ATLANTA (Feb. 7, 2012) – Bounce TV (http://www.bouncetv.com), the nation’s first and only over-the-air broadcast television network for African-American audiences, has acquired the television rights to more African American-skewing motion pictures in two individual, multi-year licensing agreements with Warner Bros. Domestic Television Distribution and Paramount Home Media Distribution.
Among the titles Bounce TV lands in their agreement with Warner Bros Domestic Television Distribution: The Academy Award® winning Bird, directed by Clint Eastwood; the original Shaft (1971); Richard Pryor starring in Greased Lightning and The Mack with Max Julien; Bill Cosby & Sidney Poitier in Let’s Do It Again and 1997’s Rosewood.
Bounce TV’s agreement with Paramount includes such titles as Critical Condition starring Pryor; Diana Ross in Mahogany as well as her classic 1972 performance as Jazz great Billie Holiday in Lady Sings The Blues; two Eddie Murphy comedies Best Defense and Vampire In Brooklyn, and Denzel Washington starring in the 1990 comedy Heart Condition.
Some of the newly-licensed titles will be seen within the network’s new “Brown Sugar Saturday Night” weekly primetime franchise. “Brown Sugar Saturday Night” showcases urban cinema with a ’70s bent, featuring some of the most popular African American movies of all time.
Bounce TV targets African Americans primarily between the ages of 25-54 with a programming mix of theatrical motion pictures, live sporting events, documentaries, specials, inspirational faith-based programs, off-net series, original programming and more. Bounce TV airs twenty four hours a day, seven days a week on the digital signals of local television stations. Bounce TV is majority African American-owned. Toyota USA is the signature sponsor of the network.
New York and Los Angeles (FOX Television Station Group) and Washington, D.C. (Gannett Broadcasting) recently became as the newest Bounce TV affiliates. Bounce TV is available in Chicago, Atlanta, Philadelphia, Houston, Cleveland/Akron, Milwaukee, Charlotte, and Cincinnati, Indianapolis, Kansas City, Hartford/New Haven, Augusta, GA /Aiken SC and other markets. The pioneering network has distribution agreements with major station groups as FOX, Gannett, Raycom Media, LIN TV Corp., Nexstar Communications, Belo Corp. and Meredith Broadcasting.



Does anyone watch this network? Has anyone seen any ads for it? All it seems to do is recycle old movies and TV shows.
P.S.
Isn’t it weird that the major networks actually had successful black-starring comedies in the 70s, 80s, and 90s but absolutely none today? Sanford & Son, What’s Happening?, the Jeffersons, the Cosby Show, A Different World, Family Matters and now nothing.
The future doesn’t always mean that things get better or stay as good. Sometimes, things get much worse.
If this network isn’t going to have original programming, it’s pretty much pointless. They probably don’t have the money to double down on original programming.
Let me get this straight, Whistlestop.
Bounce TV is “pointless” because they don’t have original programming (at this time), but Antenna TV, RTV, THIS TV, and Me-TV aren’t?
And don’t you DARE say there’s a difference. All of these channels are primarily powered by library programming and film libraries. Antenna TV is doing quite well, even beating some broadcast networks in some markets. ION’s lineup is mostly off-net reruns as well with the occasional Canadian import, reruns that are new to us.
So, are you asking because you want to really see original fare, or are you asking because Bounce is catered primarily for a Black audience and you’re pointing them out because of that?
Van, you’re right. And next season it doesn’t look like there will be any African American starring comedies… unless CBS picks up the Martin Lawrence pilot… SAD.
So did they actually get to licence the GOOD Eddy Murphy films such as the 48 hours and Beverly Hills Cop films?
well, if we support this majority black-owned network, then they would be able to support more black-oriented movies in the future, but one,sometimes, must start small. Be patient.
Bounce is going to be that next big thing and I totally support it. Its kind of remincent of BET’s earlier days. I agree that it does need some original programing though because the Soul Train thing does get old after while, but this station is so much diffetent. It’s black folks around the clock 24/7, with no annoying bs infomercials pushing overpriced junk that doesn’t work. Infact, I love Bounce so much that I’m currently working on a tv ad for them. I’ll solicit it to them and see where it goes…Bounce TV, salute!
Bounce has only been around a few months but doing a great job so far! So nice to have a free over the air network such as this. I love watching the movies I have not seen in a long time and movies I’ve never seen and enjoying Soul Train. I am hoping they do not add sitcoms period!
I love Bounce TV. I watch Soul Train everyday…in fact am watching Soul Train as am writing this. I also love the movies you show. Keep up the good work Bounce TV!
Hey. I’m a non-Black who watches Bounce quite regularly. The diginet doesn’t need new original programming to make it successful. You’ll see Bounce add a few off-net series now and then. IMO, the early days of BET were not that great. Again IMO, BET failed to be a Black showcase of programming.
I live in New York City and want to know when Channel 9.3 will have Bounce TV Programming on the air for me to see, they are moving like honey ! (SLOW)
Hold on everybody. Are you aware that when most Cable TV Networks launched (or launch) they start out with reruns? Furthermore, ever heard of Nick@Night? If I recall, they are an exceptionally successful network which ONLY airs re-runs….which people love. But what do I know…I’ve only worked in Cable for 25+ years at many of these same networks. This has absolutely nothing to do with race. There’s no reason why they can’t make it. Good luck, Bounce TV. Kudos.
My point exactly, thank you!
bounce tv is in nashville but weak go to fox or one of the other channels