Extremely Loud & Incredibly Close (Warner Bros) Week 10
Domestic Cume $31.2M, International $2.6M – Worldwide $33.8M
War Horse (DreamWorks/Disney) Week 10
Domestic Cume $79.0M, International $62.7M – Worldwide $141.7M
The Artist (The Weinstein Co) Week 14
Domestic Cume $31.8M, International $44.6M – Worldwide $76.5M
Hugo (GK Films/Paramount) Week 14
Domestic Cume $69.3M, International $46.4M – Worldwide $115.8M
The Descendants (Fox Searchlight) Week 15
Domestic Cume $78.5M, International $77.6M – Worldwide $156.1M
Moneyball (Sony) Week 23
Domestic Cume $75.7M, International $33.2M – Worldwide $108.8M
The Help (DreamWorks/Disney) Week 29
Domestic Cume $169.6M, International $37M – Worldwide $206.7M
Tree Of Life (Fox Searchlight) Week 40
Domestic Cume $13.3M, International $41M – Worldwide $54.3M
Midnight In Paris (Sony Classics) Week 41
Domestic Cume $56.5M, International $91.8M – Worldwide $148.4M
Editor-in-Chief Nikki Finke - tip her here.







Can we finally put to rest the idea that George Clooney isn’t a box office draw? He’s in a lot of underperformers, but Descendants and Up In The Air are both modestly budgeted worldwide hits built largely around him.
Why is Extremely Loud even nominated? It didn’t do that well in the BO, the reviews weren’t very good, and word of mouth was ok at best.
Let’s go back to five nominations. Seriously.
It could happen: The Help.
Something else worth pointing out – “The Descendants” is a great picture that genuinely promotes what the right would call family values; it does so right down to the final scene and the end credits. These are real characters in unforeseen circumstances struggling with recognizable and relate-able conflicts. The lead character struggles with conscience and is forced to make a decision of consequence that will affect many people. Because it was rated “R” – and I can’t even remember why this would be the case; there’s more sex and violence in a superhero movie and they’re not rated “R” – parents were potentially discouraged from seeing it with other family members (or encouraging them to go on their own) which would obviously impact box office. Nothing in this movie deserves an “R” rating considering any of the traditional notions of drawing such a conclusion. The M.P.A.A. must go into these movies with a checklist of no-nos the way they take your order in line at Wendy’s when the line is too long to call the bill of fare “fast food.” The back pages of the Village Voice would identify such an obvious check list “fetishist.”
Extremely Loud And Incredible Close is an awful piece of crap worth of a Worst Piece Of Crap Razzie award…
Kind of a weak year.
You can immediately drop Loud and Close, The Help, Moneyball and War Horse from the noms to go back to 5.
And then you’ll have 10 people watching the telecast. And only 10.
It is a total travesty that “The First Grader” was not nominated.
EXL & IC; liked it. Nobody talks about Sandra Bullock – really good. Could have done with less of the whole Max Von Sydow wizened waylaid helpless witness mute thing. Felt hackneyed I thought, Boo Radley and “The Heart is a Lonely Hunter,” etc. Must all be from the book.
I wanted to like Extremely Loud and Incredibly Close, but it was so slow and boring. The only good part of the movie was Sandra Bullock and she was barely in it!
The Help was created to salve the conscience of guilt-wracked white liberals, so it’s bound to pick up something from the same gang of white libs.
How is it that this movie isn’t being called out for the putrid debacle that it is? Very expensive failure from Scott Rudin that is the death gong for Tom Hanks absurd salary? What a horrible, nasty mess of a film. Everyone involved with it should be embarrassed for their hand in its vile, blood-soaked cash-grab. Thankfully, no one went to see it– and it will hopefully be the end of the 911 weepers, movies with that awful kid– and Iraq “deerhunter” wannabes… Yuck.