
EXCLUSIVE: Brad Ingelsby, the scribe who blazed on the scene with the script The Low Dweller and who recently sold the script Run All Night at Warner Bros, has been tapped by Screen Gems to write the script for The Raid. XYZ Films is producing the remake of the Gareth Evans-directed martial arts film that won the Midnight Madness Award at the recent Toronto Film Festival and was also a strong title at the Sundance Film Festival, with a new soundtrack from Mike Shionda of Linkin Park, with Joseph Trapanese. XYZ is run by Nate Bolotin, Nick Spicer, and Aram Tertzakian.
The original is being released soon by Sony Pictures Classics. All of this was made possible when domestic distribution and remake rights were smartly collared by the Sony Pictures Worldwide Acquisitions Group back at Cannes, a buy made on partial footage that also gave Sony the inside track on remake rights. The remake was placed at Screen Gems, and now SPC’s Tom Bernard and Michael Barker will release the original next spring. As for Evans, he’s going back to Jakarta to shoot a larger-scale film that incorporates the actors and storylines from The Raid. WME and Energy Entertainment’s Brooklyn Weaver rep Ingelsby. Just to remind you of what is in store from The Raid, here’s the trailer:


I wonder if any Asian-American writers were up for this assignment.
You’re aware that Gareth Evans, the writer/director of the original, is Welsh and not Asian, right? So like…why does the ethnicity of the writer matter?
So another white guy taking advantage of the Asian community? Is that what you’re saying? I think Lisa was talking about an Asian movie about Asian people set in the Asian world… shouldn’t the writer of the American remake be and Asian-American? If Hollywood is very pro-diversity, Lisa is asking, AS AM I, will Hollywood finally put their money where their mouth is.
Who says the remake is even gonna have anything to do with the Asian community? Chances are if they’re spending a lot of money to remake it in America, they’re not making the leads Asian so, don’t quite get the point.
This is stupid. A remake isn’t going to capture the originality or ferocity of the first film . The whole point of a moviegoing experience is to stumble upon little treasures like The Raid that completely knock you on your ass. But trying to “reengineer” that experience so the actors can now speak English is so contrived and lame.
If The Raid knocked you on your ass you must be sitting on one rickety chair. The action was above average, but what a dumb story. This one is for action aficionados only.
The original and the remake are going to be the most overrated movies of the year. The clips were downright horrible, nothing amazing. It’s all hype from Sony.
Brad is such a good idea for this its scary. I CANT WAIT.
Terrifying, even.
Even more important than his ethnicity, let’s hope when he rewrites the script he actually makes the story good instead of the terrible storyline in the original. Great action. Dumb story… even for an action film.
Also, second the fact that the original writer is a white dude from Wales, so the OP should stop thinking racially.
yeah, but he’s a white guy who took advantage of Asians by choosing to make a movie that employed Asians and starred Asians and brought money to the local economy during production. How dare he give jobs and opportunities to Asians. Clearly he should’ve found some of the ex-pat whities still hanging out in Hong Kong and took advantage of them instead.
Umm, he did a doc about Silat and Indonesia culture and then did two films with some of the Silat experts he met. It was the first Indonesian action film since the seventies. He has basically re started Indonesian action films with some friends he met there.
You should really give up your myopic and racist view of humanity. Even though The Raid and Merentau are mediocre stories with great action, a whole lot of Indonesians are going to have a career now thanks to this filmmaker. And that should be applauded. Do some research before commenting please.
Disregard my reply. My sarcasm meter was down for a few minutes there. Sorry, Duh.
Yes, but the point is that the “filmmaking” was the cool part, so unless it is a shot for shot remake with the same or better crew and stunt people, it’s pointless. Like, just put out the original, let people enjoy that, and then move on to Gareth’s next film. You’re right, the story is minimal, but that was the goal in highlighting the kinetic action set pieces. So, the remake goal is to “recapture” the energy of the original’s action… but with a deeper story that is in English? How stupid is that?
The best action movies have great stories and characters to go along with the action. So if Sony remakes The Raid with some actual character development and a decent story, that’s totally worth it. If they just remake it, then I agree with you. That’s worthless because the movie is barely worth seeing now. The action is on par with a Tony Jaa film. And I disagree with your thought that the “filmmaking” is great. The action choreography and cinematography is great. Great filmmaking includes telling a great story with interesting characters. This film totally fails in those categories. So, no, the filmmaking is not great in this movie.
The best part of the original film is the action/martial arts – which is off the charts amazing. But that level of action can’t be replicated, and it sounds like Screen Gems understands that. Bringing on a writer of Ingelsby’s caliber should help make the remake great in other ways: story, characters, etc.