May 25-28 Weekend Actuals, Memorial Day Weekend
1. Men in Black 3 3D (Columbia/Sony) NEW [4,248 Theaters] PG13
Friday $17.7M, Saturday $19.1M, Sunday $17.8M, Monday $14.7
3-Day Weekend $54.6M, 4-Day Holiday $69.3M,2. Marvel’s The Avengers 3D (Disney) Week 4 [3,918 Theaters] PG13
Friday $9.7M, Saturday $14.1M, Sunday $13M, Monday $10.5M
3-Day Weekend $36.7M, 4-Day Holiday $47.2M (-15%), Cume $523.9M3. Battleship (Universal) Week 2 [3,702 Theaters] PG13
Friday $3.1M, Saturday $4.1M, Sunday $3.9M, Monday $2.9M
3-Day Weekend $11.1M, 4-Day Holiday $13.9M (-45%), Cume $47.4M4. The Dictator (Paramount) Week 2 [3,014 Theaters] R
Friday $2.8M, Saturday $3.3M, Sunday $3.2M, Monday $2.2M
3-Day Weekend $9.3M, 4-Day Holiday $11.5M (-34%), Cume $43.3M5. Dark Shadows 3D (Warner Bros) Week 3 [3,404 Theaters] PG13
Friday $2.1M, Saturday $2.8M, Sunday $2.6M, Monday $1.9M
3-Day Weekend $7.5M, 4-Day Holiday $9.4M (-25%), Cume $64.9M6. Chernobyl Diaries (Alcon/Warner Bros) NEW [2,433 Theaters] R
Friday $3.5M, Saturday $2.4M, Sunday $2.0M, Monday $1.4M
3-Day Weekend $8.0M, 4-Day Holiday $9.4M7. What To Expect When You’re Expecting (Lionsgate) Week 2 [3,021
Theaters] PG13
Friday $2.2M (-42%), Saturday $2.6M, Sunday $2.3M, Monday $1.7M
3-Day Weekend $7.1M, 4-Day Holiday $8.8M (-17%), Cume $23.8M8. Best Exotic Marigold Hotel (Fox Searchlight) Week 4 [1,233
Theaters] PG13
Friday $1.7M, Saturday $2.5M, Sunday $2.3M, Monday $2M
3-Day Weekend $6.4M, 4-Day Holiday $8.4M (+159%), Cume $18.6M9. The Hunger Games (Lionsgate) Week 10 [1,421 Theaters] PG13
Friday $600K, Saturday $882K, Sunday $829K, Monday $702K
3-Day Weekend $2.3M, 4-Day Holiday $3.0M (+2%), Cume $396.0M10. Think Like A Man (Screen Gems/Sony) Week 6 [786 Theaters] PG13
Friday $405K, Saturday $560K, Sunday $500K, Monday $349K
3-Day Weekend $1.5M, 4-Day Holiday $1.8M (-32%), Cume $88.7M
MONDAY, 6TH UPDATE: So Men In Black 3 officially opened with a $55M three-day weekend and a $70M four-day Memorial Holiday. (Although rival studios say the numbers are slightly less: $54.5M/$68M.) That’s still not anywhere close to the $90M where Hollywood thought this popular franchise would debut its threequel, or the $80M which Sony Pictures expected. Even not adjusted for the 3D premium or higher ticket prices or inflation, MIB3 couldn’t beat Will Smith’s I Am Legend ($77M in 2007) or Hancock ($62M in 2008). MIB3‘s international number is $133.2M for a worldwide cume of $203.2M. IMAX sales contributed worldwide approximately $12.5M, which is 20% higher than their previous record for a worldwide memorial day release. Problem is that MIB3 was very expensive to make at a cost of between $225M to $300M. Plus, demonstrating more trouble for Hollywood, overall moviegoing of $190M for this holiday weekend was down a huge -31% from last year’s record. For more analysis, see below:
Here’s the Top Ten (based on 4-day holiday estimates):
1. Men in Black 3 3D (Columbia/Sony) NEW [4,248 Theaters] PG13
Friday $17.8M, Saturday $19.2M, Sunday $17.9M, Estimated Monday $15.0M
3-Day Weekend $55M, 4-Day Holiday $70M,
International Cume $133.2M, Global Cume $203.2M
2. Marvel’s The Avengers 3D (Disney) Week 4 [3,918 Theaters] PG13
Friday $9.6M, Saturday $14.1M, Sunday $13.2M, Monday
3-Day Weekend $36.7M, 4-Day Holiday $46.8M, Cume $523.6M
International Cume $281.9M, Global Cume $1.305B
3. Battleship (Universal) Week 2 [3,702 Theaters] PG13
Friday $3.0M (-65%), Saturday $4.1M, Sunday $3.8M, Monday
3-Day Weekend $10.9M, 4-Day Holiday $13.8M, Cume $47.3M
International Cume $232.4M, Global Cume $279.7M
4. The Dictator (Paramount) Week 2 [3,014 Theaters] R
Friday $2.7M (-51%), Saturday $3.3M, Sunday $3.1M, Monday
3-Day Weekend $9.2M, 4-Day Holiday $11.7M, Cume $43.6M
International Cume $50.3M, Global Cume $93.9M
5. Dark Shadows 3D (Warner Bros) Week 3 [3,404 Theaters] PG13
Friday $2.0M, Saturday $2.8M, Sunday $2.5M, Monday
3-Day Weekend $7.4M, 4-Day Holiday $9.4M, Cume $64.9M
International Cume $106.6M, Global Cume $171.5M
6. Chernobyl Diaries (Alcon/Warner Bros) NEW [2,433 Theaters] R
Friday $3.5M, Saturday $2.3M, Sunday $2.0M, Monday
3-Day Weekend $7.9M, 4-Day Holiday $9.3M
7. What To Expect When You’re Expecting (Lionsgate) Week 2 [3,021
Theaters] PG13
Friday $2.2M (-42%), Saturday $2.6M, Sunday $2.2M, Monday
3-Day Weekend $7.1M, 4-Day Holiday $8.8M, Cume $23.8M
8. Best Exotic Marigold Hotel (Fox Searchlight) Week 4 [1,233
Theaters] PG13
Friday $1.6M, Saturday $2.4M, Sunday $2.2M, Monday
3-Day Weekend $6.3M, 4-Day Holiday $8.2M, Cume $18.4M
9. The Hunger Games (Lionsgate) Week 10 [1,421 Theaters] PG13
Friday $593K, Saturday $875K, Sunday $800K, Monday
3-Day Weekend $2.2M, 4-Day Holiday $2.8M, Cume $395.8M
International Cume $249M, Global Cume $644.2M
10. Think Like A Man (Screen Gems/Sony) Week 6 [786 Theaters] PG13
Friday $395K, Saturday $540K, Sunday $480K, Monday
3-Day Weekend $1.4M, 4-Day Holiday $1.8M, Cume $88.7M
SUNDAY AM, 4TH UPDATE: A lot was riding on this weekend’s worldwide totals for Will Smith (back at cineplexes after a 4-year hiatus) and Sony (reviving a costly Columbia Pictures franchise that was dormant for a decade). But Memorial Weekend newcomer Men In Black 3 is now the 5th major studio release that has underperformed domestically at the start of Summer 2012.
Plus, demonstrating more trouble for Hollywood, overall moviegoing of $190M is down a huge -31% from last year’s record. Overseas, MIB3 was off to a better start, and Sony is projecting it to take in an estimated $202M worldwide total during its first few days of release in 106 territories. Of that, IMAX sales contributed approximately $12M to the global cume, which is 20% higher than the previous record for a worldwide Memorial Day release because of aggressive IMAX building overseas. Sony said MIB3 was #1 in 104 countries. In this country, yes, MIB3 finally vanquished three-time #1 Marvel’s The Avengers which was starting its 4th week in domestic release. Even so there’s continuing good news for Disney’s 3D superhero assembly: it crossed $500M on Saturday, reaching the mark in just 23 days which is setting a new speed record (better than Avatarwhich took 32 days). In 3,918 theaters, it’s a solid #2 with about a $36.9M three-day weekend and a $48.5M Memorial Holiday. It is currently the #4 film of all time globally and domestically and is currently the #5 film of all time internationally, passing Transformers: Dark of the Moon ($771M) this weekend. Even if Avengers weren’t sucking the air out of North American box office, trust me when I say the movie moguls are worried what lies ahead for their films in June after a dismal domestic May…
As for MIB3, I think Sony should have made a bigger deal of pairing the 3D scifi laugher with 6 minutes from its upcoming The Amazing Spider-Man throughout the run of the engagement in IMAX 3D. Starting Friday, rival studios were right on target telling me that MIB3 was falling short of what Hollywood expected for North America or overseas. Barry Sonnenfeld’s/Rick Baker’s latest playing in very wide release at 4,248 theaters opened with $17.9M Friday and then went up 8% with $19.4M Saturday. “It’s a little less than we hoped for,” a Sony exec admitted to me tonight. So that’s just $55M for the 3-day weekend and only $70M for the 4-day holiday.
Even overseas, depending on who’s analyzing, MIB3 started out as a mixed bag. Sony claimed “some fantastic new openings around the world, led by Russia, the Middle East, Latin America, and Asia. Russia was a sensational dominant #1 opening grossing $3.5M, accounting for 85% of the box office. This is bigger than the opening day of Avengers and is Sony’s biggest opening day of all time.” Overseas, estimates in top performing markets were: China $19.0M, Russia $18.8M, Korea $8.3M, Japan $7.9M, Mexico $5.9M, Germany $5.7, France $5.6M, Australia $5.3M, Brazil $5.0M, UK $5.0M. But rival studios tell me that “despite great tracking internationally, their midweek openings in Australia, France, Korea, and Germany are mostly behind Battleship or John Carter. Weird.” Those are two comps which no studio wants to hear in the same sentence with its summer blockbuster.
Here’s why the cost of MIB3 soared: The time travel elements of Etan Cohen’s script had to be re-worked by Jeff Nathanson who needed more time to pull off the tricky plot device while Cohen worked on another project. So the film shut down for about six weeks, which is a rarity for a major tentpole, and then Cohen came back to finish the movie. That caused the cost to skyrocket from a range of $225M (which is what Sony claims as the budget) to $300M (which is what rival studios say it really was). Between that and all the gross profit participants – besides Will Smith, this is one of Steven Spielberg’s Amblin Entertainment productions with his former lieutenants Walter Parkes and Laurie MacDonald producing through their Parkes+MacDonald Image Nation - every dollar counts. Now the question is how many families come out for Monday’s holiday. MIB3 is helped by good word of mouth with audiences giving it a ‘B+’ CinemaScore (‘A-’ from under age 18). Exit polling should that 54% of the opening weekend audience was male and 46% was female. Of those moviegoers, 44% was under age 25 and 56% was 25 or older.
The point of threequels is that they sell themselves. So the marketing campaign went on auto-pilo wuth the usual multi-platform media. It kicked off with the launch of the first trailer on Sherlock Holmes 2. The cast participated in International junkets and premieres starting in Seoul and continuing to Tokyo, Paris, Madrid, Berlin, London, Moscow, and New York. There was a MIB time capsule that will be housed at NASA’s Cape Canaveral for the next 43 years. Pitbull did the film’s theme song while legendary make up artist Rick Baker had an exhibit of his aliens at the Museum of the Moving Image in NYC. The main part of the campaign consisted of saturated television covering network season finales, the NBA playoffs, and kids networks. Sony worked with Viacom to create a two-phased, cross-network promotion themed around the “aliens amongst us” across MTV, Comedy, Spike, VH1, CMT, and MTV2 which extended into a strong viral campaign around the blog site TheMenInBlackSuitsAreReal.com.
High hopes for writer/producer Oren Peli and his Paranormal Activity-pedigreed horror newcomer Chernobyl Diaries (2,433 theaters) deflated. First it was given a dreaded ‘D+’ CinemaScore from audiences. Then Alcon Entertainment’s genre acquisition took a big 33% drop on Saturday from Friday’s opening. It’s now likely to finish in only 6th place through Monday, less than disappointing holdovers Battleship (3,702 theaters) from Universal and The Dictator (3,014 theaters) from Paramount and even Dark Shadows from Warner Bros, too. Back in February, Alcon purchased Chernobyl Diaries‘ North American and international release rights in Germany, Spain, and Japan for Peli’s reality-based horror thriller. The film was released by Warner Bros via an output deal with Alcon co-founders/co-CEOs Broderick Johnson and Andrew Kosove who are the pic’s EPs. Produced by Peli and Brian Witten (Dark City, Final Destination, Friday The 13th), it marks the directorial debut of veteran visual effects artist Brad Parker. Chernobyl Diaries is the first fully financed film by Glen Basner’s FilmNation Entertainmen. It was brought into Alcon by Dave Fierson, Alcon’s SVP of Business Affairs. Peli almost overnight has become a cottage industry for low-budget horror thrillers after he wrote and directed the first Paranormal Activity whose trilogy now has grossed a huge $576M for Paramount. It’s interesting to me that Alcon, which began in 1997 with financial backing from FedEx chairman Fred Smith, has now gone from primarily family fair like My Dog Skip, The Blind Side, and Dolphin Tale to a horror flick.
FRIDAY AM: This will be the first weekend in a month that Marvel’s The Avengers has not dominated North American box office as #1. Instead, Sony Pictures’ Men in Black 3 is anticipated to top today at a giant release in 4,248 runs for the start of Memorial Weekend as Will Smith returns to the cineplex after a long hiatus. This is his first major starring role in four years, and what could have been a tired franchise was freshened by a time travel plot and Josh Brolin. The studio just announced the scifi comedy made $1.5M for its first midnight showings in 2,233 locations calling it “Good. Expect a big day today, and kids to drive a huge Saturday-Sunday-Monday.” Hollywood believes the popular laugher can scare up as much as $80M-$90M domestic and north of $200M worldwide for the four-day holiday. Meanwhile Alcon Entertainment’s horror genre acquisition Chernobyl Diaries distributed domestically by Warner Bros posted a larger than expected midnight opening with $525K from 1,325 locations. “This result is at the very high end of all horror comps,” an exec emailed me. ”Stay tuned… It could beat tracking for the weekend.” Immediately Hollywood began revising up its $15M estimates for the film whose theater count is 2,433 this weekend.
For more estimates listed by title, see box office results here...Editor-in-Chief Nikki Finke - tip her here.


$11 million may not sound like a lot, but the fact that a direct-to-video special like CHERNOBYL DIARIES could open in theaters in the midst of summer blockbuster season and even do that much is quite an achievement.
Huh?
It’s a horror film. 11m opening is terrible. It’s an awful movie too.
Another awful horror film, The Devil Inside, opened to 33m DURING THE FIRST WEEKEND OF JANUARY.
Chernobyl Diaries has no excuse. It’s horror, WB spend some bucks to promote it, and now WOM is toxic.
Peli’s golden touch is now turning silver.
“THE FIRST WEEKEND OF JANUARY”…exactly, when the Xmas movies were starting to run out of gas, not directly opposite the debut of a huge movie aimed at the same youth demographic and another huge movie on its way to being one of the top two or three grossers of all time.
DEVIL INSIDE had a possession/religious theme that appeals to a wider audience, whereas the event CHERNOBYL DIARIES is based on happened before most of its target audience was born. And CHERNOBYL, cast with unknowns, is opening better than THE RAVEN with John Cusack, who still has a following, and SILENT HOUSE with highly promoted It Girl Elizabeth Olsen.
Considering its low production cost (and even adding in marketing), with foreign and video still to come, CHERNOBYL DIARIES will do just fine.
“DEVIL INSIDE had a possession/religious theme that appeals to a wider audience, whereas the event CHERNOBYL DIARIES is based on happened before most of its target audience was born.”
Chernobyl wasn’t out there as a history, it was pushed as Paranormal Activity 4, blasting Peli’s name everywhere. Come on. Nobody was interested. Competition is meaningless when there’s audience interest. There was none.
I’m starting to think you had something to do with the creation of Chernobyl.
As for the youth argument, tell that to the film’s R-rating. I’m sure the producers of MIB3 would be surprised to hear their film is being lumped in with a toss-off horror movie. It was counterprogramming for young adults, not kids.
If Cusack has a following, please let the producers of Hot Tub Time Machine, Igor, War Inc, Grace is Gone, and Martian Child know of this development. Can’t pin 2012 to his lapel.
Chernobyl tanked. It’s over.
“young adults” = a large part of the target audience for MEN IN BLACK 3, who were kids when the first two movies came out.
Peli’s name on more intriguing subject matter would have resulted in bigger grosses. As has been proven time and again, it’s the combination of names AND material that result in audience appeal.
Anyway, it looks like word of mouth is tanking CHERNOBYL faster than expected. Ah, the perils of commenting based on the Friday estimates…
Maybe I’m wrong, but I think a big problem with Chernobyl is the cinematography: The previews make it look like both a “found footage” film and a straightforward 3rd person perspective film. Just my opinion.
In trying to young down the audience you recast a 75 year old actor with a 50 year old one ?
What’s fascinating is that Avengers will be #1 again next weekend. It will be #2 against Prometheus but will then be #1 again for two or three more weekends after that until Spider-Man opens. That’s amazing. Men in Black is crazy expensive it might make a small profit eventually. Avengers could do $700 M domestic and $2 Billion foreign by September.
It’s official Avengers should be at a minimum 650-700 range. I even posted about it last week. Using The Dark Knight as the FLOOR(it was pretty pathetic) post day 23 in it’s run compared to the Avengers. I can compare a July film and a May film, thanks to the bombs that were released after The Avengers. Films like Battleship and Dark Shadows will lose their screens after their two week windows before The Avengers, so it will maintain a high theater count.
It’s very likely that The Avengers will crawl to 700 million like The Hunger Games will crawl to 400 million. But just like last week you have to leave room for an upside. Instead of using the simpleton half life decay method(which you can get away with most of the time) you sometimes have to think ahead and treat it like chess, look at the competition, the time of year, etc. So I will make a bold prediction, if The Avengers crosses the 700 million mark before the July 4th weekend, it will probably pass Avatar. I’ll say that it’s unlikely that The Avengers will break 700 million by July 4th, but that’s the only way I see it passing Avatar.
Like my post last week I’ll state again. The floor for The Avengers is 650 million. I’d say it’s even money it eventually crosses 700 million.
It would be great if “The Avengers” could hit 700 million domestically, it’s a fantastic film that deserves every dollar it makes. I just don’t think it will be able to sustain quite enough legs and staying power that will require it to get to 700 million, especially being in the heart of the summer movie season. I myself have it topping out at around 630 million domestically, i do belive that 650 million is a possibility. 700 million might just be a little out of reach in my opinion, i would love to be proven wrong though, haha. By all accounts it should be around 525 million by monday night, so 700 million is not impossible by any stretch of imagination, that’s for sure. I do believe how fast it reaches 600 million will deterimne how far beyond that ‘Avengers’ can go. If it can reach 600 million by sometime in mid June, it might push towards 650-700 million, but if it takes late June to early July to reach 600 million, it probally get’s no higher than 605-620 million. Just my take on it.
When budgets are so high a $75 mil opening weekend is considered a so so to poor performance…there’s a problem. The films that receive those crazy, large 100 mil plus weekends are usually Marvel superheros (and even then, Capt. America and Thor had opening weekends of $65 mil domestic), films from books that have a huge following (THG, Twilight), or just a stroke of luck with a director/actor that is huge at the time (Alice in Wonderland, the Pirates films)….They really need to cut the budgets down unless they are %95 sure they have a surefire hit, and even then that is always a gamble. Why couldn’t MIB3 be made on a $170 mil budget instead of 300 freaking million? You see someone like Del Toro, who can create rich visuals on a 30 mil budget that looks like a 100 mil budget…and you wonder why others can’t do the same.
To bad about BATTLESHIP because I thought it was a fun movie to watch.
So they’re projecting 65-75 million over the four day weekend, that’s around what i was thinking coming into the weekend. If so that’s a pretty solid Memorial Day weekend for ‘MIB 3″, i thought that some of the projections that had it taking in 90-100 million we’re a little over ambitious and stretching a bit. A 65-75 million 4 day take should put this film in postion to be a fairly sizable box office hit, and reviews has been fairly positive, so it should be alright. That huge budget is a concern for the company, so they definantly need “MIB 3″ to be strong overseas, i’m sure if it can take in 550-600 million globally, it should be a profitable film.
MIB3 was exceptional.
Exceptional….I won’t go that far. But I am amused at all the downers that have not seen it. I think it better than the original. Did not see the 2nd version.
Oh, and yeah, I get it….lots and lots don’t make sense.
But, it is just kind of pure fun “highlighted” by the computer graphics. The dialogue is quite great. I liked it a lot while watching…then when I got on the algorewebs understood that it took a bunch of top dr’s to stitch it together. This, I know, usually results in a mess….IMHO it didn’t this time.
It’s just great fun. And the ending, while odd and disjointed, did bring a tear to me eye.
That’s what movies are there for. I think sometimes we overthink the “fun” movies.
I’d give it an 89%. With a lovely sticker to show the team that it nearly knocked it out of the park. (Yeah, I know how much it cost….Everything is relative.)
Josh Broliin, was too old. Who cares….He was great. I look forward to his next film.
Going to get a piece of pie. I’d suggest some of you do the same.
Ha, the now-classic Deadline “pure fun” bit! So whose PR firm are you with?
If you walked out after 7 minutes you should probably save your opinion about how “unfunny” it was, and you certainly can’t comment on how the villain was “unworthy”. You walked in hating it and just used that lame excuse to get S11.00 back that you couldn’t afford in the first place and wanted to spend it elsewhere.
Right on the money, Tony! Isn’t it amazing that someone is actually stupid enough to think they can offer an educated summation of a movie that they walked out on 7 minutes in, and demanded their money back. If you walked out 7 minutes into a film, your mindset was one of extreme dislike from the time you purchased the ticket, because seven minutes into the film they were probably still rolling the credits for the producers, casting directors, etc. at the bottom corner of the screen.
Good! Well, maybe Hollywood and Sony will stop making these terrible “Men In Black” movies as all have been trash, and if this helps put Will Smith out of business too, great.
The hate is strong in this one…
More like the ability to see through hype.
Beating “The Avengers” now seems like a hollow victory, a $75 million weekend is great but “The Avengers” wasn’t going to be #1 forever.
It’s clear the Will Smith reporter slapping incident had a negative effect on MIB3′s opening. Inevitable that an actor’s likeability would take a *hit* with the public after he made a gross display of thinking he was entitled to slap around the little guy. My guess is Sony will make him go into retroactive damage control mode Tuesday with an apology declaration, but it’ll be too little too late to salvage MIB3, which needed to be a grand slam at the box office just to break even.
You’re crazy that Ukrainian reporter deserved to get slapped. If anything the incident helped Will it made him look great. The reporter tried to kiss him on the lips it’s his shtick it’s what he’s known for. The Sony publicist was visibly upset but she should have been informed about this idiot and kept Will away from him it was her job to know who was on the rope line even if they were in Russia. She should have known to whisper to Will to keep your distance from this guy he’s crazy.
I must agree with Theo here. Perhaps Smith did not understand that among Eastern European men to hug and kiss is not unlike a handshake and quite common. The reporter did not try to kiss Smith on the lips and yet even if he had, again, this is not uncommon in this part of the world. There was nothing intimate implied by it and certainly someone who is from a community that supports all diversity programs ought to understand that there are diverse customs outside of the U.S. To slap the man was to insult not only him but his host country.
Then Will Smith just pimp slapped the shiznit out of Ukraine.
Bull. Everyone deserves personal space, and the reporter crossed the line of common courtesy.
LOLOLOLOL @ “beating” a movie in its 4th week. Some accomplishment.
It shouldn’t even cost $200 million, considering how badly the last film did.
Saw MIB3 and while it was amazing it was a pretty fun way to spend a couple of hours. Will smith was nice to see after a long absence, Josh Brolin brought some fresh air to proceedings and jemaine Clement was a surprisingly effective villain. It’s just a shame the ending was such a half hearted shrug though I chalk that up to the whole shooting controversy last year.
The fifth summer movie to have underperformed at the box office? Hard to believe given the “great” choices we have to chose from this year.
“Cowgirls ‘n Angels” is selling out in 50 theaters in the midwest. It has a 91% audience rating on RT which is pretty darn high. Summer Tentpoles aren’t the only options out there…
Hollywood has forgotten how to compete and is run by fear-driven executives who drive up cost throwing money at artistry. And because they’ve never had to compete in life, they’ve created a “one movie opens per week” summer.
Tentpoles now compete against their own lack of quality.
Remember the wailing and knashing of teeth in 2010 as Memorial Day boxoffice figures came in?
Soon after, big b.o. figures were recorded. All smiles.
What goes ’round comes ’round????
Saw MIB 3 last night – By no means a perfect film, but also one of the most easily, genuinely enjoyable films I’ve seen in a while. It’s too bad the budget was so high, because it doesn’t feel like an aggressive, huge reboot like you’d expect (Liked Avengers, but you can’t help feeling like you’re being forced to have fun while you watch it)… Solid performances, some really funny moments, and clever alien design. Hope the numbers jump up a bit just for everyone involved…These are the tops of solid efforts that should be rewarded in Hollywood.
I saw it on IMAX today and liked it. It wasn’t always funny and obviously was a popcorn movie, but the effects were great – not overused, and the 3D quality was mind-blowing( I felt like i was jumping from the building) -a very enjoyable movie if you don’t expect too much. ( I was never a huge fan of both fist and second part, but that one is good)
I think the expectations were set at 90 mil JUST so people could relish when it didn’t hit obviously overblown expectations. I just saw this and really enjoyed it but seriously, 90 million? For Men in Black? Especially after the second one?
Am I the only one who just assumes the time travel plot was a device used to let tommy lee Jones work like 10 days….and collect a nice check for a movie he has no interest in making.
Tommy is getting old this was his swan song. Now they can do a 4th MIB and Jones won’t be in it at all Brolin will take over the part. They should have made this 3rd one 5 years ago they waited too long for it.
No one is commenting on Michael Stuhlbarg performance in MIB3. The film itself is a non cerebral good time, but the two things that stick in my mind as i think about the movie are Stuhlbarg and Brolin’s performances. Refreashing, fun, and certainly memorable.
I am glad you mentioned him, Richard313. There are many actors who can deliver strong performances when given good material. However – after ‘MIB3′ and ‘Hugo’ – Stuhlbarg has become the go-to-guy for bringing warmth, credibility and dimension to a plot device. Although he kills it on ‘Boardwalk Empire’, the actor deserves roles more worthy of his talent, like David Strathairn, William Fichtner and Jeffrey Wright.
No Frank The Pug ,He made the first two look god!
They need to go back to acting and drop some of that CIG stuff… It can rob a movie of it’s soul!
I loved Chernobyl Diaries, I really did.
It was much better than I expected.
It was very suspenseful, in a “Hitchcock” kind of way, where it keeps you on the edge of your seat and keeps you interested in the story.
It was visually interesting, the story was interesting, and it definitely gives you a few good scares!
I can honestly recommend it as a suspenseful, entertaining movie that gets your heart pumping in that good way where when something happens, you’re surprised and jump!
I was surprised by how serious this movie was for a comedy, but I liked it more than the last two. I can’t imagine it will make much more than 150 million though, because it’s not fun or exciting enough to want to watch more than once in theaters. But I’ll catch it again on DVD.