In the news game they were called The Wrinklies, the old men who for years dominated TV news at 60 Minutes. Now they’re dying off. Don Hewitt, Ed Bradley, Andy Rooney — and, this past weekend, Mike Wallace. Obituaries rightly celebrate these men’s substantial accomplishments. Wallace and his colleagues adapted the news documentary formula to make it engaging for TV viewers, and kept them coming back week after week. But if newscasters want to celebrate that legacy, then they need to stop emulating the reporting style that the 60 Minutes team developed 44 years ago and find different ways to make investigative reporting relevant and sustainable.
Wallace became famous by putting bullies in the hot seat, casting himself as a crusader for common sense and fair play in a world filled with villains and victims. He did this most memorably with ambush interviews, capturing defiant subjects when they had nowhere to hide. Cameras reinforced the narrative in sit-down interviews by zooming in tight on the bad guys — so you can see every twitch, eyelid flutter, and bead of sweat — while framing reporters at a respectful distance. (Remember Saturday Night Live‘s send up of Wallace, played by Harry Shearer, interviewing tobacco lobbyist Nathan Thurm played by Martin Short?) Did stories often oversimplify issues, and prompt viewers to respond emotionally? You bet, and 60 Minutes was rightly criticized for doing so. Still, the mix of larger-than-life correspondents such as Wallace tackling subjects that clearly mattered made for great television. And with help from the NFL games that led into CBS’ Sunday prime time schedule, the newscast became the most profitable show on television.
But competition from cable and the Internet have pulled the TV news audience apart. In 1980, 60 Minutes was the No. 1 show on television with 28.2% of all households tuned in, according to Nielsen data. Now the show’s success is measured on a far more modest scale. Last season the show was No. 17, with 7.4% of all households — that comes to 8.55M, the lowest number to date. Other news magazines including 48 Hours Mystery, 20/20, Dateline Friday and Dateline Saturday have also seen their audiences decline. (60 Minutes appears to be having a resurgence this season: It has attracted an average of 13.5M viewers thus far, up from 11.7M for all of the 2010-2011 season.)
News magazine producers can’t blame the market for all their woes. They often cut corners by feeding audiences video versions of other people’s investigations, and feel-good stories that are easy to produce and have a long shelf-life. 60 Minutes has been guilty of some of the same sins. But Wallace’s generation of correspondents had the panache and gravitas to pull it off — most of today’s news personalities don’t. They also have a hard time looking like crusading heroes when they tackle serious stories. It’s hard for anyone to play that role after years of journalistic scandals and missteps. NBC didn’t help last week when it had to apologize for a producer who edited a 911 dispatcher’s conversation with George Zimmerman that made it seem as though his decision to follow and then shoot teenager Trayvon Martin was racially motivated.
Audiences also are inured to 60 Minutes-style techniques as they’ve become cliched and trivialized. NBC’s Dateline: To Catch A Predator uses them to sensationalize reports about child molesters. TMZ uses them to get celebrity gossip. And political activists such as the late Andrew Breitbart employ them to humiliate ideological opponents. The ambush interview “was so successful that it’s no longer controversial,” says Andrew Tyndall, who tracks TV news as publisher of the Tyndall Report.
Newscasters who want to galvanize people the way 60 Minutes did in its prime can begin by tackling tougher subjects — including major corporate crimes. Reports like the one the CBS news magazine produced in December asking why the feds didn’t prosecute any Wall Streeters for their role in the financial meltdown are all too rare. And you have to wonder whether the commercial networks’ reluctance to investigate Rupert Murdoch’s hacking and bribery scandals are due to their fear of ruffling execs at their parent companies. Investigative journalists also need to rethink the way they present and distribute their stories. They might learn some lessons by studying social networks and phenomena such as “Kony 2012.” The half-hour video that non-profit group Invisible Children produced about atrocities committed by Ugandan war lord Joseph Kony went viral and reportedly has been viewed more than 100M times online. It’s an imperfect model because “there’s nothing predictable about that,” says Stanford University communications Prof. Ted Glasser. ”The big question down the road is, how can we sustain investigative journalism.” But the response to the Kony video indicates that even young people who don’t watch traditional TV newscasts are interested in serious subjects including ones that don’t affect them personally. That should provide some hope for journalists who recognize that the best way to pay homage to Wallace and his fellow Wrinklies is to chart a different course for investigative reporting on TV.

“In the news game they were called The Wrinklies, the old men who for years dominated TV news at 60 Minutes.”
- Yeah cause I’m gonna trust any reporters “insight” when their faces have been embalmed, pushed 180 degrees, and bleached. So wrinklies in my book means it’s NOT about them it’s ABOUT the news story.
Real news does not sell, sensational news sells.
Hmmm..Ehh…You Yanks have something called Frontline which is about 10 times the investigative show that 60 minutes is….and they don’t tend to make the reporters the stars of the segments…
They also need to Investigate and Report not just make up facts. I think people have forgotten what Journalism is all about and worry to much in getting information out before having all the facts.
I think Jon Stewart summed up the state of the news media best: “The bias of the mainstream media is toward sensationalism, conflict and laziness. The embarrassment is that I’m given credibility in this world because of the disappointment that the public has in what the news media does.”
“Frontline” isn’t Hollywood enough and doesn’t have the proper youth demographics.
How is an executive producer going to get rich making Frontline? C’mon!
I wish The Economist had a TV channel (or app) similar to Bloomberg TV+
That could be evolution for Investigative Journalism.
In my opinion, this article completely misses the point. There is no alternative to 60 minutes not because News media is too lazy or unable to create it. There is no alternative because no one wants to watch it.
Why would we want to watch a hard hitting news team uncover dirty secrets when the most horrific secrets are right there in the open? Politicians accepting free money from companies without any accountability, predator drones circles large parts of the world raining down fire from the sky, and a banking sector that is holding the economy hostage.
With these real world crimes in the open, why would anyone want to watch a lesser executive get exposed? Its much better to just ignore it, and watch fake crimes with nice production values on CSI: Miami.
TL;DR: When reality eclipses fiction, reality becomes too depressing to watch. Hard hitting news is needed but not desired.
One of the newsmags – probably 60 Minutes – did a puff piece on drones maybe 2 years ago. In some ways, I think the gee-whizz reporting encouraged the military to use drones more destructively and haphazardly.
Sixty minutes is a pathetic excuse for news now. If we can’t do better than this, it’s hopeless.
I got a hint for keeping investigative journalism alive…Tell the facts. There are too many reporters who should rather be screenwriters because they are too worried about “making a story” rather than following the trail of what already “is.”
I did a skit of my own back in 2003 off of the 60 mins. interview style. It was old and cliched then.
Reporters need to go back to being the ‘middle-man’.. the ‘fly on the wall’ the ‘be seen and not heard’ and just present what has happened. Then – the viewers will be interested in the information they have reported.
I have been trained to follow facts as someone who holds a Bachelor of Science in Biology and who moonlights as a future screenwriter. This generation sees through a lot of what worked for the past few decades. Journalism needs to hold on to what it began as (reporting the information) and let go of what it became in the 1900′s (media – i.e. entertainment). Leave the entertainment to Hollywood. They do a better job anyway. People watch news for news. Not for fiction.