The trustees to author Philip K. Dick want an adjustment on their fees for The Adjustment Bureau – a rather larger adjustment of more than $500,000. In a 14-page civil case complaint filed today in LA Superior Court, (read the suit here) The Philip K. Dick Testamentary Trust says that director George Nolfi, producer Michael Hackett, Media Rights Capitol and its subsidiaries owe them at least half a million dollars plus fees and other damages “to be proven at trial” from the 2011 film. Citing Breach of Contract and four other claims, the Trust says that the defendants have refused repeated requests to open the accounting books. They also claim they have been shortchanged payments due to them from the film’s net profits and that Nolfi, Hackett and MRC have “demanded the return” of the $1.4 million fee paid in April 2009 for the movie rights.
This suit, filed in state court, comes over two months after the Trustees abandoned a previous federal case against Nolfi and MRC when the judge dismissed key claims citing lack of jurisdiction.
Starring Matt Damon and Emily Blunt, The Adjustment Bureau, was released on March 4, 2011 to good reviews and fairly strong box office. The movie, according to today’s suit and others, has made around $128 million in global box office as well as $10 million in domestic DVD sales, plus “unknown millions in international DVD sales” as well as TV sales. Nolfi and MRC claimed soon after the film initially came out that Dick’s original “Adjustment Team” story was in fact in the public domain and they owed the Trust nothing.
Like in the first case, the suit filed today says the original story was not in public domain. The Trust says says that Nolfi first optioned the film rights to the 1954 Dick short story “Adjustment Team” from the writer’s trust on May 23, 2001. Nolfi, who paid $25,000 for an initial one-year option and the same on later options, subsequently entered into extension agreements on the option in 2004, 2007 and 2008. The trustee’s suit, filed by Laura Archer Dick Coelho, also says that Nolfi agreed to pay an eventual purchase price for the rights based on the “approved budget” for the film. The director/producer also agreed to pay a “breakeven” fee of $100,000 when worldwide gross receipts, minus certain deductions, equaled double the cost of production plus marketing, overhead and interest costs. Nolfi, who “assigned” all his rights to MRC’s Oaktree Entertainment in the spring of 2009, additionally agreed to pay the Trust 2.5% of the film’s net profits and a “further $100,000 for each additional $10 million in worldwide gross receipts in excess of Breakeven up to the point the Trust received a total of $2 million in payments.” Oaktree exercised the option on the film, with a projected budget of around $50 million, and “wired payment of $1,400,000 to the Trust” soon after.
The Philip K. Dick Testamentary Trust, which says it helped on the script for The Adjustment Bureau, notes it also participated with ‘the valuable Philip K. Dick brand” in the marketing of the movie on the request of distributor Universal, who is not named as a defendant. Claiming the defendants have failed “to issue the required accounting statements” and “to make required payments,” the Trust is seeking a five to seven day jury trial.
A number of stories by Philip K. Dick, who died in 1982, have been made into films, including 1982’s Blade Runner with Harrison Ford, 1990’s Total Recall with Arnold Schwarzenegger and 2002’s Minority Report with Tom Cruise and Colin Farrell. A Total Recall reboot, directed by Len Wiseman and starring Farrell comes out in August.
Justin Goldstein and Jay Handlin of Carlsmith Ball LLP in downtown LA represents the Philip K. Dick Testamentary Trust.
Deadline's Dominic Patten - tip him here.


Such a Dick move. Why don’t studios open up their books to people when required? It’ll save them lots of litigation in the future.
if a Harry Potter sequel can’t be a “profitable” movie after grossing 900 mil, I doubt this will after they are finished cooking these books in order to show zero net…
The movie made $127M, and they’re fighting the family trust for $500K? What a bunch of Philip K. Dicks.
All this litigation. It saddens my heart, really it does. Why can’t we all just be friends and everybody pay everyone else what they owe, in full and on time. Come on, people! What do you say? Let’s do it! Group hug!
It is my understanding that the story WAS in the public domain?
TVwatcher,
The story “Adjustment Team” IS in the public domain in the United States. For more information see Public Domain Philip K. Dick Stories (http://www.philipkdickfans.com/2012/04/03/public-domain-philip-k-dick-stories/) at the Philip K. Dick Fan Site, Copyfraud by the Philip K. Dick estate for Philip K. Dick stories published in 1954 and 1955 (http://www.sffaudio.com/?p=38062) at SFFaudio or just google the phrase “Philip K. Dick public domain.”
Pretty startling contrast between what the Trust stated about copyright in the federal suit and what it says in this suit where it seems to be avoiding the issue like a vampire avoiding sunlight. I guess Dominic Patten recognized the new complaint’s vague reference to an “affirmative defense” by the defendants was about copyright status. I missed that on first reading of the new complaint and still wouldn’t have picked up on it if I hadn’t been following the Adjustment Team/The Adjustment Bureau dispute.
Who can I sue for suffering through that turkey?
A fact of the industry is that it is almost thoroughly corrupt and manipulated by entertainment lawyers, studio heads, their corporations and the ratings boards. Actors, writers, composers and directors have filed numerous, protracted and expensive suits against the studios for nonpayment, exploitation and ‘in perpetuity’ clauses. Studios and their corporations are often in ongoing virtual wars with each other for rights and ownership. Some producers and directors, in order to protect their good names, have, as a last resort, demanded and gotten themselves a name “Allan Smithee”. Other actors forced to perform bad scripts have also changed their names. Fortunately, the industry has started trusts, defensive organizations and independent film maker protective organizations. Robert Redford, actor and teacher started Sundance to provide outlets for the showing and support for the independent film maker. And he Philip K. Dick Trust is not the only one to carry the torch. Please support these people if you can or you may end up being stifled from viewing movies such as Coline Serreau’s “La Belle Verte” which was banned by the European Film Institute which blocked its release to theaters and made it rare. ( But you can view it on You Tube). Bravo to the Dick family.