
EXCLUSIVE: Mikael Hafstrom is in talks to direct Sylvester Stallone in The Tomb, a drama backed by Emmett/Furla Films and Summit Entertainment. Hafstrom has been circling the project for some time, but things were stalled while Stallone was in Bulgaria. He’s finishing up the film in New Orleans, and things seem to be moving. Harry Knowles is reporting the possibility of a re-team between Stallone and his Expendables 2 co-star Arnold Schwarzenegger in The Tomb. I’ve heard the same chatter, and checked over the past several days. I’ve been told Schwarzenegger’s been approached, but insiders in the production say that it hasn’t progressed beyond that at this point. It’s one of those in-the-air pairings that seems to make too much sense not to happen. Schwarzenegger is certainly familiar with the script, as he once considered playing the lead role that is now Stallone (Bruce Willis was once attached to make it with Antoine Fuqua). In the drama that was scripted by Miles Chapman, got a rewrite from Jason Keller and now has Chapman working on the latest draft with Hafstrom, Stallone plays a man who has designed a high-tech prison that is said to be escape-proof. When he is set up and sent to the prison he created, he essentially must go up against himself to escape and find retribution. Hafstrom’s credits include last year’s The Rite and 2007′s 1408 and he’s repped by WME.





Arnie seems to be picking the baton up where he left it in 2000 with Collateral Damage – a film that was promoted (certainly here in the UK) as showing in ‘selected cinemas’ on its release. He was heading straight to DVD just like Stallone had done Terminator 3 or not. He obviously knew this. At the top his game Arnie was fantastic. End Of Days is OK, so so etc but what the hell happened? Did he make a choice to make films nobody wanted to see or did no decent director want to work with him? From Eraser onward the pedigree of the director behind his films went down a fair few notches. Yet, he just needed decent films. This film sounds interesting but set it in a bank or something – all I can think of is Stallone making his way through vent shafts and fans – seen it in Lock-UP, Tango And Cash and Daylight. Who Is Arnie going to play? The Tom Size more part or whats his face, Donald Sutherland.
I know! And he did SOOO much for the L.A. film community when he became Governor! What a great guy! I wish him nothing but the best.
From Eraser onward the pedigree of the director behind his films went down a fair few notches. Yet, he just needed decent films.
I always felt like the turning point was Arnold’s refusal to accept lower paychecks in order to get more challenging projects off the ground. This became more of a liability in the late 90s, as cgi led to increasingly higher budgets and Arnold’s ability to sell anything began to decline. As a result, Arnold spent the latter half of the decade without the kind of high-profile “event” movie that had made him a star.
For example, Ridley Scott’s I Am Legend fell apart largely because the studio wouldn’t agree to a proposed $100 million budget. Instead of taking a pay cut to help get it off the ground, Arnold chose to pick up a record payday for Batman and Robin.
Similar projects around this time also fell apart for various reasons (ie. Planet of the Apes; Doc Savage; Sgt. Rock; etc.), yet Arnold never seriously fought to help any of them move forward.
Whoa! He gets “set up”, eh? Wow, that’s a new plot device. I wonder why no other movie has ever used it…oh, wait.
….or we could just watch Prison Break again.
Agree with the above.. I don’t know a whole lot about the show but wasn’t this the premise of Prison Break?
Jeremy Bell is a true terminator for putting this package together!
Puh-leaze. Ring the Bell, he’s done.
There is nothing better than a prison break film. Bring it on! Love these two guys!
Didn’t realize ‘Prison Break’ had the market cornered on prison breakout movies… I mean, really. The script is great, and nothing like the show.
Arnold will play a Vern Schillinger type character, and Stallone will be his Tobias Beecher. The two will finally make explicit all the homoeroticism that their filmography had always simply implied.
doc savage.
The truth is neither one of these entertainers can get top notch directing talent to work with them anymore, Stallone has an awful reputation (well deserved) and Arnold isn’t exactly a world class “actor” – It’s gonna be tough.