Here’s an interesting career development for the director, writer, and producer of films including About A Boy, The Twilight Saga: New Moon, The Golden Compass, and A Better Life. Chris Weitz’ new venture is a novel, The Young World, described as “the first in an epic, post-apocalyptic trilogy” due in Spring 2014. Hachette-owned Little, Brown says that there was a “heated auction” leading up to the acquisition of U.S. and Canada print, electronic, and audio rights by its Fiction Editorial Director Alvina Line and William Morris Endeavor’s Suzanne Gluck. The publisher also bought rights for 11 additional markets including France, Israel, Germany, and Spain. The story is set in New York City following a catastrophe that kills everyone but teenagers. They must learn to survive in a world with no heat, running water, TV, video games, phones or Internet — and no authority figures. ”These young survivors experience combat, romance, and post-apocalyptic nostalgia for a pop culture and technology they entirely took for granted,” Weitz says.


This would be so cool and original if there only hadn’t been five year series called “The Tribe.” Which is starting to be released by Shout! Factory. All about a virus that wiped out all the grown ups and what do the kids do to survive and rebuild society. Chris Weitz, Mr. Originality.
I’m going to write a kid’s book about a friendly alien who lives with a family in the suburbs and eats candies that are little bit different from M&Ms. Throw some money at that idea.
Good for him! Not a surprise — a former English lit major, and one of the smartest, most literate guys in Hollyweird.
I wonder if he can butcher this novel as well as he butchered ‘The Northern Lights’.
This sounds like Gone by michael grant. Now that’s a series that should be adapted.
The latest Hollywood bandwagon…teen survival (Hunger Games).
Move over vampires–there’s a new horse to beat until it’s dead…then beat some more…then some more.
I hate fads.
Seriously??? Talk about cashing in on the Hunger Games craze.
How low class and unoriginal.
Personally, i like the way he directs. And the cinematographers he works with helps enhance his direction…
He didnt butcher the Northern lights the studio did.
Quoting IMDb:
“Director Chris Weitz has himself adapted Philip Pullman’s work, citing the film and its sequels to be influenced by Barry Lyndon and Star Wars: Episode IV – A New Hope. He also mentioned that the film would make no direct mention of religion or God, two of the key themes of the books – a decision attacked by fans of the trilogy. According to Weitz, New Line Cinema feared that “perceived anti-religiosity” would make the film financially unviable in the USA. However, Weitz reassured fans by saying that religion would appear in euphemistic terms.”
He made a couple of key decisions that the fans of the books didn’t like, so they didn’t show up. Granted it’s easy to judge in hindsight, but the church savaged the movie anyways, it probably would have drawn more audience from controversy if he kept the main plot points.
I do admit that technically the film looked great, and it would have been very hard to compress that story into two and a half hours.
Strike my previous comment, I didn’t realize how much post-production editing the studio did. Might have been a lot better left as is.
These are incredibly talented filmmakers and writers – in my opinion – but don’t blame “Hunger Games” or Weitz – perhaps get concerned about how book publishing is now relying on these franchises in order to prosper at all. If you’re throwing the blame around why not “Swiss Family Robinson” and “Lord of the Flies” and those are just for starters. (Does anyone remember “The New People” – one of ABC’s [I think] attempts at 45 minute block programming?) A very old – and obviously popular narrative device; applied quite differently – groups finding themselves in a conundrum – from Agatha Christie to the “Scream” franchise, before and beyond. Eternal themes are appropriate for young adult novels before their world starts to change permanently. He’s stretching with a Y.A. series. Good for him. Looking forward to his brother’s new Off-Broadway play – they’re millennial Philip Barry with pathos – equal parts interesting and entertaining and recognizable.
This audience has been so under-served lately, it’s great to see a filmmaker with the guts to tell stories aimed at this neglected demographic…
No, he definately butchered Northern Lights and destroyed the franchise.
Given the pool of talented directors that wanted the show and the fact that he quit the chair once it was a racing certainty to fail.
He should stick to writing fiction. I have long thought he has no talent as a director. That goes double for his brother.
New Moon and Golden Compass were such garbage, how does he still continue to get work?!