
EXCLUSIVE: Paramount is wrapping up a seven-figure deal for screen rights to the Jonathan Tropper novel One Last Thing Before I Go. The film will be produced by JJ Abrams through the Bad Robot banner. The book will be published in August by Dutton. The deal was made in an competitive situation with multiple studios involved. The deal includes Tropper writing the script.
Here’s the logline: Book focuses on Silver, a man in full midlife crisis. He has begun to accept that life isn’t going to turn out as he expected, with his ex about to marry a guy too nice for Silver to hate. And his Princeton-bound teenage daughter Casey has just confided in him that she’s pregnant — because he’s the one she cares least about letting down. With the wedding looming and Casey in crisis, this broken family struggles, bonds, and comes together only to risk damaging each other even more. Silver has another major complication: he discovers he could die at any moment without an operation he refuses to have.
Tropper’s other novels include This Is Where I Leave You (set up at Warner Bros with Adam Shankman directing Tropper’s script), The Book Of Joe, and Everything Changes. Tropper is also famous (in my book, anyway) for writing an adaptation of the Mary Chase play Harvey that was good enough to get Steven Spielberg sparked up to commit to direct, until Tom Hanks said no and the iconic film proved difficult enough to cast that Spielberg moved on to other projects. The script got Tropper scripting jobs that included Kodachrome for Fox, Shawn Levy’s 21 Laps and the Gotham Group. Tropper is currently in production on the Cinemax series Banshee, which he created with David Schickler. They are exec producing with Alan Ball.
The deal was brokered by UTA on behalf of Tropper and New York publishing agent Simon Lipskar of Writers House.


story sounds like a yawn-inducing downer. all we need is a warm bath and rusty razors. and for $1 million? did someone overpay here? sounds like the author sure did hit the celluloid lottery.
A million dollars!?! The logline is not even as sophisticated as an episode of Parenthood! Even Aaron Spelling wouldn’t lay in the ‘needed operation’ in one of his shows. Geez.
Books require reading. Typical film idiots think in terms of loglines as the end all, be all.
Maybe pick up a copy of the actual book. And Read. Novel concept, no?
If you want to sell a feature, make it about upper middle class men in midlife crisis. The male studio execs all can relate.
That man will win an Oscar one day, and it will be very much deserved.
Uh oh. Does Alexander Payne know there’s another middle aged man ennui movie happening w/o him?
Great writer of books, terrible writer of scripts.
It’s always a bad sign when your “logline” is several paragraphs long. And features a protagonist who will die without an operation that he for some reason refuses to have, a reason that apparently isn’t important enough to be in the logline. Uh, mkay.
This guy just writes the same book over and over…
THIS SOUND SOMETHING STRAIGHT OU OF LIFETIME MOVIE. IT WILL BE INTERESED TO PLAY MAIN ROLE AFTER TOM HANK TURN IT DOWN. HOW ABOUT EITHER GEORGE CLOONEY OR BEN STILLER WITH STILLER PARENT PLAYING THE ROLE THE PARENT.
Holy mackerel…
You clearly don’t know anything about Lifetime Movies. They make movies about 14 prego teens, and moms that kill their kids.
You must be bullshitting me. Prime example of the typical formulaic, prosaic crap Hwood produces.
Depressing.
Hollywood has no idea what intelligent, good writing is.
Ho hum.
I certainly wish everyone the best of luck with this branded feature film project. But, I must admit, it does sound pedestrian.
They got excited over this??? I don’t care how great the book is, another mid-life male crisis?…It’s a Lifetime movie where Lyndsay Lohan is the lead but in drag .The industry is desperate.
Tropper’s writing is exceptional. The logline may sound trite, but his ability to blend outrageous character-based humor with earned poignancy is unmatched. I don’t disagree with reactions to logline, but I agree with Your Answer’s comment. You have to read his material to appreciate how gifted he is. ‘This Is Where I Leave You’ is a great starting point. It leaps off the page as a movie waiting to be made (not that that has anything to do with the merits of a novel). Looking forward to ‘One Last Thing’, can’t wait to see ‘Leave You’ on the screen at some point.
On a line-by-line basis Tropper’s writing is fine, but his characters all have the same voice. And all of his ideas are exactly the same thematically. He’s a one trick pony. And a schmaltzy one at that.
Re: This Is Where I Leave You — a family is “forced” by their dead father’s last wish that they spend the seven shiva days together so the family can “heal” itself? Mawkish and absurd at best.
Even with exceptional execution, i dont give one crap about seeing this. I agree with many others on the board. Sounds like a depressing cable movie. People go to movies – generally – for uplifting escapism, rather than a downer.
There is something so early ’90s about this dysfunctional family drivel. We can indulge in that when we are doing well enough and have enough leisure time to gaze through the zoo glass. People with ‘issues’ may be interesting when your issue is not keeping the roof over your head and food on the table, but in hard times, dysfunctional families come off as self indulgent and aggravating. No way i would watch this and i can’t imagine anyone who would.
I think Jonathan Tropper is an incredibly talented writer and I am very excited about this news, but… c’mon – ONE MILLION DOLLARS for the rights? Sorry, that was not a sound business decision.
Doesn’t matter of the book is gold JJ will turn it into crud. My bet: this never gets made.
Not at all. Wrong, wrong, wrong
I wonder which one of the stories they’ll decide to tell.
So what does the $1 million represent? Is that the “option” price for the film rights plus script or likely the full and final purchase price of all the rights from the author?
Good question! In these sorts of deals, do buyers get the rights outright with some reversion clause?
They judged this book by its cover and nothing else.
Sounds like ‘Last Chance Harvey’ done dark. Pass.
he’s excellent at titles …and hes a very successful writer,…..although screenplays need magic to move people— if the premise includes “mid life crisis” its more often than not the wrong direction-…and that(mediocreity)is the order of the day…..bravo to the writer ehv2 thankfully i dont even know how to spell that word..peace
Not anymore-read this one, its very different but oh so good!
The book is fabulous- witty, sharp, great character development and dialogue, and different from his previous but also great work. Given the right casting (Jeffery Dean Morgan could pull of Silver’s shaggy weary defeated thing) and direction, this could be a great movie.