
Dreamworks’ awards contender The Help got into the spirit of the season and held their first annual Help
holiday cocktail party Wednesday night at Soho House in West Hollywood. Call me cynical but this is probably also The Help’s LAST annual holiday cocktail party as I doubt Dreamworks is going to gather the cast and filmmakers to do this every year.
Nevertheless this is one group that had plenty to celebrate considering the box office and awards haul it has collected so far. That includes five Golden Globe nominations including Best Picture Drama, four SAG award nominations including Outstanding Cast, eight Critics Choice Nominations including Best Picture, a spot on the AFI’s 10 Best List, and numerous acting awards from critics groups. The August release which has grossed $169 million domestically has continued to stay in the picture so successfully that it is looking likely to grab multiple Oscar nominations including one for Best Picture.
Among those at the packed party last night were stars Viola Davis, Octavia Spencer, Jessica Chastain and Mary Steenburgen along with producers Chris Columbus and Brunson Green. The industry crowd included producers Larry Mark, Donald DeLine, Brian Oliver and other Academy members and press. Davis told me she is trying not to become too overwhelmed by all the awards attention. “I look at it as a big tidal wave. It is either going to completely roll over and consume me or I am going to ride it,” she said. Despite all the recognition (she won a Tony last year for Fences and has been previously Oscar-nominated for Doubt) she maintains that she does not believe in competition between actors. But don’t expect her to turn into George C. Scott and refuse an Oscar nomination if she gets one. She said she is trying to take everything one day at a time even though she is already up against her Doubt co-star Meryl Streep in The Iron Lady for the Globes, SAG and Critics Choice Awards, and both look likely to take this contest all the way to the Oscars.
Co-star Octavia Spencer told me the whole experience of the awards run so far has been amazing. She’s savoring every moment and with Globe, CCMA and SAG nominations she probably is heading for the Oscars too. She’s never been through this process but is watching with wide-eyed abandon. She’s going home to Alabama for the holidays before launching the next round of the season. “As long as I am single that’s where I need to go,” she laughed.
Spencer’s fellow Globe, SAG and CCMA nominee Jessica Chastain couldn’t stay for the whole event as she had a meeting on a new film. No surprise there as she has had about eight this year alone. She also won the New York Film Critics award for Best Supporting Actress for a slew of them including The Tree of Life and Take Shelter. Like Spencer she also seemed like a kid at her first Christmas.
Producer Chris Columbus, an Academy member, is just trying to keep up with his screeners. He had just gotten The Girl With The Dragon Tattoo that day and wanted to watch it with his Lizbeth Salander-obsessed 17-year-old daughter. “I also read what you wrote in Deadline this week about Extremely Loud & Incredibly Close and am anxious to see that too,” he said of another screener he just received. As for The Help’s Oscar chances? “I’m not getting too far ahead on that but the whole experience has made me want to do more films like it. I don’t really want to do another $170 million blockbuster tentpole movie right now.”
So The Help holiday party was full of good tidings for all. Maybe it will start a trend. In fact I expect my J. Edgar New Year’s Eve party invite is probably in the mail.
Awards Columnist Pete Hammond - tip him here.


First, I am a big fan of The Help, although I did not read the book…and, those that did were less impressed.
That being said, did my invitation get lost in the mail to this event..guess so.
Aspiring screenwriters, take note. If you want 100% guaranteed Oscar-bait (or at the very least 100%-sure to get an Oscar nomination) do a movie with African Americans acting subserviently, (The Help, Green Mile, Million Dollar Baby) or a movie with African Americans acting coonish, buffoonish (The Help, Blind Side) criminally (Training Day, Last King of Scotland, Precious).
What you should NOT do, under ANY circumstances is have a film that shows African Americans in a dignified light (Miracle at St Anna) and for God’s sake, NOTHING showing black people acting defiantly (Malcolm X). That’s guaranteed Oscar poison. AMPAS doesn’t like that.
DW Griffith was truly ahead of his time. He was vilified for the crap he did. Today you get awards and rave reviews for it. The more things change, the more they remain the same.
Too true, too true. It’s sad actually. (Perhaps with the exception of “Lilies of the Field”) just about every movie made featuring black actors/actresses that gets Oscar and mainstream attention is racial and features people of color in a stereotypical role. We’ll know we’ve made true progress when movies feature characters whose storylines are deep, complex, intrcate, and engaging sans a racial context or pretext, when the amount of melanin in their skin is a moot point.
Totally agreed. A general absence in the media altogether at the present time. (Unless fat, rapping, singing or the help.) Same formula with the major festival route. Any movies with African Americans are… wait, are there any in the running on any major festival runs? Only way black people will get the truly representative content they want to see is to produce and support it.
Jay Smack , I couldn’t agree more . Also, these types of films do very well at the box-office. It sad to see a group of stellar Black Actresses protraying maids in a very stereotypical film – with no real insight on the complexity of race .
One of the most laughable moments in Oscar history: ” Do The Right Thing ” ( a film that boldly depicts racism honestly ) was not nominated for Best Picture ( and receive few nominations ) , but the less threatening , unintelligent, and painfully negative images of Black people – ” Driving Miss Daisy ” was nominated for many awards, including Best Picture. Now, tell me Hollyweird is not racist. I was happy Daniel Day-Lewis won the Oscar over Morgan Freeman that year. “Driving Miss Daisy ” is even more unbearable to watch today.
You obviously didn’t see the film or you would make the remarks you did about the help. It won every one of The Black Critics awards it could have. They are a pretty tough group. Do your homework!
Michael, just because it won awards by the Black Critics ( or any other critics group) , doesn’t mean the film is a quality movie. The Help is still racist, demeaning, and disrespectful. Trust me, the Black Critics had no other major Black -oriented film to recognize for their awards.
The problem with us black people is we get mad when they make films that depict our history. It wasn’t all rosy and positive. Yes we were doctors and inventors and scholars, BUT we were slaves and maids and considered sub human. That’s part of our history. And with that came stories of us overcoming obstacles. Those stories talk about where we were and how we have come so far. And to think we haven’t come that far is absurd. But we can’t erase the past. I saw The Help and it is my favorite movie of the year and I’m an African America male. I took my entire family and only my uncle got up and left half way through. He hated seeing us depicted this way. But the truth hurts. It is what it is. When we make movies about what many would consider positive images and black roll models, black people don’t support those films with their dollars. There are no roles for us in movies like the King’s Speech because that’s not our history. The Academy appreciates historic films, period films, and films set in the 50′s and 60′s. That’s always going to be challenging for us.
Ps. Denzel was nominated for an Oscar for Malcolm X. If I have issue with the Academy it’s that he should have won for Hurricane over Training Day.
What was the last mainstream movie where black men and women were depicted as scholars, inventors etc…? That’s just the problem, there are none. The only thing we ever see are stereotypes (the most obvious being Madea), and I’m coming to the point where I think that’s all we’ll ever see unfortunately. I find myself settling for racially diverse extras and background but even those are slim pickings in most movies. I see more people of color as background in Elia Kazan’s movies that I ever see today, which is sad. But the blame falls equally on the pseudo-progressive studios and the audiences who vote with their wallet. So either one of two things is true 1: People of color aren’t commercial enough and audiences only respond to white characters. or 2: Studios (lacking in creativity) are too afraid to give audiences a chance outside of maids, thugs, angry black women, fatherless children, illiterate students, atheletes, single mothers, pregnant obese teens, drug addicts, etc. At this point I don’t know which one to chose, maybe it’s both.
Won’t let myself get too excited, but I’m interested to see what Steve McQueen will deliver with “12 Years A Slave”. The story of a free educated black man who is taken as a slave and tries to get back to his family. Yes, it’s about a slave, but it’s a start I suppose. Doubt that in my life-time I”ll see a surge of black actors and actresses who are more than just “next black thing” but maybe there’s hope, at least McQueen isn’t giving us the cross-dressing loud mouthed she-man that we all know and love.
Normally I’m against killing but this article sulgahteerd my ignorance.
Obviously, many of the commenters here have not seen The Help. One person complains this movie doesn’t depict African Americans acting in a dignified way or show them dealing defiantly with racism.
In fact, the movie is all about how “the help” come to deal defiantly with the racism all around them in the Deep South in the middle part of the 20th century. It also tells the story in a realistic way, not in a sugar-coated way, that would diminish the courage these women showed.
I have to laugh at these modern-day critics who preen and puff out their chests, as though they are somehow superior to these courageous women.
The Help, as a movie, has its flaws, but one of them is not that it attempts to put African Americans “in their place,” so to speak.
People, if you are going to critique a movie, please see it first, so you don’t display your ignorance.