Aaron Sorkin said today that he had a lot of hesitation about tackling a movie about Steve Jobs. “It is a little like writing about The Beatles,” Sorkin said at the AllThingsD conference this morning. Sorkin said he “saw a minefield of disappointment” from Jobs aficionados in taking on the script for the recently announced film based on Walter Isaacson’s bestselling biography. While the Oscar winner says it’s difficult “to shake the cradle to grave” approach of a book like Isaacson’s when adapting it for the screen, Sorkin says his approach is “going to identify the point of friction that appeals to me.” Sorkin, who received blowback for liberties he took with the actual life of Mark Zuckerberg in 2010’s The Social Network, told the conference crowd that they should think of biopics as “a painting, not a photograph.”
Sorkin told moderator Walt Mossberg of All Things D that he had no idea who would play Jobs in the movie but they must “talk fast and be smart.” Noting to laughter that “good actors are very hard to find” — which is partially why Sorkin says he often works with the same people — he says he has no issue with the other Steve Jobs movie starring Aston Kutcher. “Steve Jobs,” says Sorkin, is a big enough person, big enough life that there’s room for more than one movie.”
Related: Apple Has Big Secret Surprises Coming Next Week – But CEO Tim Cook Won’t Detail
Talking about his upcoming HBO series The Newsroom, the very traditional Sorkin told the crowd he was as nervous about its June 24 debut as he was about his very first show. “I know for sure not everyone is going to love this,” he said of the cable news drama. “A lot of great storytelling is happening on television,” Sorkin also told the digital crowd. “You’ve got to look around for the good stuff.”
(Photos: AllThingsD)
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I am stoked for The Newsroom.
What? You didn’t get enough manic dialogue, flaky chicks and melodramatic bulls**t with everything else he’s already done?
Honestly. Sorkin can’t write an authentic woman to save his life.
It’s become annoying.
if anyone can pull off a messianic Steve Jobs to the letter, it’s TOM CRUISE
It appears that he is researching a screenplay about the tanorexic Mom. He looks charred.
NEWSROOM trailers look cool so far. Good to see SORKIN doing his thing.
I for one, as a writer-director and overall storyteller…realize that for every success people in the public eye have; sooner or later there are going to be some bruises. Some scars.
And to keep it all hidden all the time and just relish in the great, cool stuff?
Rest of us just don’t learn from all that.
Not saying everyone needs to know everything about everybody…all the time;
just saying:
SORKIN does his stuff without interference…and the saint makers at Apple…we’ll probably get the best story of this man named Steve Jobs, that anyone else could do.
Warts and all.
FADE IN:
TITLE: 1983
We open on a young STEVE JOBS as he stands next to Apple co-founder STEVE WOZNIAK watching RIDLEY SCOTT direct the soon-to-be famous Apple Macintosh commercial.
RIDLEY: And…ACTION!
A FEMALE RUNNER sprints down the aisle, stops, twirls, and hurls a hammer at the wall, destroying the man’s image on the screen in a blazing roar of light and sound.
RIDLEY: “CUT! PRINT THAT! GREAT JOB!”
He turns to the boys with a smile.
RIDLEY: Well? What do you think?
A beat as Steve rubs his chin thoughtfully.
STEVE: I like it. (he turns to Woz) Woz…?
Woz sighs, belches and scratches his beard, then turns.
WOZ: Any more donuts?
Woz walks away, leaving Steve to stare after him.
FADE TO BLACK.
Roll title and credits.
David Fincher directing Cillian Murphy would turn heads. But Noah Wylie is still the best physical match.
I’d looove to see Cillian Murphy in a Sorkin written film or a Fincher directed film. Murphy is so underrated.
Adam Scott has the look (close enough), charisma and intensity. (Reference: Parks and Rec, Friends with Kids (especially) & Tell Me You Love Me.)
Someone said Adam Scott looks “too Canadian”.
…Or Edward Norton
What about Adam Brody? Seems like a natural fit.