(WARNING: STORY CONTAINS SPOILERS) The status of American Horror Story leads Connie Britton, Dylan McDermott and the Golden Globe-nominated Jessica Lange remains in flux in the wake of the FX horror hour’s season one finale last night. But if Britton, McDermott, Lange or supporting player Frances Conroy return to the show for a second campaign, it will be as entirely different characters in a brand new storyline featuring a fully (or at least mostly) new cast. Co-creator and exec producer Ryan Murphy and FX president and GM John Landgraf laid out for reporters during a conference call this morning that Horror Story was packaged from the start as a seasonal anthology. “The (haunted) house is done,” Murphy stressed. “Every season of the show will be a different haunting. That’s always been the plan. Every season of the show will have a beginning, middle and end, and all new characters and setting.” But that doesn’t mean that this year’s performers won’t be back. It’s just that McDermott and Britton won’t be starring as Ben and Vivien Harmon, respectively, nor Lange as creepy neighbor Constance Langdon. It would have been tough to pull that off, anyway, since the Harmons all were dead by the time the season drew to a close.
“We’re still negotiating with a handful (of the cast members) about returning,” Murphy said. “We’re also meeting with new actors whom we’ve targeted roles for. I will say that Connie and Dylan will not be playing the leads of the show in the second season. We’d love for them to come back and do something, maybe a smaller role or a cameo.” The word during the first season of AHS was that the leads had one-year contracts, though Landgraf said today that this wasn’t true of all the players. “We make longterm deals as a matter of course,” he noted. “We haven’t yet picked up the option on anyone.” The show’s second season will eschew the haunted house approach that proved so successful during the freshman season. Murphy insists, “There are all kinds of different American horror stories to tell. There are serial killing stories, prison stories, true crime stories…Each year of the show is designed to be a little miniseries unto itself. The only thing we’re not open to doing is a season on vampires.”
The unique plan to essentially gut a show and start from scratch every season with new characters and storyline carries plenty of risk for American Horror Story considering its popularity. Since premiering in October, it has been the number one new scripted series on basic cable in adults 18-34 and generated by far the highest ratings for a first-year show on FX since the network started doing originals roughly a decade ago. Asked if he was concerned about starting over after enjoying such success and potentially alienating viewers, Murphy replied, “Yes, we’ve thought of that. We too loved those characters and will mourn them and miss them. But the aspects of the show that people love, including the mystery and love story, will be there, albeit with new actors and characters. But you know, this has always been the plan from day one. We just weren’t interested in doing another season with those people trapped in the house…I’ve always wanted to do a kind of Mercury Theater approach, with a (rotating cast) and each year do kind of like a little novella.”
The other advantage in casting the series as a yearly anthology, Murphy added, is that it increases the potential talent pool of performers. “There are a lot of actors who have their own careers and don’t want to make a five-year commitment. This gives people who haven’t done TV before an opportunity. Our shooting schedule is like three or four months every season, so it’s like commiting to a film really. I get a lot of calls from film actors who want to dabble in TV but don’t know how to do it. Being on a series where all of the characters’ stories are done after a season is a way in for them. That’s been the plan from the beginning with this show.”
Landgraf said that the series will again premiere in the fall for season two (late September or early October 2012), calling AHS “a great fall Halloween show. The intent on the network side is for it to become a Halloween tradition for people who love the genre.” He also expressed that he’d had “complete optimism” in the series from the outset despite its bold concept and atypical setup. “I was very confident from the beginning that it would work. And the idea of starting from Ground Zero and rebuilding the entire show every season is exciting.”


Now we’ll never know if Tate and Violet get back together.
Or about 100 other storylines they kept unresolved.
um, did you guys actually watch the show? Tate and Violet are done, they will never be back together. she even said it as much in the show. how on earth would you get back with an mass murderer ex who raped your mom and tried to kill your dad? the finale pretty much tied up everything neatly with a bow like a Christmas present. what other unresolved story do you want? gosh, whine about something else.
Yes, I watched the show. Every episode, in fact. And Tate said he’d wait forever. And Tate is the only one in the house who’s the same age as Violet. And if Vivian can forgive Ben, why can’t Violet forgive Tate?
Uhhhh, because Ben didn’t rape her mother and murder people.
I think Violet will eventually take Tate back. Love conquers all, after all
Yeah, there’re plenty of things other than the ending to whine about, like the unholy amount of plot holes and discrepancies throughout this otherwise well-written series. (The most annoying one, but by far not the biggest one, that in 1994 a self-described Quentin Tarantino fan was whistling a tune from a movie of Tarantino’s which wouldn’t be released for another 8 or 9 years; the biggest plot hole: That Britton’s character was unaware that the man who impregnated her wasn’t her husband. Unless he was able to shape-shift a certain part of his anatomy [and let's not forget: in the episode where Tate tried to sleep with the daughter, they implied he was impotent/unable to get aroused])….
i tried to watch the show, but always found it overdone and too campy for most straight guys. (seriously haven’t met a gay man who won’t try to quote jessica lange.) but i assume the song you are talking about is twisted nerve’. tatantino lifted the song from a 1968 movie of the same name. google it.
The song in question is “Georgie’s Theme,” which is originally from the score for the 1968 film Twisted Nerve. Tarantino gave it new life in “Kill Bill,” but it didn’t come from there.
Hm. This actually makes sense. But they could have ended last night with a definitive story capper, then, rather than this odd feeling that some of it was (semi-stupidly, semi-smartly) resolved while some of it seemed to leave the story open. At least, there could have been a title card that said, “The End.” The Hispanic family story started out well and ended laughably … but, then if the idea was to simply leave it at, “The house will always be haunted,” it makes it seem almost OK. But they MUST retain the constant of Jessica Lange. And they really didn’t, then, need that stupid subplot of the baby somehow threatening the whole existence of humanity. Still … whether it’s reverse engineering or really was the plan, this kind of makes sense now.
This series was so tight those first five episodes… and then it just spiraled out of control.
I feel bad for the cast. Murphy gave them nothing to play the back-half and it felt like first year film students were handling the plotting.
Murphy needs to consider hiring a real showrunner and staff on all future projects. His vision alone is what ultimately tanks them.
“This series was so tight those first five episodes … and then it just spiraled out of control.”
Exactly my feeling about this show.
Perfectly stated. What started out strong just totally fell apart. Geek of the week took over and it became eye rolling laughable.
Unfortunately, you are absolutely correct. It was a great show until it ran off the rails about half way through. My opinion is that if the writing is not tightened up this year, the anthology thing will fail, and AHS will be a 2 year series. Time will tell.
Absolutely 100% agreed!!
I was telling everyone about this show…and then warning everyone away from it.
As I stated elsewhere, there were just too many plot holes and discrepancies by the time we got to ep. 5 or 6.
There’s no way Britton or Dylan would even come back after the trainwreck that AHS became.
I’m sure Connie’s fuming she didn’t take a better pilot. All that FNL currency and she was reduced to this drivel.
What crack have u been smoking? If I’m on the one of the highest rated shows of the year and in Jessica Lange’s case, get nominated for a Golden Globe, I would be signing on the dotted line the minute the season was over.
You might not like it but many people did, and I have to see them in some shape or form in season 2.
I’m going to my agent to memo me when they start casting cuz im in to audition next yr…
Last time I checked it wasn’t Connie with the nomination…
I rest my case, bunk head.
You’re quite simply an idiot – and if you’re speaking like this, then you must have either watched it (and suffered through the drivel) OR didn’t watch it and then you’re talking BS – either way, it was a fantastic, daring, first season – and it takes GUTS to start from scratch for the next one – Ms. Britton is undoubtedly proud of her work on the season, she should be – she was amazing.
Congrats to the entire team, especially Ms. Britton! (And Lange, and Landgraff and Murphy, et all)
What show were you watching? AHS ran out of steam after the first few episodes. It seemed that Murphy only had a beginning and an end in mind, and everything else in between was made up as the show went along.
And if you’re using “fantastic” and “daring” for overused cliches and storylines that made no sense, then you must be easily amused. Here – I’m jingling my keys. You’re laughing and clapping your hands, aren’t you?
Yeah, exactly! I mean, wasn’t there a role for her on PERSON OF INTEREST (cough into mouth)?
It takes guts to get an audience involved in certain characters and then remove them for a second season. But I think this is the kind of show that can and should do it, with some cameos from the previous cast. They just have to make sure they keep up the great casting.
Oh, wait, so they weren’t just throwing random horror movie references at the screen? There was a storyline?
Here’s an idea for Season 2:
A traveling circus stops at various towns, carrying with it a deadly secret.
The cast: Clifton Collins, Jr. as Ringleader; Peter Dinklage as a creepy clown; The Rock as Strongman; Adrian Pasdar as the illusionist; Jennifer Tilly as his assistant; Cherry Jones as the circus owner; and Regis Philbin as the bearded lady!
Dylan is the weak link in an otherwise outstanding cast.
And Constance Langdon (Lange’s character) is the best character and portray on TV in quite a while.
She makes the show for me. If Lang weren’t on, I wouldn’t watch.
$50 you ask Ms. Lange what her character is all about and you’d get an incoherent, rambling response…
It’s clear even the writing staff doesn’t know what’s really going on with her… and simply chalking it up to ‘paranormal experiences’ is exactly what Murphy promised he wouldn’t do a la LOST.
I think it is a wondrously entertaining performance, the significance of your opinion notwithstanding.
It was no secret anywhere that the cast was only signed for one season – Britton took the gig in part because it would keep her in the public eye after the end of FNL, but still leave her available for the upcoming network pilot season. Her WME agents let everyone at the broadcast networks know she was available this pilot season.
I didn’t watch the show after the pilot because I thought it was a lame attempt to fake David Lynch-like horror. From those I know who watched it, the overwhelmingly prevailing sentiment was that it went downhill – which, by the way, is a signature of all of Ryan Murphy’s shows. Look at Glee – the creative glow didn’t even last through Season Two.
That said, it is a monumentally gutsy move to start over each season with a new cast and storyline, so for that Mr. Murphy, Mr. Falchuck, and FX deserve all the credit in the world.
This move takes zero guts folks… what else is FX gonna do? And it keeps overhead low…
Lock the cast in for 12 episodes so that you can get some amazing actors to commit for only a few month, hey… great idea. But where it hurts is when it comes time to tell a coherent storyline with charcters you like. AHS failed in every way on that front this year. Shame.
I think this is smart. Murphy, in my opinion, is making the show about him, not the actors. He’s trying to be a mainstream “brand” (if he already isn’t one). He wants people to know about Ryan Murphy the way they know about Spielberg, or any other huge name in the entertainment business.
If he is a brand or isn’t, this move is about making him more well-known.
Nip/Tuck was cool for about 4 seasons…
HEY LANDGRAFT,
Gratuitous sex scenes and shock-value can only take this tomato (AMERICAN HORROR STORY) so far. Not that you’d admit it, but I wonder how much you and Kevin kick yourselves at not picking up the pilot to LOCKE & KEY, a dark and beautiful piece of REAL storytelling based on the popular graphic novel series by Joe Hill (aka Stephen King’s son). The story has a devoted cult following—comparable to X-Files—that is untamed in how fast it’s growing. Hm, besides the large fanbase, let’s count some of the accolades: Eisner Award winner, USA Today calls it the best continuing comic series anywhere, it’s consistently on The New York Times Bestseller list. But hey, if you wanna keep churning out garbage programming like that horror story thing, by all means.
Good luck
AHS was an entertaining, tawdry blast to watch (also an incoherent mess writing-wise). The notion that Murphy is going to ditch the cast and keep his (awful) writing is laughable. They’ve got their priorities all wrong – keep the stellar cast, and hire new writers that can give them material worthy of their talents.
I have a funny feeling that Locke & Key would have been one thousand percent better as a series…
Locke & Key? Let It Go.
Locke & Key was developed at Fox – not FX. While they share the same parent company, their development cycles, budgets, everything – are separate. Landgraf couldn’t have put it on the air if he wanted to – since by the time “Big Fox” passed and they were shopping the pilot to other networks – they had already gone to series on AHS.
Locke & Key would have been a better bet in the long term. Great pilot – and tons of potential in the comics. But that has nothing to do with FX whatsoever.
We all know Joe Hill is King’s son. Why keep bringing it up? Just because your father is born a surgeon doesn’t mean you can cut someone opened.
Joe’s work speaks for itself! Both novels and his graphic novel LOCKE & KEY have all been NY Times Bestsellers.
Whereas Ryan Murphy’s writing is a lot like your analogy, nonsensical and boring.
The second ep. (Home Invasion) was the best one-hour of television I saw all year. And Jessica Lange showed why she’s a two time Oscar winner as well as an Emmy winner. She was simply a force of nature in this show in what was a fearless and successful performance that should win her another Emmy as well as every other television acting award.
The show worked. It was delicious fun, creepy, and terrific. Perfect, no…but one of the best shows of the year. I’ll miss it.
I feel sorry for you if that was the best thing you saw all year. You’re obviously not watching the right shows.
If only you knew how she really felt, Peoria.
Started out great, but it lost all it’s momentum due to muddled plotting and some scenes that where weird and out of place. Lange was chewing sceneary like an out of control lawn mower in central park. Dylan was great and they were lucky to get him for this type of role.
All I know is that I like the show, and I willing to go for the ride. Enough side. I frankly think this Murphy’s best show.
Agreed!
I was thoroughly entertained by each episode all season. I do not think there were any weak links among the actors. I am still waiting, however, for a buff man in a rubber suit to visit ME!
Jessica Lange does crazy so good. Without her this show would not have been as good as it was.
If Connie Britton and Dylan McDermott only signed one season deals, why did Connie talk about returning for a new season next year (in regard to her newly adopted baby in real life) in a recent issue of People magazine?
So was Connie BSing in the interview or did Ryan Murphy not bother to tell her in between his incessant changing of his mind as usual? Glee and Nip/Tuck also went downhill fast.
I’m really amazed by the animus towards this show from commenters here. I have long suspected that those who work in the entertainment industry are really out of touch with what regular people who watch TV actually think.
For the record, AHS was incredibly well-received by us non-Hollywood types, though consensus is that many people did not like the finale and aren’t warm to the idea of a new story next season. Everything depends on how good the story is next season though…and also how well it’s explained what an “anthology” series is because regular people don’t know what that is anymore. If they don’t advertise the new season well, a great many people will tune in expecting to see the Murder House and be confused. Here’s hoping there’s a great tale to tell set somewhere else in another state.
Many of you might not see the potential here, but this could FINALLY be a way to air TV shows here in the US the way they are aired in Britain — where shows have actual beginnings, middles, and ends planned out and don’t try to keep going just for the sake of trying to be renewed the next year (and more often than not be cut down without a good conclusion or run far longer than the writers had anything interesting to say).
Just imagine the creative potential if viewers could get used to the idea that a show would last for one or maybe two seasons and that’s it, so the quality never suffers and more GOOD shows could be developed instead of keeping aging and creatively bankrupt shows on the air well past their time.
Most of the people here are has-beens or never-will-bes who get their kicks bashing the successes of those with more luck, stick-to-it-iveness, talent or connections than they have, so they are bitter. “American Horror Story” was no more a pastiche than any other show that’s ever been on TV, including “Lost” (one of my all-time favorites … until season 6) or “Twin Peaks,” shows that took the best of what’s come before and made them something new. “American Horror Story” wasn’t without its flaws, but it was mostly terrifically entertaining. The animosity you’re finding here is directed less at the show than at Ryan Murphy and the creative folks behind it, who were able to achieve something most of these people will never, ever achieve … and they will go on ranting and raving about it from behind the counter at Starbucks or over the hood of a used car until they die.
I loved this comment. It sums up ALL of the hater, wanna-be posts on Deadline.
No, actually that’s just your opinion.
What’s really going on here is viewers want to invest in a show that involves actual storytelling, not a bunch of amateur writing that needs the crutch of shock-value scenes that are the only thing driving the season. Real Horror stories that have characters you actually care about elicit a sympathetic response from the audience. No one on this show is worth caring about, the characters have no depth. And the writers have no idea where they’re going. This ran like the final two seasons of X-files, inserting as many outrageous twists they could fit in to keep the viewers, then not having satisfying answers.
Hear, hear – very well-said! I agree that most people here seem to have unwarranted vitriol for a show that is pulling in huge numbers with us normal types.
Maybe living among all the pastiche and plastic of Hollywood has left these posters embittered? Or maybe its just that nobody in Tinsel Town paid attention to their acting / writing / directing skills and they’re venting their spleens here as a result. Whatever the case, these folks are clearly out of touch with us little people. Too bad, since we’re the ones that the almighty Hollywood machine supposedly serves.
Holy shit, you bitches will find ANYTHING to complain about.
Me? I don’t take TV that seriously, apparently; it was entertaining, and different. Regardless of the inconsistencies, I didn’t notice upon initial viewing, so why do I really care, again? Sometimes a show is just really good, and people just really liked it. They aren’t delusional, they weren’t watching another show, and they aren’t dumb.
With the way his other series have run out of steam, one and done is a genius move.
Exactly. It plays to Murphy’s strengths – creating campy spectacles that collapse after their first season (this from a frustrated Glee fan). And hiring new writers doesn’t help, at least from the Glee experience this season. Murphy and Falchuk’s writing is great in the rare moments when it’s good and awful when it’s bad, but the new Glee writers are reliably hackneyed.
Reluctantly, after reading this and the other article, I have to say, hey that is a good idea. I am all for variety in television. I never felt this nervous or scared since watching episode one of TrueBlood! AHS is a good show. However I would like to follow the actors in their other ventures. Dillon needs more work. Connie, Jessica Frances and Taissa are awesome. I would continue to see the show if young Moira starred on in either different characters or a different role. Mrawwwww!
All of the analysis (and over-analysis) is driving me nuts. Why can’t you just enjoy the show for what it is…decent television?
I was highly entertained by Lange’s Blanche DuBois kvetching, McDermott’s belloing, Farmiga’s angst and Britton’s…well, I’m not sure what she was doing. It was entertaining…would I have liked things to be a bit different…sure…that won’t keep me from tuning in next year to see where they take it. I would prefer 2 13 episode seasons each year…but we’ll see. The new format opens itself up to a lot of settings and angles that might not get boring.
Aree the producers even holding auditions?? AHS was such a big hit they could practically have anyone they wanted! Just imagine the amount of people who would show up, heck I would!
AHS plus LOUIE gives FX two of the three best shows on television, hands-down. (HOMELAND is UH-MAZing too!)
So thanks John Landgraf, a) for making AMERICAN HORROR STORY in the first place, and b) for knowing and respecting what it best exists as narratively-speaking, and c) for not being too big a pussy to make an anthology.
And thanks Ryan Murphy & Brad Falchuk for writing and producing such an awesome show. Totally makes up for how lame GLEE is.