
The highest-profile casualty at Fox, which picked up three new comedy series today and passed on everything else, was the Steve Levitan-produced pilot Rebounding. The single-camera project was written on spec by Joe Port and Joe Wiseman under the watchful eye of Modern Family co-creator Levitan. Inspired by Port’s real-life experiences, the 20th TV-produced project is described as an uplifting comedy about a man recovering from the death of his fiancé with the help of the idiot buddies on his pick-up basketball team.
It has had a roller-coaster ride. First the spec didn’t create a bidding frenzy as it hit the marketplace very late, on January 30, when networks were pretty much done with their pilot orders. There were also some concerns over the subject matter and whether it could translate into comedy. Fox ultimately stepped up and gave Rebounding a pilot order, bringing Levitan back to the network where he had refused to return for several years following Fox’s controversial 2008 cancellation of the Levitan-Christopher Lloyd comedy series Back To You after one season. Jason Winer, who directed the Modern Family pilot, signed on to direct Rebounding and, after a long search, Saturday Night Live alum Will Forte was cast as the lead. There were early reports from the set of the pilot about a good chemistry between Levitan and Winer reminiscent of their work on the ABC/20th TV hit Modern Family. Then the finished pilot came in and tested huge at 20th TV, higher than the pilot for Modern Family. It also screened well, with Forte getting high marks all around, and, with the auspices involved, the pilot was considered a serious contender, just behind frontrunner and Fox brass favorite, Mindy Kaling’s It’s Messy.
But Rebounding gradually slipped behind Kaling and late bloomer Ben & Kate (formerly Ben Fox Is My Manny), which shot up to second place about a week ago, and the race for the remaining third slot tightened up. While Rebounding was losing momentum at Fox, NBC gave a very early series order to a single-camera comedy with a very similar premise, Go On. It stars Friends alum Matthew Perry as a guy recovering from the death of his wife with the help of the members of his support group. NBC put Go On on a fast-track production schedule for an August launch, assuring that the show would certainly premiere before Rebounding. It is unclear if Go On played into Fox’s decision to pass on Rebounding but I hear Fox’s Kevin Reilly ultimately didn’t believe enough in the show to pick it up. Just the way he felt four years ago when he didn’t renew Back To You for a second season, picking up ‘Til Death instead. Given the impact that cancellation had on Levitan who, along with Lloyd, refused to pitch their next show, Modern Family, to Fox, most industry insiders believed that, with its pedigree and solid tracking, Rebounding would get a series order in part to protect Levitan’s repaired relationship with the network. That didn’t happen, and 20th TV is now trying to shop the pilot elsewhere.
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Waaaa. Poor Steve Levitan, he didn’t get his widdy biddy pilot picked up. Waaaa, he only is worth $200 million. Waaaa. Waaaa. Too bad and good for Reilly for letting one of the new guys get a shot.
Right on. Stand back, everyone. Now Steve will be REALLY, REALLY angry. He was always pissed at NBC for their “mis-treatment” of Just Shoot Me even though it was picked up for years after it stopped being funny. The bigger mystery in this story is why the hell NBC let Mindy Kaling’s show get away.
Because it’s going to bomb. Big time. People don’t like Mindy Kaling as much as Hollywood thinks people do. And the demo that likes Mindy Kaling doesn’t watch first-run network television anymore. I hope I’m wrong — I have nothing against Kaling. But this just feels like a flop waiting to happen.
So which of Steve’s shows earned him the right to this “I won’t be treated this way” high dudgeon. Jinx the Bunny? Oliver Beene? Stacked? Stark Raving Mad? The guy is a hack who happens to have two small talents. One is finding his way in front of a camera. The other is occasionally finding smart people to partner with. Like Lloyd on Modern Family. Ask anyone who works on that show who the heart and soul of it is. And who the blowhard is…
Chemistry between the showrunner and the director?? What does that get you?
I wonder if he’d try and sell it to another network, possibly cable? Sounds like it could be a good pickup for USA which has the rights to Modern Family’s syndication run when it begins. It would be a nice hour of programming for the network and right up that network’s alley.
And it’s not that highly unusual when a high testing pilot gets picked up by a cable network. Just look at Breakout Kings… started out as a Fox pilot, now on A&E.
Who do you rep on this show?
Terrible decision – this was the best pilot I saw this year and I saw a lot.
I have to agree. I saw a bunch and this one was funny and had a ton of heart. It reminded me of the “New Girl” pilot in a lot of ways, even thought it has a guy in the lead. Very much appealed to me as a woman, which kind of surprised me. I hope it finds a home somewhere. I have to imagine that they didn’t trust their focus group testing and went with inside testing of people who really aren’t the people who ever watch regular programming. Who knows? But I saw it and really loved it.
Really? I myself haven’t seen it but Will Forte has given some really strong performances as a guest star on sitcoms. HIMYM and Up All Night come to mind quickly – I’ve always thought he’d be a good pick for the right project. – Care to elaborate on the pilot? I’d love to hear what you thought of it.
Reilly felt strong enough about I Think I Hate My Teenage Daughter to order it to series, but not this? No taste.
This whole story sounds like Jay Sures trying to embarrass the network and garner interest in a sale elsewhere. Sounds unlikely considering the material. Most of Levitan’s stuff without Chris Lloyd is mediocre at best.
Where does a premise about a guy recovering from the death of his fiance go in season two or three? Maybe Fox just didn’t see the long game.
The premise was just a (good and touching) excuse to jumpstart a show about a group of guys trying to figure their lives out. Just like New Girl moved on from the original situation of dumped fragile girl who needs help getting restarted. Rebounding was a really good pilot. It’s too bad.
Why order the pilot in first place then?
Well, it’s a comedy, and it’s Will Forte, so you keep him fresh fiances who die in unbelievably funny ways.
Why do shows have to go on & on, year after year after year after year, ad infinitum?
The Brits do anywhere from 5 – 12 shows per season & sometimes a show just ends.
And guess what?
The quality of their show is usually far better, because the writers aren’t burned out.
There’s still one ep of “Revenge” to be seen this season, but just how long do they think they can string this out?
One more season & that’s it is how it should end.
I still remember how Fox dragged out “Prison Break” to 4 seasons. The first season was good & they escaped at the end of it.
The second season was OK as they were on the run.
But that’s where it should have ended, with the conspiracy solved & the brothers pardoned.
But it went on for two more absurd seasons, coming to the end with an ending that was insane!
Their mother was the brains behind behind the older brother being framed!
That garbage ending was ripped off from the pulps of the 40s & 50s!
No offense to the Brits but sometimes it takes a lot longer than 5 to 12 episodes to even gel. Heck, a show could start out great and get even better. 5 to 12 episodes isn’t a tv series, it’s a mini series. So, yes, the Brits do a bang up job at exporting some tasty mini series.
It’s not a miniseries, it’s a series, only it doesn’t follow the AMERICAN broadcast format, but the british one. Please stop judging things based on american traditions, instead of their own countries.
Except that few shows are allowed to have 5 to 12 eps to gel.
If it’s not a hit by ep #3, it’s a goner, especially at Fox.
NBC hangs on & that’s because they’re the #4 net.
The CW also stays with a show because it doesn’t have another show in the wings.
Broadcast is a hit-driven business. They use their few hits to pay for the majority of shows, which flop.
So some stunning success that is 5-12 episodes long will become longer than that, count on it. Networks can’t afford not to jump onto any success and milk it for all its worth, not the way the ratings have been going.
And if something is good, I say milk it! If it goes on too long and starts to suck, I’ll stop watching. If everyone agrees with me, they all stop watching and then the show is cancelled. Problem solved.
Oh ps, I agree about Prison Break but that’s my boyfriend’s favorite show EVER and he absolutely does not think that it got one iota worse over all four seasons. I personally think he’s wrong (about that and so many other things lol) but as long as he wanted to keep watching, and millions agreed with him, then why deprive them of a show they love?
Network couldn’t see guy with dead wife & his basketball buddies premise get past season 1? Just think the 4 real-life stages of guy grief:
Season 1. Rebounding
Season 2. Scoring
Season 3. 3′s
Season 4. Slump Busters…
You’re welcome.
I find Steve Levitan’s taste in material highly suspect since his series with George Segal on NBC. Not impressed.
ABC or CBS to pair with Nick Stoller, since it will need a single cam companion
Love the Nick Stoller idea.
I like Levitan, but no one is guaranteed such an order. Just because you are behind Modern Family does not make you Queen of the Nile. Its a pilot, stuff happens… he’ll get over it.
I like Levitan too. I’ve worked with him, unlike most of the posters here, and he’s a decent guy. Yeah, he likes to get out there and promote himself, but who wouldn’t and look where it got him. This show needed a big rewrite, which is not what Steve is about. I’m sure he produced it really well and did what he could, and Fox hasn’t had a hit sitcom since married with children anyway.
Smart. Fox is such a toss up when it comes to established comedies. I’d call that 70′s show a hit… for a while but you’re right in going back to the genesis of the network. Aside from ratings, to me they had a string of incredible pilots all withing a 5 year span about 10 years ago where they delivered us That 70′s Show (98) Family Guy (99) Malcolm in the Middle (2002) The Bernie Mac Show (2001) and Arrested Development (2003). Now that’s an incredible line up. THAT’S the Fox I want to see. Especially since out of those 5 picks, 1 is still airing with no sign of stopping, another is playing well in syndication and the latter 3 all won emmy’s for writing. But, c’mon. That’s 10 years ago. What really good comedy pilots have you seen from then in 10 years? Raising Hope – good, not great. Gotta give an edge to Greg Garcia who’s as good as anyone at putting details to scenes and characters that make them interesting to watch. But other than that I say they’ve had nothin’. Fingers crossed for Mindy’s show.
You’re missing the point. He’s not the guy behind Modern Family. He’s one of a bunch of guys — yes too many guys, not enough girls — behind Modern Family and he must have read enough of his press to believe that he could do it on his own. Nope. Levi-tank. Greg the Bunny anyone?
What about all the hard working actors?
and what about the hard working crew?
The hard working actors from rebounding are actually among the lucky few actors who were paid very well for their week of work. A lot of us work really hard every day at looking for jobs.
@Anonymous,
That’s really heartbreaking stuff, dude.
Who knew actors were constantly expected to audition for parts? Or that they don’t book everything they read for?
Thank you. It’s not just Levitan this affects, over 200 people lost their job today. Good show lost on a gutless network. Sadly, it happens all the time.
Fun fact: Every single show that gets canceled has a team behind it. Every single pilot that doesn’t get picked up has a team behind it.
To make room for Rebounding, another show would have to be canceled or not picked up. Those people would be in the exact same situation as the crew of Rebounding.
I’ve worked on pilots–no one considers them to be your full time job. Because it’s a pilot–who knows if it’ll actually go? And even then, when I’ve worked on pilots it was while working on a different show. The UPM of my show gets pilots and she often hires her own people to work on the pilot. If the show gets picked up, they find a new UPM, and usually, an entirely new crew. No one lost there job because Fox passed on rebounding. I’m sure the majority of the crew work on Modern Family. That’s just how these things go.
Would love to see this on USA or TBS
Count to three and then watch Levitan distance himself from this show like he never had anything to do with it.
Hmm. So Levitan’s first pilot after Modern Family, the one he decides to do minus his partner Lloyd, can’t even get picked up by the Fox network? That’s got to sting.
Ned Fox into New Girl into Mindy Kaling. Welcome to Ipecac Tuesdays.
I agree. I’m never happy when a show doesn’t make it or if a movie tanks. I don’t like it when actors or writers are knocked online either because I applaud all of them for their effort. I like to see people succeed. And when a show goes, it’s good for everybody and their families.
I think everyone is entitled to an opinion. I do strongly believe that opinion should be left under a real name, no matter who the commenter fancies him/herself in the business. Otherwise, it can become an ambush by cowards.
> why order the pilot in the first place
You are new in these parts, aren’t you?
I know politics is what ordered the pilot. I just wanted to see what their answer would be.
Not sure why Fox is giving this Mindy Kaling show a shot and not Rebounding? She pretty much ruined The Office and she is not funny beyond very limited moments. This decision is definitely going to come back and haunt Fox just like not being able to have Modern Family. Only time will tell…
Quit crying about the crew who worked on Rebounding. 9 out of 10 pilots don’t get series orders. People who get lucky know they are lucky. The solution is to stop this insane pilot season and develop and order new shows year round. By the way the success rate for a new show is much greater when it debuts in January as opposed to September. I also like the idea of limiting seasons to 15 or 16 episodes and running them consecutively without any repeats. This would allow two shows to share the same time slot. In the old days they used to always do at least 30 episodes per season and sometimes as many as 36 or 39 and they did these shows with minimal writers. Do any of you ever watch old shows? The opening credits are amazing just a Produced by name, a Written by name and a Directed by name. That’s it. You don’t see 15 to 20 names of glorified writers who are labeled producers.
Levitan is a good producer, but only an okay writer. It’s a known thing. His problem is trying to do too much. Like this show. He should stick to Modern Family, where he’s been very lucky. One or two more like this one and it’s going to be a known industry thing, that he is only as good as the people he partners with.
He didn’t write Rebounding, he produced it.
Smartest thing Levitan ever did was hitch his wagon to Chris Lloyd. Steve’s not untalented, but he’s had MANY terrible flops. Remember Stacked? And no one I know thinks Just Shoot Me was ever more than just okay. Oliver Beene was pretty good, but he wasnt the creator. Greg the Bunny? Awful. He’s not nearly as good as his promotion would suggest. But he is handsome and tall, we must give him that. And white, right Elia?
Oh Jesus! None of you have any idea of what you’re talking about!!! This isn’t about Levitan!!! He’s a marquee name that attached himself to already existing material. The real tragedy here is Joe Port and Joe Wiseman. This is Joe Port’s true story: it happened recently and this is one of his ways of coping. That doesn’t immediately make it a show that should be picked up, but it is a story that deserves to be told. The Joes are trememndously talented writers. I hate that this is happening to them.
The real conversation lies in why Fox consistently fails to come up with a real backup plan. They only pick up enough shows to fill one night (2nd year In a row). Like it or not, New Girl is a bona fide hit and they need to support it, but the belief that their three new pick ups are a gonna stick is ridiculous thinking. Yeah, they’ve got “Raising Hope” in the chamber. Great. Wonderful backup. They made a mistake… They should’ve picked up Rebounding for midseason at the very least.
Enough about Levitan. This isn’t his show and therefore this argument shouldnt be about him. And I like the guy. Joe and joe got shafted.
I read this script. Not a joke in it. How could anyone be surprised here? And by the way, Levitan is responsible for Modern Family, great show, but he’s also responsible for possible for the worst writing ever on tv in Back to You and then fighting for it. So…there you go.
You lost me at “starring Will Forte”
Imagine how different pilot season would be if all pilots were allowed to be shopped around instead of having to deal with individual networks. It would be great to have a giant pilot screening festival with all networks present. Then they could fight it out among each other to get the ones they want. Would be pretty cool and a significantly positive change. I truly believe an actual competitive process would increase the quality of series and put more people to work.
I feel bad for tamara hously …this was her break back into acting….
I was just going to post the same thing but saw that your already did. I love her. I hope she’ll find happiness when she becomes a new mom and can go back to acting later.