Prometheus Global Media is the beleaguered media company that owns The Hollywood Reporter and Adweek jettisoned Backstage and the Hollywood Creative
Directory. I was tipped this morning that there’s a Billboard exodus underway: popular publisher Lisa Ryan Howard was pushed out and high-profile Billboard editor-in-chief Danyel Smith and Billboard deputy editor Lou Hau have resigned. More staff are expected to follow. “Morale is in the toilet because the level of dysfunction there and inside Prometheus is off the scale,” an insider tells me. ”Lisa was the bright spot in people’s day. She buffered the staff from the dsyfunction.” But now she’s gone. I also hear that Prometheus is stopping annual reviews of employees so it can eliminate 2% raises. Billboard also just cancelled its Billboard Pro project aimed at artists, I’m told. ’The investment in it was insufficient to start with,” my source says. “Prometheus keeps trying at Billboard to cut its way to prosperity so it can pay its own way.” Prometheus, initially entitled e5 Global Media, made an 8-title acquisition from The Nielsen Company in 2009 and was formed jointly by private equity partner Pluribus Capital Management co-founder Jimmy Finkelstein and financial services firm Guggenheim Partners’ Todd Boehly who is managing partner in the Office Of The CEO. The pair are now running Prometheus after the CEO they hired amid considerable hype, Richard Beckman, was sidelined to events planning. As a result, Finkelstein, who is chairman of Prometheus, now oversees daily management. Neither Boehly nor Finkelstein have any entertainment media experience. Aother Prometheus publication, Adweek, suffered similar turmoil because of financial trouble and its high-profile management was exited as well.
Editor-in-Chief Nikki Finke - tip her here.


Lou Hau is an enormous loss to them–he was the media writer at Forbes when I served as executive editor there some years back, and there is no more indefatigable nor knowledgeable individual who lives and breathes our media industry. A true gentleman and a rare talent.
Any place that can snag him can do no better!
Prometheus is suffering the same fate of others who have entered the entertainment media space, but brought with them a culture not conducive to the entertainment industry.
For sure, the internet has affected Prometheus, but more importantly, its core management just doesn’t get it.
What about the millions of dollars they dumped into the revamped Billboard Music Awards on ABC?
Is that continuing? Is that worth keeping over essential and key top staffers?
Pretty sure they make money on that because the name is licensed. They don’t actually produce the show.
They didn’t dump ANY money into the Billboard Awards. The network pays a license fee to produce the show and that’s where the budget to produce the show comes from. If anything, Prometheus made money from the Billboard Awards.
at least by cutting reviews they eliminate the appearance that there’s any sort of merit/raise consideration. When Nielsen bought the papers and even after they were sold to Prometheus, raises/promotions were frozen but they did evaluations anyway.
My heart breaks for all of the employees of the publications that Nielsen spun off in 2009. They went through a year of layoffs and uncertainty under Calhoun (Nielsen) and then into the arms of potential hope, only to end up being depriortized and under managed. Just another consequence of the GE management style that laid waste to many at Nielsen and all of the verticals that made it an interesting company. My <3 goes out to you.
Billboard, Hollywood Reporter, and Ad Week, are struggling because of dysfunctional ownership, which is leading to dysfunctional management. There is no leadership. The senior staff of Billboard who are marketable are looking for other jobs. Most employees are miserable, and get through the day, counting down the minutes until their next coffee break. This dysfunctional situation is becoming increasing visible to the music industry and advertisers.
The two owners of the parent company Prometheus, are Guggenheim Partners (Todd Boehly) and Jimmy Finkelstein. Finkelstein is at least trying. However, to the Guggenheim staff this investment is an employee perquisite, allowing them get to go the the TV Award shows wearing designer clothes on the red carpet, even while they let their investment tank. Todd Boehly is too busy to do much himself, and the other Guggenheim people he delegates to have no background either media or music, yet they push around the professional staff to get their own pictures taken with rock stars. The Guggenheim people talk about the “music vertical” without any understanding of what that even means.