
ABC on Friday made its new scripted series picks for next season, ordering nine new series, five dramas and four comedies. While that seems like a lot, it’s way down from last year’s slate of whopping 14 new series. (This year’s tally may go up by one if sudser Mistresses, ordered for next summer, is summoned for midseason.). The reason for the decline has to do with the fact that ABC is bringing back six freshman series, more than any other network in years. That includes comedies Suburgatory, Don’t Trust The B—- and Last Man Standing and dramas Once Upon A Time, Scandal and Revenge.

The majority of ABC’s programming appeals to women, so the network seems to be hunting for male viewers too. Out of nine new drama series introduced this season, only one, The River, had substantial male appeal. (Horror is very popular with females too.) This year, of the six newly-picked dramas, two are testosterone-heavy — the Anthony Edwards-starring conspiracy thriller Zero Hour and the submarine crew drama Last Resort starring Andre Braugher and Scott Speedman — as ABC is looking to lure back male fans who may have deserted the network after the end of Lost. Lost fans may also be willing to check out the spooky new drama 666 Park Ave, which so-stars Lost alum Terry O’Quinn, about supernatural occurrences in a New York building. 666 was one of three “magical” drama pilots orders as potential companions to ABC’s breakout freshman Once Upon A Time, along with Gotham and Beauty and the Beast.
For a second straight year, ABC is trying to build a slate of male-centered comedies. Of the three such shows launched this season, Last Man Standing, Man Up and Work It, only one, Last Man Standing, is coming back. It is being joined by another male comedy, the single-camera Kyle Bornheimer starrer Family Tools (aka Red Man Van). Additionally, fellow new single-camera comedy series, Dan Fogelman’s The Neighbors, is a male-friendly family comedy as it involves aliens.
There were a couple of surprises in ABC’s drama choices — the late surge of Zero Hour, which had flown largely under the radar and had a so-so screening but I hear was boosted by strong last-minute testing results. Also surprising was the pass on the Anthony Lapaglia-starring soap Americana, whose buzz had its ups and downs but it had been looking good in the final stretch. While ABC may be looking to replicate the success of Lost with Last Resort, which also is taking place on an island, it opted not to pick up a series that had a lot of the DNA of another of the Big 3 series — Lost, Desperate Housewives and Grey’s Anatomy — that turned ABC’s fortunes around during the 2004-05 season. Devious Maids, which, like Desperate Housewives, is a murder mystery with four female friends at the center and was written by Desperate Housewives creator Marc Cherry, with Desperate star Eva Longoria as an executive producer, did not get a 
series order. In the soap field, Americana and Devious Maids were out-muscled by two projects penned by the writers of feature hits: frontrunner Nashville, written by Thelma and Louise‘s Callie Khouri and staring Connie Britton and Hayden Panettiere and the mob-themed Red Widow, written by Twilight’s Melissa Rosenberg abd starring Radha Mitchell.
On the comedy side, it was surprising that the network passed on both of its “girl” pilots, the untitled Mandy Moore one and American Judy starring Judy Greer. Another single-camera comedy with an appealing young star, How To Live With Your Parents, toplined by Sarah Chalke, made it to the schedule, along with the multi-camera Malibu Country starring veteran Reba McEntire. The latter is groomed as a companion to the only other multi-camera comedy on ABC, Last Man Standing, also starring a comedy vet, Tim Allen. In addition to sharing a comedy block, the two series will also share a showrunner. Kevin Abbott, creator/executive producer/showrunner of Malibu Country, also took over Last Man Standing as showrunner in December, following the departure of creator Jack Burditt. Next season, he will run both concurrently. The only other comedy showrunner with multiple series on the air is Chuck Lorre with three sitcoms on CBS.
As for ABC’s scheduling plans, by returning six comedy series and picking up four new ones, the network is clearly looking to expand its current two-hour comedy block on Wednesday and one-hour block on Tuesday. But how? Expanding the Tuesday block to two hours is a possibility but that would require a change in the airing pattern of Dancing With The Stars. Relaunching ABC’s signature TGIF comedy block on Friday has long been rumored as one of ABC chief Paul Lee’s passion projects. It would make sense, especially for older-skewing Last Man Standing and Malibu Country. But with ABC’s current unscripted/newsmagazine Friday lineup on fire, often finishing No.1 on the night against scripted competition on CBS, would ABC mess with one of its most successful nights? That leaves us with Thursdays. ABC has struggled to successfully launch a show at 8 PM since Ugly Betty. Will it try with comedies against CBS and NBC?
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does anyone know about gilded lilys
I used to craft them professionally, now work from home. Not as many customers as there used to be…
It wasn’t picked up.
ABC needs to move Modern Family to Thursday at 9.
Some of these networks need to puck up alot midseason shows since most of the ones for fall will FLOP. Last year their were so many new shows. Im surprised ABC didnt pickup more dramas and comedies. Last year they ordered a bunch. They seem to ordered less this year. The CW puzzles me. They ddint pickup their most interesting pilots. They rejected JJ Abrams, Mark Schwahn, Elizabeth Craft, Sarah Fain and Craig Horner shows. Blasphemy. The CW thinks we all want to see Carrie and a medical drama. No wonder this network has terrible ratings. They need to step it up on the creativity and not focus and pickup teen dramas and medical dramas. I cant believe they denied Mark Schwahn a another show when he had the very successful One Tree Hill on for 9 seasons plus it had JJ Abrams attached. Joey Dakota and The Selection sounded interesting as well. Do really need to see more medical dramas and Carrie Bradshaw. Give us some sci-fi. They couldve at least given The Secret Circle a 13 episode midseason order.
ABC shouldve picked up Beauty & the Beast since The CW picked up their version and they also shouldve picked up Gotham. I want more sci-fi/fantasy since SYFY Channel seems to abandoning it and keep airing all those
To be fair, Shelter (the Schwahn-Abrams project) didn´t sound all that appealing, the selection was a great script but it apparently failed on execution… Joey Dakota did intrigue me
I think there´s a chance CW isn´t quite done with its pick ups and may pick up one more pilot.
On the other hand, while Carrie Diaries and First cut may be more of the same, it did pick up some interesting shows.
I’m really disappointed ABC didn’t pick up Beauty and the Beast. It would have made a great companion piece to Once Upon a Time, and I could always use a little more Ruth Bradley on my screen, since I doubt Primeval is returning anytime soon (or at all).
To be honest, I was way more excited for ABC’s Beauty and the Beast than the CW’s. I’m a big fan of the ’80s show, and I get less and less excited the more I hear about the CW’s reboot.
Just my luck that the one I wasn’t looking forward to was the one that got picked up.
What happened to the untitled Roland Emmerich project? Is it really as bad as rumor has it?
Spango, to answer your question. My understanding is the Untitled Roland E. Pilot was considered weak on paper and then when it was turned in, there was surprise at how well it worked. He cast it very well and it was a surprise to many that it played as well as it did. It was weak on paper, but RE’s direction and expert casting saved it to watchable.
I don’t know why they passed on it [or even if they definitely did] except that Zero Hour and 666 seem to cancel both it and Gotham out.
Thank you Craydon, your analysis sounds reasonable and indicates Roland’s key problem. If he would surround himself with good writers, then he would probably deliver success even more than he already did in the past. Unfortunately he wasted one decade with his “Writing Partner” Dean Devlin, just to move down from there to his Austrian Composer and Butler Harold Kloser. Maybe his last experiences (Anonymous, Singularity) are a wake up call and he reaches out to talent that equals his vision and capabilities as a director. Hopefully!
Any shot still for Devious Minds? How long is Marc Cherrys deal with ABC?
What about Rebounding?
Sorry, but ABC lost me after “George Lopez”.
And yet here you are checking out their fall lineup.
PRIVATE PRACTICE, BODY OF PROOF and, to some extent SCANDAL are underperforming. I really wish ABC would have tried out the promising AMERICANA, GOTHAM and DEVIOUS MAIDS instead of renewing those other dramas.
It’ll be interesting to see if ABC will go a little more gritty and real to get men. Currently, the look of its shows is completely plastic and sanitized
It’s hard to feel caught up in the tension and threat of a show when everyone is clean and creased and you don’t dare put a bruise on a pretty actress’s face. Male auds get a lot more realism than that in shows like Sons of Anarchy these days.
Somehow, I doubt the crew at ABC is ready to take their audience that seriously. It’s a shame.
No Devious Maids?! Wow, I would have lost a lot of money on that one. I sorta feel bad for Marc Cherry. This is the second failed pilot he’s written that ABC has rejected. I mean, this guy created one of their biggest hits. Talk about a slap in the face. How humiliating. Of course, I did hear the pilot was not very good. So, why throw good money after bad, I guess… Still, I think he deserved better. He should move on and develop shows elsewhere. Clearly, ABC views him as a one hit wonder.
‘Talk about a slap in the face.’
And somewhere Nicollete Sheridan is laughing her ass off!!
ABC brought back too many duds (not as bad as NBC though). Body of Proof, Private Practice and Last Man Standing all should have been cut.
I cannot believe they passed on the fashion soap Americana. I surveyed the pilot a couple of weeks ago and thought it was refreshing and had lots of potential. Very rich and expensive looking too. Philip Noyce direction is top notch. I really hope it still has a shot for a last minute pickup.
Yeah, it would be interesting to find out why they passed. Personally, I was having trouble imagining Anthony LaPaglia as a fashion designer. He’ll always be Jack Malone to me. BUT, he’s such a great actor, I definitely would have given it a chance and watched it.
Seth McFarlane is a showrunner with multiple comedies on the air.
Yeah, the scheduling part, as well as the episode orders, is the interesting part remaining for me. Considering how much ABC has and, I would argue, continues to struggle, I am amazed at this stability of programs. Certain slots (Grey’s Anatomy on Thursdays at 9 and Castle on Mondays at 10) seem fairly strongly entrenched. Renewing many shows that shared the same timeslot this year (Tuesdays and Thursdays at 10, Wednesdays at 9:30) leads me to believe that several shows will get 13 episode orders and follow FOX’s and now NBC’s multi-tiered strategy.
For comedies, I suspect that Don’t Trust the B will be held for midseason and that Reba McEntire’s show will premiere in the fall paired with Tim Allen’s show (I suspect staying on Tuesdays at 8). I can see Sarah Chalke’s show premiering on Wednesdays at 8:30 (bumping Suburgatory) or 9:30 (Happy Endings could do better at midseason), with Bornheimer and Fogelman’s shows waiting for a January launch to give some other comedies a break.
For dramas, I guess that 666 Park Avenue and Nashville will take the Sunday at 9 and 10 slots. Zero Hour and Last Resort could come off the bench for relief for any 10 pm show, and I’m still not sure if Scandal or Body of Proof gets a fall launch (slightly leading towards Scandal in an election year). Red Widow is a likely candidate to replace (or launch instead of) Revenge on Wednesdays at 10.
Other than that, reality and newsmags are probably the safest bet for lead-off slots and all of Friday night programs.
Clearly there is something wrong with how pilot season operates. Giving a show the greenlight after reading one script and having an episode made that looks nice leads too often to cancelled shows. Networks lose so much money unnecessarily.
Seriously, do people read the articles before commenting?
The article clearly states ABC were looking for more male viewers, so what are all the comments about? Why shows that no man would ever watch weren’t picked up. The math isn’t that difficult people.
I really REALLY wish they would consider Gotham for midseason. That type of fantasy would be a much better fit with Once Upon a Time than the darker-skewing 666.
Do the networks ever revisit pilots they have passed on, or do such pilots ever get shopped elsewhere?
666 has a soapy aspect to it that fits well with OUAT, which has a big cast and lots of soapy elements (battles between women, schemes, betrayal, romance, family issues). Two fantasy soaps, sounds like a match made in heaven!
Gotham sounds like a female version of NBC’s Grimm – which survives okay because it’s on Friday night, the cultish deathslot night for broadcast shows. If ABC wanted to put Gotham on Friday, that could work.
Why doesn’t ABC try to appeal to gay men? People put the assumption that the word “men” means all mean. However, it seems to me ABC is trying to appeal to heterosexual men. There hasn’t been a television show about gay men still Will and Grace.
Okay, how many homosexuals need to be on ABC??? There’s one recurring on The Middle, there’s one on Suburgatory, Cam and Mitchell are gay on Modern Family, and Max is gay on Happy Endings but that doesn’t seem like enough for people. People just want more gay, gay, gay characters on their shows. ABC has enough already. One would think with how much they have, heterosexuals would be a radical concept by now
I don’t know why ABC bothers. It’s pretty much lost its male audience, and I don’t think there’s anything they can do to bring it back.
The Last Resort is particularly a risk. I really wonder whether the viewers of all those soapy dramas are going to look at an ad for a military show starring a sub and care about it at all.
Zero Hour is more likely to make it. It’s got more female appeal – a globe-trotting fantasy adventure with some likeable, charming actors.
I was thinking about how ABC should market The Last Resort. Forget the sub, show ads about sexy navy guys and gals who look great in uniform, marooned in a lush tropical paradise, full of romantic potential. But I guess that would betray a certain lack of faith in their strategy, lol. Ah, go for it ABC. No guts, no glory. Nielsons are overrated!
Last Man Standing brought back a lot of males
Any more speculation that AMERICAN JUDY may be retooled??? Huge Judy Greer fan here!!!
I can’t wait for Nasville, but really wish they would’ve picked up Devious Maids.Im unsure if I’ll try Mistresess.
Last Resort sounds alot like the original script for LOST.
People will find the show regardless of network.
Devious Minds could always come back next year, get retooled.
It just sounds like with GCB failing, they wanted to go different way. Almost guaranteed there will be a Desperate Housewives type show next pilot season.
I hope they put revenge on sundays along with 666 park avenue.
It’s too bad the Mandy Moore pilot didn’t get picked up. Devious Maids sounded interesting, but I think we need a break from the Desperate Housewives-like shows. Give it a year and try to launch something in 2013-2014.
Can’t believe Devious Maids didn’t get picked up. Wow and the Latin market is so big you would think ABC would want to get a piece of it.
Nothing sounds interesting to me. Guess I will just stick to reading.
Guess I still won’t be watching anything on ABC. Can’t believe they passed on Americana!