
EXCLUSIVE: Mike O’Malley, writer/co-executive producer of Fox’s half-hour comedy pilot Prodigy Bully, is taking on another role on the project, this time in front of the camera. The actor, who originally was attached only as a writer-producer, has closed a deal to co-star in the project executive produced by John Wells. Based on the Prodigy Bully one-minute movies by Hank Perlman, the Warner Bros./John Wells Prods. comedy centers on a young boy genius who uses his brains and brawn to get whatever he wants. O’Malley will play the boy’s father. With the casting, O’Malley could potentially be on 2 Fox series next season — he is also recurring on the network’s dramedy Glee, which is expected to be renewed. The move is reminiscent of that on the NBC comedy 1600 Penn, where co-creator Josh Gad also was only attached as a co-writer/executive producer but ultimately agreed to co-star, sealing the project’s pilot pickup. Prodigy Bully and 1600 Penn join 3 other comedy pilots this season, which star their writers/co-writers: Roseanne’s Downwardly Mobile at NBC, Sarah Silverman’s untitled NBC project and Mindy Kaling’s medical comedy at Fox. This extends a trend that started last season when a whopping 4 series headlined by actors who wrote them made it on the schedule: NBC’s Whitney and BFFs, CBS’ How To Be A Gentleman and ABC’s Man Up!
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Let’s see… Whitney, Man Up, How To Be a Gentleman. Maybe the networks should stick to shows written by actual writers, not actors, yeah?
I’ve spent hours in the writer’s room with a few of those people you mentioned, including O’Malley, and those “actors” were some of the best writers I’ve ever worked with.
amen.
How are all those series written by actors doing?
Had the pleasure of working with Mike in the past. He’s a great guy and very talented. I hope this does well.
Go look up Mike O’Malley on IMDB…award winning writer.
Currently writing for “Shameless” on Showtime and the movie he wrote “Certainty” is winning awards on the festival circuit.
Sarah Silverman’s new show is actually a show with all writers cast in it. I was excited for it until I heard that. Two of the worst shows on right now “Where are you Chelsea” and “Whitney” a good examples. LEAVE the acting to trained actors and the writing to trained writers.
Dear Writers’ Assistant:
Ouch.
TVWriter.
You were great too, just… different.
Man . . . I’m old enough to remember him as a game show host on Nickelodeon, hosting Get The Picture and GUTS all those years. That seems like a lifetime ago now. Good for Mike.
This is all we need right now.
I’m a writer and I don’t mind if actors, or any other non-writer, gets a pilot greenlit. It’s all good, it just means more jobs for writers. However, I am against comedy pilots that aren’t funny. Did anyone read this thing? Yikes.
I have nothing against o’malley but that script was impossible to finish. Like Malcolm in the middle but lacking heart, finesse, and mock-doc overload. But that’s just as much wells’ fault, I’m sure.
could it be the nets save on casting a writer or writers as leads? we’re probably not going to see writers or directors starring in their movies anytime soon, but this move in tv is part of the same small-ball trend, which got a bump from web production, now present in a lot of media. the creative model, where everybody is everything, is much the same as on webvideo (and music), and cost pressure is forcing financial concessions too. but creative, tech and finance, as well as cultural taste, are all driving smaller-is better.
Ever hear of a little show called”The Office”? 3 in cast are the writers.