
Tuesday, May 22, 2012…Cannes…. Golden Globe®-nominee James McAvoy (Atonement, X-Men First Class) will star opposite Academy® Award-nominee Jessica Chastain (The Help, The Tree of Life) in the double-feature film project for Myriad Pictures, The Disappearance of Eleanor Rigby: Him and The Disappearance of Eleanor Rigby: Her.
Ned Benson (In Defiance of Gravity) wrote the two scripts and will direct both films.
The love story explores how a married couple in New York City deals with an emotional, life-altering experience, from the two different perspectives of the husband, Conor, (McAvoy), a restaurant owner, and of the wife, Eleanor, (Chastain), who goes back to college. Cassandra Kulukundis (A Late Quartet, In Defiance of Gravity) is producing. Kulukundis is also casting director (There Will Be Blood, Shattered Glass).
James McAvoy received a Golden Globe®-nomination for his performance opposite Kiera Knightley in the critically acclaimed film, Atonement. Other film credits include The Last King of Scotland with Forrest Whitaker, The Last Station with Helen Mirren and most recently in the box office hit X Men: First Class. He will next be seen starring in the new Danny Boyle film, Trance, in Eran Creevy’s, Welcome to the Punch and in Jon S. Baird’s, Filth. James is represented by UTA and United Agents.
Jessica Chastain was nominated for an Academy® Award for her performance in the 2011 critically-acclaimed drama The Help. The same year she appeared in The Debt, with Helen Mirren and Tom Wilkinson, and in Terence Malick’s The Tree of Life. Jessica stars with Shia LaBeouf and Guy Pearce in The Weinstein Company’s Lawless, and the actress is in Cannes this week promoting the film. Jessica is also starring in Kathryn Bigelow’s new film Zero Dark Thirty.
Myriad Pictures is pre-selling the title in Cannes this week. CEO Kirk D’Amico said, “I am thrilled that we can share the excitement of James joining the cast with our buyers in Cannes, who have been so enthusiastic about the project from the beginning. James is one of the finest actors working today and I look forward to seeing Ned’s rich, complex characters come alive.”
Myriad presented the scripts to buyers at the European Film Market, who were intrigued by the concept. “The Disappearance of Eleanor Rigby represents an alternate approach to content,” said D’Amico. “New distribution models make it creatively possible for feature films to break out of the format of one 90- minute experience.”
But both films will be stand-alone movies. D’Amico added, “We have to make both films work on their own, both for the buyers but also for the audiences. Together these films will describe a fully, more complete look at these characters and their lives.”



more white people in movies real audiences wont see.
Yeah, we’re all tired of seeing white people. Where are all the orange people. Let’s give them a shot.
How about a more inspiring premise? This looks like another “white people” problem.
I’ll see it.
Thanks a lot.
Does chastain need to do 8 movies a year? I think she is so talented but I am confused as to why her and her team are risking over exposure by putting her in all of these movies.
She is making up for lost time? Nothing wrong with that!
jessica has actually filmed a lot of her movies over the past few years, starting filming in about 2006, but due to unforeseen circumstances (movies being shelved, production companies being sold, extensive editing) the majority of her films’ releases were put on hold until about 2011.
for example:
wilde salome was filmed in 2006 and only received limited release in 2011
the tree of life was filmed in 2008 and was only released in 2011
she herself has joked in interviews that her mother used to ask her what she was doing in LA because she would claim to be in all of these films that never materialized. her family referred to the phenomenon as ‘the chastain curse’
No audience for this. At all.
Can they pick a setting anymore cliche than NYC?