The Academy of Motion Picture Arts and Sciences is banking on ruby-red slipper magic to rally support for its proposed Academy Museum of Motion Pictures — 70 years after the iconic shoes’ debut in The Wizard Of Oz. Dorothy’s vibrant Technicolor footwear was acquired Wednesday by a group of angel investors led by Leonardo DiCaprio, Steven Spielberg and Terry Semel and is one of only four pair known to exist. They are primed to be both a centerpiece and rallying cry for the planned museum, located adjacent to the Los Angeles County Museum of Art. ”(Academy CEO) Dawn Hudson spearheaded the effort to get the shoes, and DiCaprio, Spielberg and Semel stepped in to help,” an Academy spokesperson tells Deadline. “The slippers were a passion for Dawn because she knows the significance they have with the moviegoing public.”
If a price tag can be attributed to sentimental value, then the slippers — known as “The Witch’s Shoes,” considered the finest of the known surviving samples — have cemented their place over the decades. The pair, given their name because they’re the ones the Wicked Witch of the East wore when Dorothy’s house fell on her, sold at auction in 1981 for $12,000, and another surviving pair fetched a cool $666,000 in 2000. In December, Moviepropcollectors.com said the shoes were set to go under the gavel with an estimated value between $2 million-$3 million. Asked about what DiCaprio, Spielberg and the others ponied up, the Academy spokesperson only would say the shoes were “very, very valuable.” The shoes that will one day go on display in the museum space now known as LACMA West are the ones Dorothy, played by Judy Garland, clicked three times at the end of the movie, repeating, “There’s no place like home,” magically sending her back to Kansas.
Whether the slippers will serve as a fundraising catalyst for the 300,000-square-foot space located at Wilshire and Fairfax remains to be seen. But AMPAS is clearly using the high-profile acquisition as a yellow brick road for raising both the museum’s profile and potential donor dollars. ”These shoes are a holy grail and a great way to kick off letting the public know the types of [memorabilia] that will be available when we do open,” the spokesperson says. “They were tucked away for a long time and to have them back here in Los Angeles is a relief to everyone.”
Will “angel donors” continue to pick up valuable movie artifacts for the museum? “This would be a dream come true,” the spokesperson says. “We’re going to click our heels three times that this good fortune continues.”


Debbie Reynolds. Put her on the Board, at least, if she isn’t already. This was a dream of hers for years.
You typed my thoughts exactly. Reynolds was way ahead of the curve on this issue.
A big round of thanks to all that pitched in to make this acquisition possible. I am so glad the shoes will be a centerpiece for the planned Academy Museum rather than than some attraction/namesake at a disco in Dubai.
Note to Self: find an old shoemaker who can craft a perfect forgery replica of these ruby red slippers that look like they are from 1939 then sell the shoes for a million dollars. How hard could it be? You take an old pair of slippers and presto chango $$$
Until Warner Bros. sues you to an early grave for copyright infringement…
why didn’t they go to the Judy Garland Museum in Grand Rapids, Minnesota (Judy’s hometown)? A rabid collector stole one of the pairs on display while the security cameras were shut off (not kidding!)
God bless Debbie Reynolds. She bought many costumes from M-G-M decades ago and hung on to them for a museum. Nobody in the industry came to help her with this. Finally after many years she auctioned off some of them to great financial gain. Debbie Reynolds deserves that windfall. She was ahead of her time in preserving Hollywood history.
Angel donors? Where are the Studios in these matters? Why wouldn’t MGM be at the forefront of something like this? Why is it always an individual who has to step up. Where are the multi-billion dollar corporations who may take the risk, but also make a fortune off of content. How much value has THE WIZARD OF OZ been to those who controlled the right to exploit it? Hundreds of millions of dollars? So where is the reciprocity when it comes to an iconic aspect of our history? Big business is so tiresome… It’s greed so transparent.
The MGM that made WIZARD OF OZ no longer exists,and hasn’t since the Early 1980′s. Warner Brothers is the true successor to the MGM legacy thanks to Ted Turner.
The current MGM is cobbled together of bits of later MGM,United Artists,Orion,Filmways and American International Pictures!
Debbie Reynolds has a handful of memorabilia she could donate to this new project as she was mentioning she needed to clear some items away. Now she has a place and purpose to do just that.
Did you look at the catalog of her sale? She sold off all the good stuff. One year too early. Sad….
Debbie Reynolds sold off her best items including Dorothy’s blue dress and Marilyn Monroe’s infamous white dress. The academy museum lost a golden opportunity. If Reynolds still has item “to clear away”, I doubt she has any as important as what she auctioned off. Shame.
But then, the film museum shouldn’t be a movie memorabilia museum.
With the academy awards coming up, it’s a good opportunity to hit people up for contributions. Spielberg and Iger need to be aggressive, even if it comes down to shaming studio bigwigs into contributing.