
It feels like the window for picking up broadcast pilots has shrunk over the past few years. The network used to start slowly after the holidays, focusing almost entirely on drama pilot orders in January before moving to comedy in February. And here we are at the end of January, with the networks almost done with their picks after juggling both drama and comedy orders from the get-go. I hear done for the season are CBS drama, NBC comedy and Fox drama (with the possible exception of an off-cycle order to action drama Hieroglyph.) Of course, there is always the chance for a last-minute hot spec like the Joe Port-Joe Wiseman-Steve Levitan comedy, which hit the marketplace yesterday.
The $2 million question remaining at NBC is the Eric Kripke/JJ Abrams drama Revolution, the last big piece on the NBC slate still in limbo. The thriller, which has a production commitment, went through a rewrite and is yet to get a green light, which is surprising given the fact that it carries a massive $2 million penalty rolled over from Abrams’ project at NBC last year.
Another project from A-list auspices with a big commitment attached to it is eying what could be the last comedy slot at Fox, Goodwin Games, from How I Met Your Mother creators Carter Bays & Craig Thomas and the show’s EP Chris Harris.
CBS would probably pick up a couple of more comedies, with finding a vehicle for Martin Lawrence, who is under a talent deal there, a priority. The network is yet to pick between the 2 scripts it commissioned for him, one from The Bernie Mac Show creator Larry Wilmore and one from Rules of Engagement creator Tom Hertz.
The most remaining action is at ABC, which could order about 4 more comedies and 2-4 more dramas. The network is expected to start picking up its talent-driven half-hours with major commitments, including the Kevin Abbott project starring Reba McEntire, the Diane English comedy starring Jim Belushi and the Bob Fisher/Shawn Levy comedy starring Mandy Moore, which is being rewritten, with Will Gluck’s 2 scripts also in contention, one penned by him and one, Walk Of Shame, by Casey Wilson and June Diane Raphael, along with Peter Tolan’s firefighter comedy. The hopefuls on the drama side include the Melissa Rosenberg-penned Penoza, Michael Green’s Gotham, Noah Hawley’s Courtroom 302, a Jekyll & Hyde drama by Matt Lopez, Paul Scheuring’s Apostles, the Jon Favreau/Roberto Orci/Seth Green/Michael Dougherty sci-fi drama, KJ Steinberg’s soap Mistresses, Marc Cherry’s Devious Maids, which is getting a rewrite, and the Byron Balasco-written Suburban Shootout.
The CW, already at 5 drama pilots, may pick up 2-4 more. The J.J. Abrams-Mark Schwahn hotel drama has strong buzz, along with the project by Buffy alums Elizabeth Craft and Sarah Fain, with the Bert Royal-written time-travel musical Danny Hollywood a possibility and Kripke’s Deadman adaptation a dark horse. A major question is whether the network will pick up any half-hour pilots. The CW re-entered the arena this season, with new chief Mark Pedowitz opened to picking up 1-2 comedy pilots.
TV Editor Nellie Andreeva - tip her here.


yeah, because martin lawrence is SO relevant these days.
Where are the diversity pickups? Such a sad state of affairs at the network level. Every year they say they want to be more diverse in their shows, and every year they cave.
didnt fox pick up a show about a latino family and mindy kaling yesterday?
I guess that means Hangtown and The Eye are out of contention, as well as a chance of Marvel finally bringing the Hulk back to TV.
I’d like to see both Eric Kripke projects made. Deadman and Revolution are the two pilots I most want produced.
I wish the general public was at least able to see the pilots after they’re shot.
In the old days, the networks did indeed air their busted pilots during the summer, if for no other reason than to make back some of the production costs. Many of them were actually better than the ones that did get picked up, and in at least one case (BLOSSOM), the show got such a good reaction that NBC reconsidered and ordered it to series (albeit somewhat revamped). The rest is history.
What would be the point?
Presumably they would run ads, as per usual.
But would that slight boost in revenue be worth the risk that people might like the rejected pilots better than the shows that are picked up? The embarrassment factor is high. I can just see the posts now: “the suits are idiots, let teh internets decide from now on.”
Carlton Cuse has 2 projects. Nothing?
Why doesn’t ABC pick up Levitan?
Marc Cherry?
What about the Judy Greer project at AbC ?
dead
rumors of its death appear to have been greatly exaggerated…
Finger on the pulse, lous. Nice work.
HAHA!
Just goes to show how clueless most of the posters here are.
Bam! Not dead. Picked up!
OR what about, just picked up? Check recent news
Or not.
I’ll say this, they’re all very safe decisions on the part of the execs in charge. there isn’t a name across the board that you haven’t heard of. well played, D-Girls. everybody keeps their jobs!
Byron Balasco is amazing… such an incredible writer. This is his year. His “Suburban Shootout” script is genius. Pick it up!
Pulling for Jekyll & Hyde and Penoza at ABC. Both awesome, especially Jekyll.
Read the Bays/Thomas pilot for Goodwin Games- and it’s great! Quirky and original. Definitely rooting for this one.
You forgot about the dark horse at ABC. BOOM. It’s probably the best pilot script this season.
Truly a fresh and inspired world and characters. It will be interesting to see if ABC takes a shot on this one. They should…
the abc comedy orders are god-awful this year. not a winner in the bunch. these hopefuls? yech. mandy moore?!?! who wants to watch mandy flippin’ moore? reba? ji belushi??? yuck yuck yuck
Holy crap this pilot season blows.
What ever happend to Shonda’s and Diane Ruggiero’s Wildwood over at Fox? It was a fantastic script, and besides Glee, Fox is lacking in the dramedy department.
These comments brought to you by the writers of the respective shows hoping a shameless self-plug will get their pilot made. So sad.
Can someone list the comedies and dramas that we’re officially passed on?
Shouldn’t NBC order like 40 new shows so they can replace the first 20 that are bound to fail come the end of September?
No one has been able to explain why there still is a “pilot” season. Why can’t they break the tradition and just pitch and buy and produce ALL year long, that way there is no competition for directors and talent and stages even the all important parking space. Why is there an upfront? why? Spread it out. Why are they working so hard at not doing anything? Maybe if they stop jamming everything into “seasons” we can take time and make a good product? anyone?
My assessment is that the networks have yet to find a niche audience like cable. They cast a wide net… instead of focusing on what would appeal to a specific audience and greenlighting shows that would work within that segment of the population. Instead, they throw stuff against the wall to see what sticks. To break tradition would be to buck the system… It takes balls to buck the system… I’m sure there are more balls on the AMC executive team than anyone in network television would care to count. Developing all year long? Finding quality product that appeals to your target demographic and then carefully casting and staffing it with a great team to produce a great show? Genius. Sounds just like what they’re doing in cable tv.
The networks are failing miserably and they chose to pick up the same crap from the same “big” writers!? Why not take a chance on the younger hipper braver writer? Two of the best pilots I read at the CW were by the up-and-comers and beat down the rest of the garbage they’ve ordered so far. It’s a shame. If I read tht one more Greg Berlanti pilot or one more JJ Abrahms pilot gets the green, I may go mental.
Which two pilots are you referring to?
So is the Bert Royal truth or dare pilot dead? And the Mario Batali pilot?
I hope the CW does branch out and order some comedy pilots; the Todd Graff pilot sounds promising, and I always enjoy Sara Rue.
Courtroom 302 by Noah Hawley was really well done. I hope ABC puts him back on the air.
The Event/Flashforward LargeScaleEvent well never actually results in a sustainable series. JJ’s “this pilot script is under serious wraps” hocus pocus winds up in shows like Undercovers and Fringe. Greenblatt’s a smart guy, here’s hoping he’s smarter than this.
I have no idea why ABC hasn’t picked up the levitan project yet. Are they just gonna wait for Fox or NBC to snatch it up?
Whatever happen to the Craig Kilborn pilot over at ABC??? Is that project still around???