Craig Zobel’s based-on-true-events thriller Compliance polarized Sundance attendees this year and was snatched up by Magnolia for the U.S. Memento Films International, which will offer up the film this month at the Cannes market, also bought eventual Oscar Foreign-Language Film winner A Separation last year. Here’s the full release of today’s deal:
Paris-based Memento Films International has acquired international rights for Craig Zobel’s COMPLIANCE, perhaps the most controversial feature of Sundance’s 2012 edition.
Inciting visceral reactions during and fierce debate after the screening, Zobel’s thriller, which is inspired by true events, follows the horrific unfolding and aftermath of a prank phone call at a fast food restaurant.
Starring Ann Dowd and Dreama Walker, the film was produced by SophiaLin, Tyler Davidson, Lisa Muskat, and Theo Sena. David Gordon Green, james Belfer and Carina Alves served as Executive Producers.
I feel that this film reflects not on just one specific circumstance, but a larger aspect of our nature as humans,” Zobel commented. “I’m more than excited to partner with Memento—who has handled so many of my favorite films in the last few years—to give this film international exposure, so it can resonate as widely as possible.”
“We found COMPLIANCE to not only be provocative and psychologically complex, but also the best film of Sundance’s program in 2012,” Tanja Meissner MFI’s head of sales and acquisitions, said. “This is a film that demands multiple conversations after viewing, as evidenced by the varied and vivid audience response. We could not be more excited to introduce the film to world markets, where it will only continue pronounced debate.”
Meissner, Emilie Georges and Nicholas Shumaker negotiated the deal for MFI with the Producers and Cinetic Media. Cinetic represented the Canadian deal with e-One and the US deal with Magnolia, who also released Zobel’s first film, GREAT WORLD OF SOUND. Deals have closed with NonStop for Scandanavia and Pretty Pictures for France.
The film will be presented to buyers in the Cannes Market as an international premiere. The film also stirred incredible interest at Sundance among festival programmers, where it immediately received invites at the top festivals around the world.



I am laughing at all of the consternation this film is creating.
Aren’t films supposed to explore disquieting subjects? Aren’t Films supposed to explore sensitive issues? Isn’t Hollywood for “Free Speech?” Isn’t “Art” meant to disturb and cause reflection and thought?
It seems that the same people who are screaming that their ideas should be heard over all others, have once again, shown that they don’t like looking inward and exploring their world view.
It’s O.K. for Religiousity to mock Christians, but how dare a Film mock Authority. Strange considering that Filmmakers mock Authority … that they oppose. Obama, must be obeyed, of course.
American Beauty is considered a “work of art,” because it explores issues that are clearly immoral and shows them as normal. Those that criticized it were called hillbillies, unsophisticated.
i could go on.
Now that these people are being challenged on their own turf, they can’t handle it. I am not surprised. Just another episode of “Hollywood Hypocrite.”
Seems you took a wrong turn from the Drudge Report and ended up here. A quick retort…
You don’t seem like you’re laughing. You seem pissed off.
“Hollywood” as you coined it, is not one group of people that all think and act the same. They don’t have weekly meetings to decide what they think. Hollywood is as diverse as the Republican party. OK, bad example.
And American Beauty. That movie is 13 years old. Try mixing a little Red Box into your routine. Might broaden your perspective.
This is a helluva film. I only hope that people will actually go see this film and decide for themselves. I knew nothing about this film when I saw the first showing at Sundance. To be honest, I went because it was the only thing available for last minute tickets that morning.
What I saw was a filmmaker that had the courage to attack the subject matter in this way and great performances by the three lead actors, Ann Dowd, Pat Healy and Dreama Walker. I saw some members of the audience so upset and angry that they left or if they stayed, screamed at the director after the screening. But I think the vast majority understood why the film was so provocative and appreciated it for what it was.
This film is going to piss some people off. Good. If it does, then it has done its job. This film will require self reflection and discussion. I only hope that you see it and judge for yourself.