
EXCLUSIVE: Sony Pictures has acquired a pitch from scribe Jason Keller for a period origin story on the Dracula mythology that will be produced by Joe Roth and Palak Patel. I’m hearing the deal was high six-figures against seven-figures. It becomes the latest in a growing list of films about the iconic vampire borne out of the legend of Vlad the Impaler.
There is also a new version of Dracula Year Zero that has risen from the grave with Gary Shore directing, Matt Sazama & Burk Sharpless writing and Moneyball‘s Mike De Luca producing. There is also an apocalyptic contemporary project coagulating that’s based on the book trilogy by Guillermo del Toro and Chuck Hogan that concluded with the recently released The Night Eternal, which del Toro will set up when he completes Pacific Rim. And Keller himself is attached to another contemporary vampire film, adapting the Justin Cronin novel The Passage for Matt Reeves, in which government experiments on terminally ill people launches a plague of vampires.
Insiders at Sony would only say the intention is to launch a period franchise. The deal brings together the combatants in the race to launch a Snow White film. Keller most recently scripted Relativity Media’s Mirror Mirror, and Roth and Patel produced Snow White And The Huntsman for Universal. Roth has been revived as a producer making iconic properties in the public domain. Aside from Alice In Wonderland and Snow White And The Huntsman, he’s producing Oz: The Great And Powerful; Maleficent, with Robert Stromberg directing and Angelina Jolie starring; and the Channing Tatum-attached Peter Pan Begins.
Keller also scripted Machine Gun Preacher and rewrote the upcoming Sylvester Stallone-Arnold Schwarzenegger pic The Tomb. He also scripted Go Like Hell for Fox, the battle for ’60s muscle car supremacy between Ford and Ferrari that has Michael Mann attached to direct. Keller’s repped by CAA and Management 360.


I think we have squeezed every ounce of vampire interest that we are going to get for at least 10 years. The teens seem happy with the vampire diaries and the gays seem happy with true blood. Let’s just cut bait and move on to the next thing hollywood can run so far into the ground the Chinese have a copy as wrap is yelled.
So let’s see, in television we have “True Blood,” “Vampire Diaries,” “My Babysitter’s a Vampire,” and the upcoming “A Girl’s Guide to Vampires” by Cookie Jar. And in features we have the upcoming origin story, “Year Zero,” and “The Passage,” among probably quite a few others. Cracks me up how industry wankers keep crying “no more vampires!” while audiences continue to lap it up. Every medium and every demo seems to want fresh blood…
I need a good lawyer I am being screwed left and right with all these Dracula movies. I have never been paid any residuals or royalties ever and there have been over 100 Dracula movies made in the last century. Who can I call? Will the WGA help me get paid? It’s enough to make me spin in my grave.
Hollywood will still be squeezing this long after it has already died. This is SOP for any storyline which generates massive box office.
Big difference is that the early successes were far less costly and far more profitable. Now, most of the time, with each passing film the financial equation is reversed.
Mars Needs Vampires.
This will be twice as good if it’s expanded into Dracula Meets Frankenstein. Then you have two famous villains for the price of one ticket. Always think about how to expand the audience for these movies and you’ll never go wrong. Look how successful the Van Helsing movie was for Universal that was also the start of a franchise they just haven’t got around to making the sequel yet.