
EXCLUSIVE UPDATED: So far, Reliance has been known in Hollywood for its film investments, primarily as financier of Steven Spielberg’s DreamWorks Studios. Now the Indian media giant is venturing into American television, backing a new 10-episode pirate series for NBC eyed for a March premiere, which will likely be
announced at the network’s upfront presentation Monday. I’ve learned that NBC is finalizing a deal for a straight-to-series order to the period drama, which will be produced by Georgeville Television, an independent TV studio formed recently by producer and former Heyday Films executive Marc Rosen (Harry Potter), and Motion Picture Capital, the finance arm of Reliance Entertainment. GVTV, which has operated quietly for the past three months, has the capability to fully-finance major network and cable scripted series, with Republic Of Pirates being its first project.
Luther creator Neil Cross is nearing a deal to write the project and executive produce it with Walter Parkes and Laurie MacDonald. The drama was originally set up at NBC last June under Parkes/MacDonald Prods’ first-look deal with the network. It became the first drama buy for then-new NBC chief Bob Greenblatt and his team last summer, with Jim Hart and Amanda Wells brought in to write it. Cross will now write the project under his recently inked overall deal with Universal TV. The series is based on the book The Republic Of Pirates by Colin Woodard. Set during the 10-year “Golden Age of Piracy” from 1715 to 1725, it follows some of the world’s most notorious pirates as they forge their own rogue nation, called New Providence, which became the first democracy in the Americas.
NBC’s pending green light to Republic Of Pirates comes on the heels of Starz’s straight-to-series order to Black Sails, a pirate adventure drama executive produced by Michael Bay and created by Jon Steinberg and Robert Levine. The eight-episode drama, which is already in pre-production, is set 20 years before the events in Robert Louis Stevenson’s Treasure Island and chronicles the adventures of Captain Flint and his men. Additionally, FX is developing Port Royal, produced by Graham King and Gale Anne Hurd. The fourth pirate-themed drama which had been percolating, Ridley and Tony Scott’s limited series Pyrates, is no longer in the running at Fox. When Republic of Pirates was set up at NBC last June, Parkes/MacDonald’s president of television Ted Gold stressed to me a big distinction between it and the other pirate projects, Gold said. (Black Sails had not been announced at the time.)
“The ‘pirates’ of all the other shows we know of — the ones who lived in the time of Ridley’s show and in the time of Port Royal -- were actually ‘privateers,’ private sailors and ships that were authorized by their governments to attack foreign shipping during wartime,” he said. “Our pirates are not ‘privateers’ working on behalf of other governments. They are disenfranchised or unemployed sailors who are completely self-governing and work on behalf or their own pirate nation.”
The deal with Georgeville TV for Republic Of Pirates is similar to NBC’s recent pact with Gaumont Studios for Hannibal. Besides its partnership with DreamWorks, for which it recently provided a second round of limited financing, Reliance made a splash a few years ago with a slew of announcements of first-look feature deals with star-driven companies headed by the likes of Brett Ratner, Jay Roach, Jim Carrey, Brad Pitt and Nicolas Cage. No major projects have come out of those pacts. Georgeville is with CAA, Parkes/MacDonald and Cross are with UTA.
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Wow! Very gutsy move, nice to see, definitely not the usual cop/doctor/lawyer thing.
But does this decrease the odds of a pickup for The Frontier, which would also be an unusually large risk? Or might NBC use The Frontier to build an audience for historical adventure, and then handing them off to the pirates come spring?
Does this mean that NBC isn’t very happy with there drama pilots? Only two pick-ups (or close to 2) and one of them wasn’t even going through the pilot process…
Straight to series VERY risky, no?
Yaaargh! Or it didn’t happen.
Interesting move and possibly smart. But NBC also picked up the international co-prod “Crusoe” a few years ago and it didn’t do very well. (Though it looked great.)
Sorry to say… but these internationally backed, financed shows never work out…
LA COMPLEX, FIRM, Crusoe, etc etc
NBC is betting heavily that audience from the summer olympics will stick around all year and sample shows. The eventually become their new core audience. To keep people watching the creativity has to be turned up a several notches. It clear no matter how broad they make a show people are not going stick around watch bland and Formulaic which can always be found on CBS.
Does the March premiere for this, as well as the anticipated short pickups of a number of shows, indicate NBC will be going to more of a cable season format, like the CW is rumored to?
This is a reply to Tommy -
The official upfronts for NBC are not until next week, so still plenty of time to order more series. Given the amount of gaps on their schedule that need filling, and their plan to launch shows early to capitalise on the Olympics, they’ll likely order a lot of new dramas.
Wow- this sounds Boring–all of them…
Ahoy matey! A new approach by Nbc. Well shiver me timbers! It may well work out.We shall see. Freelance pirates with their own agendas-like it! Hopefully won’t turn out all wet. Must take my leave of you now. Me wooden leg be itchin’!
That guy looks like a young Mike Ovitz.
Man, Ovitz looks good. Getting out of the agency world as done him right.
The hiring of “Luther”‘s Neil Cross to script the series is the most interesting part of this project. Good television starts with the showrunner/writer and this could be a good omen for the project.
With all the sports shows NBC has, they should rebuild their schedule to appeal to the male demographic, which ABC is in the process of totally abandoning with their soap-centric schedule and FOX is going to bore to death in the fall (they renewed Touch!! how desperate is that?)
Use sports to advertise adventure-oriented series, that GO SOMEWHERE. TV is full of shows that stay put, in a city, at a workplace, very static. Whatever happened to characters who ride over that next hill and see what’s there?
Pirates go somewhere. Wagon trains go somewhere. Spaceships go somewhere. That’s the way you get men to watch TV (other than sports) again.