
EXCLUSIVE: In a competitive situation, HBO has bought Beat The Reaper, a drama series project from New Regency executive produced by Leonardo DiCaprio. The project, which feature scribes Brian Koppelman and David Levien (Ocean’s Thirteen) are writing, executive producing and attached to direct, is based on the debut book by physician/novelist Josh Bazell. It is a criminal/medical thriller about a young ER doctor whose life is upended when a patient comes through his ward that recognizes the internist from his old life — when he used to work for a notorious crime family. As his past comes crashing back and his enemies from his old life try to destroy him, he tries to hold his new life together while discovering that everything he knew about his past may have been wrong.
New Regency co-produces the HBO project with DiCaprio’s Appian Way and Rick Yorn’s LBI Entertainment. The three companies first came together three years ago when New Regency acquired rights to the book just as it was published in January 2009 for a feature film. Julie Yorn, DiCaprio and Appian Way’s Jennifer Davisson Killoran were attached to produce the movie, once eyed as a potential starring
vehicle for DiCaprio, with Koppelman and Levien set to write. DiCaprio, Koppleman, Levien, Davisson Killoran and Julie Yorn will now executive produce the HBO series version, along with New Regency founder/majority owner Arnon Milchan and former chairmen Bob Harper and Hutch Parker who brought the book to the indie production company. Harper and Parker left New Regency at the end of August and were succeeded by new president/CEO Brad Weston. As part of his review of the company’s development slate, Weston identified Beat The Reaper as better suited as a TV series. The project garnered interest from four networks before landing at HBO.

This marks New Regency’s first TV project since the 2008 shutdown of Regency Television. New Regency continues with its plans to relaunch Regency TV, and a search is underway for an executive to run it. For DiCaprio, managed by LBI Entertainment, the deal for Beat The Reaper comes on the heels of another sale to HBO of a drama project based on a book: The Lobotomist, a series adaptation of Jack El-Hai’s novel. On the TV side, Koppelman and Levien, repped by CAA and 3 Arts, previously wrote the 2003 ABC drama pilot The Street Lawyer and created and executive produced the ESPN series Tilt, on which they also directed the pilot.
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This is exciting news. The novel was my favorite in years. A weekly show based on this story/character could be a hell of a blast. Hope it comes to fruition.
This sounds like an HBO cluster fest.
I can’t wait to see how they pull any of the shark tank scenes / Leg bone dagger. Should be great.
For some reason this concept just does not excite me. So it’s exactly HISTORY OF VIOLENCE but in an emergency room? Okay.
I haven’t read the book, though, so maybe there’s something there that I’m missing in these quick pitches.
Lobotomist is not a novel. It is a biography of Dr. Walter Freeman, who invented the icepick lobotomy.
The book was a hell of a guilty pleasure…a crazy cocktail of medicine, sick gags and gore (in pitch-talk, you’d call it Chayefsky’s “The Hospital” meets “Goodfellas” meets Altman’s “MASH”) Done right, could be the next “Dexter”.
According to Deadline, back in 2009 this was being developed as a feature for DiCaprio to star in. So what happened? My guess, the writers came up with a mediocre script that has languished for nearly 3 years…and now is being turned into a weekly series on HBO. Let’s be honest…if DiCaprio loved that script, he would have starred in the feature…instead, he’s staying safely behind the scenes of a project that is at best mediocre, but that he owns. The folks behind the movie script, from what Deadline itself says have a terrible track record. Street Lawyer? The pilot was unwatchable. Tilt? On ESPN where you don’t need ratings to survive, that show manages to get cancelled. And is memorable only as ESPN’s first scripted show…and last scripted show. TV guys don’t always make great films. And movie guys don’t always make great tv. In this case, these movie guys (excluding DiCaprio) have been behind a series of eh to worse movies that have lost a bundle (i.e., they directed a movie starring Michael Douglas that cost nothing, and made less at the box office–and this is but one example). Hollywood is famous for people failing forward and these two are its cover boys. Long live the Emperor, wherever his clothing may be.
The only way this will work is get 5 or 6 more PRODUCERS on the project.
The book was a burst of high energy thrills and wicked humour. With the next book in the series out in February – and if Mr. Bazell could produce one a year [without losing the quality and the fun] for four more years, it could be a great source for an HBO series.
Where are the original voices of today. The Schraeders, Todd Fields etc.. The pile of rubbage leads me to ask, Got Milk?