or subtlety. The idea of either Dark Knight or Inception being nominated as Best Picture just saddens me beyond belief.
I’m relieved to hear Nolan won’t being doing another Batman. Let’s hope to Christ he doesn’t do another Inception either.
Christopher Nolan takes a story and does alchemy with it. He refines it, redefines it, and takes it to a higher level. Thus is his art. In the comics, Catwoman’s name is Selina Kyle. Chris would never use the name catwoman, because of the high kitsch. Instead, he is using Selina’s real name and making her a more believable character, a villain that Batman is able to rehabilitate to being a hero herself. THis is how Chris will show a contrast between someone who is able to be saved and someone who is not (Bane).