Digital moviemaking has grown significantly in the roughly five years since the Academy of Motion Pictures Arts and Sciences released its initial Digital Dilemma report in 2007. That report looked at the challenges of preserving digital content. The Academy’s Science and Technology Council is preparing to issue Digital Dilemma 2: Perspectives From Independent Filmmakers, Documentarians And Nonprofit Audiovisual Archives report later this week, with this one focusing on Hollywood’s indie communities. Most of the surveyed filmmakers haven’t given much thought to preservation of their finished work; many arrange for storage but few store film or digital masters using reliable archival preservation practices. As digital formats evolve, old ones can become obsolete or deteriorate and in worst case scenarios functionally inaccessible — lost. Read the Executive Summary of DD2 here.


I wish the Academy could somehow find a way of “preserving” the original STAR WARS Episodes IV,V and VI.
So far the best way to preserve a digital production is to make a 35mm film-out negative. The new 35mm stock is polyester which does not burn like the old nitrate or decompose like acetate. This can run about $275. per minute. One would also make a 35mm Dolby Digital 5.1 optical sound track and a color 35mm composite check print. So figure a cost estimate of $35,000. for a 120 minute program. With proper cold storage this should last more than 100 years. Not cheap, but right now that’s the way to preserve your digital production, without worry about your hard-drives and other digital media failing.
This is a really important issue – glad to see Deadline covering it.
Re: the comment above – in the indie digital era, $35,000 is more than “not cheap,” it could be more than the production budget of some features. Digital archiving will have to be the solution… We just need money and research devoted to developing better systems/ methods.
The problem with digital archiving is that the media used keep changing. Ditto the playback mechanisms.
Remember reel-to-reel tape? Punch cards? Seven-inch floppies? 5-1/4″ floppies? 3-1/2″ floppies? Beta? VHS? CED? VHS-C? More recently, suppose you’d archived a film on an HD-DVD? Or maybe an IDE hard drive?
Digitally, you are continually recopying, and every time is a chance for file copy errors even assuming there is no media failure.
Moral: Sometimes analog is best — not perfect (nothing is), but best.