
The CW today gave the green light to three more drama pilots: J.J. Abrams and Mark Schwahn’s Shelter; Elizabeth Craft and Sarah Fain’s The Selection; and Bert Royal’s Joey Dakota, which has Mark Harmon executive producing. That brings the total number of hourlong pilots picked up at the CW this year to eight, which is at the high end of projections and a record for the 6-year-old network. The CW also re-entered the comedy arena this development season with several scripts. Word is that the network still may order 1-2 half-hour pilots, but they will likely be off-cycle.

Shelter, written by One Tree Hill creator/showrunner Schwahn and produced by Warner Bros TV, is set at a historic New England summer resort where the new and returning staff attend to the practical, emotional and often comical needs of the guests while navigating friendships, rivalries and romances of their own. WME-repped Abrams and Schwahn are executive producing through their companies Bad Robot and Mastermind Laboratories, along with Bad Robot’s Bryan Burk. This marks Abrams’ first project at the CW. It reunites him with CW president Mark Pedowitz and EVP Development Thom Sherman, who worked with him at ABC and ABC Studios. Most recently, Pedowitz was president of ABC Studios, where Abrams was under an overall deal before moving to WBTV in 2006, and Sherman ran Abrams’ production company Bad Robot for two years before joining the CW, also in 2006. This also marks a homecoming of sorts for Abrams, who started his TV career on the CW predecessor The WB with Felicity.
Craft and Fain’s The Selection, which until recently had flown under the radar, also hails from WBTV. Based on the forthcoming series of books by Kiera Cass, it is described as an epic romance set 300 years in the future that centers on a poor young woman who is chosen by lottery to participate in a competition to become the next queen of a war-torn nation at a crossroads.
Royal’s romantic time-travel musical Joey Dakota is based on the successful Israeli half-hour series Danny Hollywood. It centers on a documentary filmmaker who travels back in time to the 1990s, where she meets and falls in love with the rock-star subject of her film. When she unexpectedly returns to present day, she must find her way back to the past to reunite with her love and prevent his untimely death. Easy A writer Royal penned the adaptation and is executive producing with Harmon, Eric & Kim Tannenbaum and Martha Haight for CBS TV Studios and studio based Harmon/-Tannenbaum Co., a production entity Harmon and the Tannenbaums use for their joint projects. Danny Hollywood is distributed internationally by Armoza Formats (NBC’s Who’s Still Standing?). Both formats were sold in the U.S. by Paradigm, which also reps Royal. This is the second broadcast pilot based on an Israeli format this season, along with NBC’s adaptation of mystery drama Timrot Ashan, aka Pillars Of Smoke.
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Congrats to Sarah Fain and Liz Craft — always a pleasure to see good things happen to good people. (Assuming this is, in fact, a good thing.)
Those pilots sound promising and different from the standard CW fare.
Does The Selection maybe sound a bit too similar to The Hunger Games? A young girl chosen by lottery, etc. That’s not to say that similar concepts can’t be taken in different and equally worthwhile directions under people with unique visions, but the similarity is quite remarkable.
Also, with Joey Dakota, why bother changing the name from Danny Hollywood? Danny Hollywood is more memorable. It just sounds better to me.
The similarity is quite remarkable? Some vague detail about a girl and a lottery and that’s a remarkable similarity?
So I guess things aren’t looking good for Eric Kripke’s Deadman?
Oh so now the CW is picking up Hunger Games, the rip-off? Sounds like the same old crap to me!
I knew some jerk had to do this.Have you ever heard of Battle Royale?It’s a novel about a group of kinds who are chosen to battle each other for survival.This book was published about 9 years before The Hunger Games and many people felt The Hunger Games was a ripoff of Battle Royale.
The point is, this isn’t an original idea.Plenty of genre stories use the lottery/competition concept and it’s ridiculous for you to say something is ripping off this idea from another story that was published less than 4 years ago.
Please do some research before making these types of accusations.
Agreed. Didn’t Stephen King’s The Long Walk was also set in a dystopia where young boys are selected by lottery to walk in a deadly race
I would like to echo Spandex’s above comments. At least these projects are somewhat different than the CW status quo. Stretching creative wings is good.
I have to agree with others that these three pilots and the five previously pick-up pilots are all a little different from standard CW fare – and they are all a little bit more risky that what the other networks would handle. Although with 8 pilots (so far) and 10 total slots available next year – I have a feeling its going to be a bloodbath come May with there established series.
These actually seem interesting…. different from what the CW usually picks up and more ABC. Hope this turns out good for them, they’ll just need a lot of advertising.
The creators of Ringer had better be figuring out how to bring that show to a conclusion, because a season 2 is looking less and less likely.
CW should just program the extra hour each night already and make room for them all!
These sound interesting. I like to see CW trying out some of the projects the other networks would probably be too afraid of. Would also love to see them air some fresh half hours and get some comedy on their network. Feels like they could compete in that comedy space that FX and even HBO have been mining the past couple of years.
The Selection sounds too much like The Hunger Games, and not just in the “Kids sent off into a competition against their will” way. It says the girl might be chosen to be the next queen of a war-torn country. In the Hunger Games, Katniss was chosen (really without a choice) to be the face of the rebellion.
I’ve never read The Selection, and it might have a totally different vibe to it than The Hunger Games, but CW is only making this a show because the futuristic dystopian stories are going to become very popular because of The Hunger Games. It’s just like Twilight. After Twilight came out, they released The Vampire Diaries. No, it wasn’t the same storyline, but it was a romantic story about vampires are werewolves.
CW seriously needs to come up with more original storylines, and I think others could agree.
How is being a queen to a war torn country similar to being the face of a rebellion? You have next to no details of this show’s vague premise and you’re already talking about this being a rip-off? It’s even sillier when around the exact same time
True Blood as well as Twilight led to the vampire craze that The Vampire Diaries obviously capitalized on but nevertheless, the show is not a rip-off of Twilight and it is far superior to it.
The CW has no “hits” but the best they have is a lame “Twighlight” rip off. It is actually smart of them to rip off the Hunger Games too.
I don’t think it’s fair to say The Vampire Diaries is a Twilight ripoff.The Vampire Diaries is adapted from a series of novels published 14 years before the first Twilight novel and 17 years before the first film.
Granted, the show may have been developed to capitalize on the success of True Blood and Twilight, but you can’t say it’s a ripoff, as it’s concepts do come from the original novels.
These do sound very different from CW’s current crop. I’m looking forward to Joey Dakota. I have a weakness for decent time travel stories.
I’m excited about every single one of The CW pilot orders thus far. Each one sounds very interesting. I get so sick of the pathetic posters who do nothing but bash everything the network tries. Geez, why don’t you just get out of this industry if you’re that bitter?
You go, CW! Rock on in 2012-13. Good start!
When is someone just going to give Abrams and Company (Orci, Kurtzman, etc.) their own network? With their current/projected shows, they could practically fill up the 8-10PM slot on Fox every night of the week.
I would really like to see Eric Kripke’s Deadman get made.