
EXCLUSIVE: MTV executive Brooke Posch has joined Comedy Central as VP, Original Programming and Development, East Coast. Based in New York, Posch will oversee development and production of all east coast-based Comedy Central original pilots and series, reporting to Kent Alterman, Comedy Central’s head of original programming and development. Posch succeeds Lisa Leingang, SVP Original Programming and Development, who exited in March after her contract was not renewed.
Posch comes to Comedy Central from MTV where she has served as VP Comedy and Animation since 2009, overseeing the development of such studio, game, unscripted and animated pilots as The Substitute and Epic Fail as well as documentary series World of Jenks. She also developed a late-night talk show with comedians Nikki Glaser & Sara Schaefer and a half-hour Latina comedy with Jennifer Lopez’s Nuyorican Prods. Prior to MTV, Posch was Director of Development/Executive Producer at Crossroads Television. “Brooke has established a fantastic reputation in the comedy community for great taste, impeccable creative instincts, and superior collaborative skills,” said Alterman. “She will undoubtedly make me appear to be smarter than I am. I thank her in advance and look forward to meeting her.”
Before her shift to the executive ranks, Posch worked as a writer and producer on such projects as 2009 indie comedy May the Best Man Win and TV programs Steven’s Untitled Rock Show (Fuse), Last Call with Carson Daly (NBC), NBC’s New Year’s Eve with Carson Daly” and McEnroe (CNBC). She began her career working for Lorne Michaels at Saturday Night Live.
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Brooke’s the best! Great move all around – Good for CC, Good for Brooke, Good for comedy.
Finally.
nice move for comedy central – this chic is smart, funny and talented.
She’s probably “funny” to other executives but if she were actually funny, she’d be writing funny instead of giving notes on it.
Wow. That’s not how it works. Also, the number of painfully unfunny writers who attempt to litter both TV and the greater public consciousness with their drivel (I’m guessing you’re of that camp) is why we need people like Brooke. People who understand how it works, why it works, and just want to make funny product. Be thankful that there are people like her out there to give people like you the opportunity to make shows. Now all YOU have to do is step up and write something that doesn’t suck.
I think JK5000 has it right. There’s simply more money and more FUN writing a show than exec-developing one, as shown by the nearly zero people who have chosen to be execs after being successful writers. That there are “painfully unfunny writers” doesn’t undermine JK’s point at all — it’s just your personal swipe. And, sorry, but development execs do not “give people the opportunity to make shows”, they gamble their budgets on the hope or conviction that they’ve picked the right writer with the right project that will succeed enough to lift them up the ranks of executive acclaim and pay. Your advice “to step up and write something that doesn’t suck” is always valid, but JK may have already done that in his/her short comment.
Also, congrats to Brooke!
Wow. That’s not how it works. Just because someone writes something funny doesn’t mean anyone will buy it. Unless it fits into their specific network molds. And even then, many other things have to fall into place.
Bitter table for one. That’s how it works? Funny people can only write?
I’m good at asking people if they want a bottle of water. Does that mean I can only be an exec? (I’m kidding. Relax. But do you?)
Great job comedy central.
Comedy Central needs all the help it can get.. or a rival comedy network… or both…
Awesome. Couldn’t have happened to a funnier or smarter or nicer guy.
Alterman will need to hire someone who will make him “appear smarter than he actually is” because Leingang is one of the best comedy development execs in the country and he let her go. Good luck, Brooke.
Brooke is the best!
i agree this is a good move for both parties.
Thanks for weighing in, execs. But the truth is good shows get on the air in spite of execs, not because of them. Deal with it.