Diane Haithman is contributing to Deadline’s coverage of TCA.
Producers and stars of the new series Awake, created by Kyle Killen (Lone Star), tried to reassure journalists today at TCA that the storyline — about a detective living in two realities where clues to his cases overlap — will not be overly confusing. NBC appears convinced that audiences will get it — the network in May ordered 13 episodes of the drama, executive produced by Howard Gordon, but its premiere date is still TBA. Gordon said that a three-week unplanned production hiatus in October was not an indication the show was going off-track. “We were very lucky that we didn’t have an airdate, this was a challenging show for us to figure out,” he said. “We could have kept going, but the three-week hiatus gave us a chance to sort of get our heads together and learn from the distance we had traveled.”
A little more plot: After a car accident Jason Isaacs’ detective Michael Britten finds himself awake in two worlds. In one, his wife survives. In the other, his teenage son is the one who lives. The detective doesn’t know which world is real. BD Wong and Cherry Jones portray his therapists in these parallel worlds, each trying to persuade him the other world is not real. Isaacs insisted the story is simple enough for a child to grasp. How does he know? He said his 5-year-old daughter managed to send the plot to a friend on her iPhone, and the friend understood it. Gordon chimed in, “It’s a fairly get-able concept.” Killen described the writing process as akin to “putting together a Rubik’s Cube every eight days.” But he also said each episode would be able to stand alone. “It’s a dramatic procedural, a puzzle every week,” her said. “At its heart, it’s a unique twist on the procedural dramas that you are actually very used to.”
One thing’s for sure: The show will not end with the lame “It was all a dream.” Said Killen: “There are 100 ways out, but 99 of them are probably unsatisfying to most of the population. I personally believe ‘It was all a dream’ is not particularly satisfying. We will work hard to avoid frustrating ourselves and you if we have the opportunity to wrap it all up 8 or 9 years from now.” Isaac added that the producers and cast know more about what’s imagined and what’s not than they are letting on. To the question of whether they know how the story will resolve, Isaacs replied, “The answer, I’m afraid to say, is we do. We have a plan, and we’re never going to tell anyone, so stop asking us.”


These producers/writers are so confused at this point, I have a total grasp, they have no idea as to what they have created, where it will go, or where it will end.
I can assure you, less than eight or nine years from now, it will be wrapped-up.
If a 5 year old can transfer, via her Iphone, the concept which was understood by an assumed 5-6 year old, and then it took a three week hiatus for adults, the most creative minds in the business to resolve, we are saved.
Thank you guys for another mind numbing fiasco.
Bryan
They should only keep the series on for only 2 to 3 seasons so the writing doesn’t get all muddled. It sounds so great, but I’m worried that it will get convoluted overtime.
Since Awake will likely be canceled after one season, I don’t think you have anything to worry about. And I am saying this as someone who loves the trailer and am really looking forward to the series. This show, judging by the trailer, is just too high concept to appeal to an American network audience of dimbos and dumbos.
And when it’s canceled, nobody will still understand what happened.
Honest to God, you think the nets would have realized by now that the BBC consistently turns out great stuff because they are smart enough to know when a premise needs a limited-run series. I can’t understand why limited-run hasn’t become a standard idea in American TV–are the economics against it or what?
Yes, the economics are against it. TV is a hit-driven business, and the few hits need to be milked so they can pay for the majority of shows that are misses, yet still cost money. The solution is not limited-run series, but rather greenlighting only series that have five or six or ten seasons in the premise. Which leaves no place for a show like Awake, but maybe it could be a movie instead?
It’s no coincidence that all the good stuff (and all the good sci fi/fantasy stuff) is on cable. Their subscription revenue stream gives them the advantage of programming for smaller audiences and more specific tastes, which inevitably results in better quality.
But nobody, cable or broadcast, is going to deliberately do a limited-run series. HBO is the lone holdout (and PBS I guess, but they’re an outlier) and even on HBO, their main business is ongoing series.
ABC tried that with Day Break a few years back and were rejected. Give proper blame to audiences as well as the networks for creating more of the same
That entire article and all I took away was that somebody bought their 5-year-old an iPhone.
I’m having trouble understanding how two 5-year-olds have their own iphones. Can someone explain this to me?
Wait, now I get it — when his 5-year-old daughter sent the plot to her friend on her iphone, THAT was a dream, wasn’t it? Or was that real? Hey, this is exciting!
If a top App is still spinning on either child’s iPhone, yeah, it’s a dream…;)
The pilot makes the concept clear as day.
Sure it could be confusing. But you know what? The writer did his job and illustrates the core concept in clever and dramatic ways. Boom. it’s called “good writing.”
So, the show is “execution dependent.” In my book, that’s the best kind of show or film.
The concern shouldn’t be for the show but for the state of TV criticism — which apparently can only handle a show that they can grasp without seeing how it is executed.
Oh, I know how it will end. NBC will cancel it without ever letting it wrap up. This one sounds every bit as intriguing/short-lived as Journeyman, Surface and The Cape. Check me in a year and see if I’m wrong.
yeah — we know it’s not a dream. He’s dead in purgatory. Oh wait, no he’s not… They’ll insist just as Lost guys did. Then in the end. Okay, yeah… Purgatory.
But love the “it’s so simple a five year old gets it” line. Really? Well guess what… My FOUR YEAR OLD says, “why doesn’t he just ask one of his friends to watch him when he goes to sleep? That way he’ll know what happens and which life is real?”
Whooops. This pilot was well written stupidity. No doubting the talent of the chops. But this is not a story that can be sustained as a series. Sorry…
It is going to be a bummer to invest in both worlds if one turns out not to be real.
Your 4 yo sounds smart, but not *that* smart. If he asks the friend in the alternative dream world to watch him when he falls asleep, he could just dream that friend tells him that world’s real when he wakes up.
“Really? Well guess what… My FOUR YEAR OLD says, “why doesn’t he just ask one of his friends to watch him when he goes to sleep? That way he’ll know what happens and which life is real?”
That made no sense…are you from another network? Pan Am showrunner maybe? In which of the two concurrent timelines is he asking his friend to do that? Both? Either way, it’s easy to keep the stories consistent.
They’re going to have much more complicated things to figure out than that, and good luck to them…we live in a universe where people thought the plot of “The Wire” was difficult to follow.
THAT was f-in funny…
“Isaacs insisted the story is simple enough for a child to grasp.”
Well, that rules out the tv execs.
Sounds like a great show/concept for a short run series (like 10 episodes) but I can’t imagine wringing two to three years out of it much less 8 or 9. NBC has had so many great concepts that would have worked as a half season series (like that Christian Slater spy show a couple years back) but I think viewers know that there has to be a lot of time treading water to stretch it out as an ongoing series.
I think LOST was unique in that somehow it seemed to sustain interest over time even if it didn’t satisfy in the way that it promised or the way that we expected it to. But I think that’s extremely rare esp with a genre show of this kind. Had the American version of “Life on Mars” stuck to a half season, we would have gotten a great beginning middle and end. It’s then a ready made package for a DVD set.
I’m the actor on the panel today. It was my five year old and of course she doesn’t have a cellphone (nor any friends with phones as far as I know). I said that I’d filmed her on MY phone explaining the story and shown it to the writers to prove that we had nothing to worry about. She does, though, have a dad who should speak more clearly…and probably keep her out of my publicity interviews.
Jason, wow first thing in the morning and I’m crying with laughter. I know it probably pissed you off but your comment made me laugh (I had figured the story out thank you very much, wasn’t hard) – thanks! byididut, ellen. ps can’t wait for Awake, wish NBC would make up their minds already
Saw this pilot and it is wonderfully executed and flawlessly cast. But the premise is just beyond fraught. I have no problem with complex television but it shouldn’t be complicated. If you need a flow chart to watch an episode, you’ve got a problem.. It would’ve been a very cool Memento style movie or a short run series but unless there’s 10 million of those highly intelligent five year olds out there eager to watch this…it’s DOA.
This needs to be a two season/16 episode series on BBC.
Oh wait…it was. It was called “Life on Mars”.
2 or 2 seasons won’t make the money they need. A good syndication deal starts at five seasons. However, I’m a firm believer that tv shows shouldn’t go over five or six. Name a compelling show that has gone over six seasons and not become stale.
Its clear from the trailer for the show and the producer’s remarks that the show is not going to focus solely on “which world is real” each week. It sounds less long-term mystery and more weekly procedural.
Should’ve been a big budget theatrical movie. Or a miniseries.
The pilot is brilliant, the best I’ve seen in years, but I did come away wondering where exactly they would take it from there, so I wasn’t surprised when they shut down for a few weeks. It’s amazing to me that NBC’s three best pilots last spring were Awake, Smash, and Bent and all have yet to air, with two not even being scheduled yet. That’s how to run a network!
I doubt that it will even last 1 season, the way that NBC has been going with their ratings, the plot will just confuse the viewers that r watching the network. I loved V, but the plot as simple and great that it was, was not enough to last not even a full second season.
Sounds interesting Maybe this should be a show that from the beginning they know its for a limited run. They’re doing this a lot on Broadway right now. This fall there were a lot of shows on for 10 week runs. And if it developes a following keep it going
How is this different from Life On Mars? Just curious.
You’re waaaaay overestimating the number of Americans who ever heard of Life on Mars (either version) or who care if Awake is similar. TV is full of police procedurals that I can’t tell the difference between, yet people seem to like them just fine. When (and it’s probably when, not if) this show gets cancelled by the end of the year, it won’t be because people have already seen too many shows just like it.
Well, in “Life On Mars,” our guy is aware he is some *time* in the past, living against the cultural norms of the reality he came from.
In “Awake,” our guy is in the present — two parallel presents, in fact. In one present his wife survived the car crash, in the other his son survived the car crash. He only gets to be with one or the other depending on which reality he’s in. Which means he’s also missing one or the other as he flips between realities.
There are different changes in other ways between the two worlds. A dear friend in one reality is a stranger working as a beat cop in another, and so on.
Moreover, there are two cases in each episode, and while the cases are different, what our guy learns about each case informs the case in the other world — strange coincidences, clues, numbers, names.
By being in both worlds he’s able to help lots of people as a cop. But he’s also trapped living two half-lives, never fully grieving or moving on from the car accident since his wife and son are alive/dead in the parallel worlds. How do you choose which world you’d want to give up? And should he?
It’s kind of awesome. Very clever. I’m not sure how they’ll sustain it.
But the similarities to “Life On Mars” are superficial at best, in my view.
Isaacs is gonna beat this staff senseless…
Good luck crew!
Every 5 year old in America should send this plot to their friends using their iPhone–a viral sensation is born!
As others have said, this sounds like a riff on “Life on Mars”. I loved the BBC version of it, the American TV knockoff, much less. American network TV has no tolerance for shows that require people to think, because it caters to the lowest common denominator, you know, the folks who swear Housewives of Beverly Hills is highbrow viewing. What this means is either they’ll cancel this show before a proper ending or they’ll dumb it down. I’m not sure I want to invest my viewing time on a show that will frustrate.
I agree with others who think this might make an interesting limited run show. There should be more of these done instead of running series into the ground.
Also sounds a lot like the parallel worlds of Fringe.
I’m already braced for Awake to be a show I love that gets cancelled by the end of the season.
According to the deadline commentators, no shows can be sustainable over multiple episodes unless they are a straight up cop, medical, or law show! Thanks guys!
It’s a fairly simple concept with self-contained stories every week. It’s not hard to see how it’ll last week in and week out. Though with the state of broadcast television right now, maybe I should be surprised that people are having a hard time imagining what could happen down the line.